I Gesuiti, Venice

Santa Caterina is a deconsecrated Roman Catholic church in the Cannaregio district of Venice, now forming part of the Liceo Marco Foscarini complex, to which it was joined when the Augustinian monks took over the running of the school. The church was begun by the "frati del Sacco" (Order of Penitence of Jesus Christ) early in the 13th century, but they were unable to complete it before their suppression in 1274. The building passed to a wealthy merchant, who gave it to Botolotta Giustinian, who in turn gave it to a group of Augustinian monks, who completed it by the 15th century and dedicated it to Catherine of Alexandria. On Catherine's feast day the Doge of Venice would come to the church to celebrate the "Festa dei Dotti", whilst it also originally housed Palma il Giovane's Saint Catherine's Mother Consulting Wise Men about her Daughter's Marriage (now in the Palazzo Patriarcale), Tintoretto's c.1585 cycle Scenes from the Life of Saint Catherine (now also in the Palazzo Patriarcale) and Paolo Veronese's 1575 Mystic Marriage of Saint Catherine (now in the Gallerie dell'Accademia). In the 1970s the church was devastated by a fire during restoration works, destroying the rest of its works of art.

The church of San Canciano or San Canziano is a small church in the sestiere (district) of Cannaregio in Venice. The church was supposedly founded in 864 when citizens from the mainland town of Aquileia fled to the lagoon islands of Venice to avoid the barbarian hordes. It was one of the churches under the jurisdiction of the patriarch of Grado who lived in Venice. It is dedicated to Canzio, Canziano, and Canzianilla, two brothers and a sister who were martyred for their faith at Aquileia. The church at the site was renovated in 1330, consecrated in 1351, and restored in 1550, and again finally reshaped in the early 18th century to a design by Antonio Gaspari. The facade was reconstructed in 1706 using a bequest from Michele Tommasi. The campanile dates from 1532. The nave ceiling was raised during the rebuilding in the mid-18th century using designs of Giorgio Massari. The four side altars dedicated to the Madonna have canvases by Giuseppe Angeli and Bartolomeo Letterini. The rich sculptural and stucco decoration was contributed by the Widmann family. Clemente Molli sculpted the statue of San Maximus, first bishop of Cittanova in Istria. The chancel altarpiece depicts The Glory of the martyred Saints Canzio, Canziano, and Canzianilla attributed to Paolo Zoppo.It is flanked by a painting of the Probatic Pond and Multiplication of the loaves by Domenico Zanchi. The chapel on the left dedicated to St Venerando contains an altarpiece of the Madonna and St Filippo Neri by Nicola Ranieri. The Altar of the Immaculate Virgin, second to left, was financed by Flaminio Corner in 1735.

The Palazzo Benedetti a Santa Sofia is a 14th-century Venetian-Gothic style palace with a characteristic and rare sottoportego or portico at the canal side, located near Santa Sofia in the sestiere of Cannaregio. Across the bridge from the palace is the Palazzo Priuli Stazio. This palace also called the Palazzo di Sottoportico della Guerra.

The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ), commonly called San Apostoli, is a 7th-century Roman Catholic church located in the Cannaregio sestiere of the Italian city of Venice. It is one of the oldest churches in the city and has undergone numerous changes since its foundation. The present building is the result of a major reconstruction project which was undertaken in 1575. The church is notable particularly for the Cornaro Chapel, an important example of Early Renaissance architecture, added by Mauro Codussi during the 1490s. The chapel is the burial place of several members of the powerful Cornaro family (Venetian: Corner), including Catherine Cornaro, Queen of Cyprus and Armenia. The church houses several works of art including pieces by Giambattista Tiepolo and Paolo Veronese.

The Palazzo Pesaro Papafava or Palazzo Papafava is a 15th-century Gothic style palace in the sestiere of Cannaregio of Venice, Italy. Located on the Canale della Misericordia, near the corner with Rio di San Felice; it stands across from the Scuola Grande di Santa Maria della Misericordia. It originally belonged to the Pesaro family in the 14th century, until the marriage of Bonifacio Papafava to Pesarina Pesaro in 1615. The Papafava family originated from Padua; and Bonifacio bought his entry into the Venetian Nobility (Libro d'oro) in 1652. The less decorated lateral wing was a later addition. The Papafava family died out with Giacomo Papafava in 1796.

Santa Maria dei Miracoli is a church in the sestiere of Cannaregio, in Venice, Italy.

The Church of the Abbey of Misericordia (Italian: Santa Maria dell'Abbazia della Misericordia or Santa Maria di Valverde) is a religious edifice in Venice, Italy, in the sestiere Cannaregio.

San Lazzaro dei Mendicanti is an ancient church in the sestiere of Castello, Venice, northern Italy, with a facade facing a Rio of the same name. It now serves as the chapel of the Civic Hospital of Venice.

The Scuola Grande di San Marco is a building in Venice, Italy, designed by the well-known Venetian architects Pietro Lombardo, Mauro Codussi, and Bartolomeo Bon. It was originally the home to one of the Scuole Grandi of Venice, or six major confraternities, but is now the city's hospital. It faces the Campo Santi Giovanni e Paolo, one of the largest squares in the city.

The Scuola vecchia della Misericordia ("Old School of Mercy") is a former charity building in Venice, Italy, in the sestiere of Cannaregio. It is located near the north margin of the city, at the intersections of Rio della Sensa and the confluence of Rio di Noale and Rio di San Falice. It was also known as the Scuola Grande di Santa Maria della Misericordia. It was erected in 1310 and subsequently enlarged several times; in Venice a scuola was the seat of a charity/religious institution. By the early 16th century, the old church had joined with the nearby Franciscan abbey, and the old meeting hall had been rented out. Construction of a new Scuola meeting hall, the Scuola Nuova della Misericordia was begun in 1507 across the Rio dell Sensa. However, 25 years later this was only a foundation, and new designs by Jacopo Sansovino completed the two-story brick structure. This was never faced with marble or stone, and sold in 1634 to the guild of silk weavers. The Scuola Nuova has been recently restored.

San Giovanni Grisostomo (English: Saint John Chrysostom) is a small church in the sestiere or neighborhood of Cannaregio, Venice. The church was founded in 1080, destroyed by fire in 1475, then rebuilt starting in 1497 by Mauro Codussi and his son, Domenico. Construction was completed in 1525. The bell tower dates from the late 16th century. The interior is based on a Greek cross design. Behind the façade are hung two canvasses, formerly organ doors, by Giovanni Mansueti depicting Saints Onuphrius, Agatha, Andrew and John Chrysostom. Onuphrius was the co-titular patron saint who was revered by the confraternity of the Tentori (dyers of fabrics, covers, and sheets). In 1516, a relic of the saint, his finger, was donated to this church. The chapel on the right has the painting Saints Christopher, Jerome and Louis of Toulouse (1513) by Giovanni Bellini. On the left rear the chapel of the Rosary or Madonna della Grazie has an altarpiece of Saints John Chrysostom, John the Baptist, John the Evangelist, Theodore, Mary Magdalene, Lucy and Catherine by Sebastiano del Piombo, commissioned by Caterina Contarini. On the wall of the apse is a series of canvases on the life of Saint John Chrysostom and Christ. On the high altar is a relief of the Deposition from the Cross. To the left is the chapel built for Giacomo Bernabò, with sculptural design by Codussi. The marble altarpiece of the Coronation of the Virgin (1500–1502) was completed by Tullio Lombardo. Ceiling: God the Father, fresco by Giuseppe Diamantini.

The Equestrian statue of Bartolomeo Colleoni is a Renaissance sculpture in Campo Santi Giovanni e Paolo, Venice, Italy, by Andrea del Verrocchio in 1480–1488. Portraying the condottiero Bartolomeo Colleoni (who served for a long time under the Republic of Venice), it has a height of 395 cm excluding the pedestal. It is the second major equestrian statue of the Italian Renaissance, after Donatello's equestrian statue of Gattamelata (1453).