San Canciano, Venice

Santa Maria dei Miracoli is a church in the sestiere of Cannaregio, in Venice, Italy.

San Giovanni Grisostomo (English: Saint John Chrysostom) is a small church in the sestiere or neighborhood of Cannaregio, Venice. The church was founded in 1080, destroyed by fire in 1475, then rebuilt starting in 1497 by Mauro Codussi and his son, Domenico. Construction was completed in 1525. The bell tower dates from the late 16th century. The interior is based on a Greek cross design. Behind the façade are hung two canvasses, formerly organ doors, by Giovanni Mansueti depicting Saints Onuphrius, Agatha, Andrew and John Chrysostom. Onuphrius was the co-titular patron saint who was revered by the confraternity of the Tentori (dyers of fabrics, covers, and sheets). In 1516, a relic of the saint, his finger, was donated to this church. The chapel on the right has the painting Saints Christopher, Jerome and Louis of Toulouse (1513) by Giovanni Bellini. On the left rear the chapel of the Rosary or Madonna della Grazie has an altarpiece of Saints John Chrysostom, John the Baptist, John the Evangelist, Theodore, Mary Magdalene, Lucy and Catherine by Sebastiano del Piombo, commissioned by Caterina Contarini. On the wall of the apse is a series of canvases on the life of Saint John Chrysostom and Christ. On the high altar is a relief of the Deposition from the Cross. To the left is the chapel built for Giacomo Bernabò, with sculptural design by Codussi. The marble altarpiece of the Coronation of the Virgin (1500–1502) was completed by Tullio Lombardo. Ceiling: God the Father, fresco by Giuseppe Diamantini.

The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ), commonly called San Apostoli, is a 7th-century Roman Catholic church located in the Cannaregio sestiere of the Italian city of Venice. It is one of the oldest churches in the city and has undergone numerous changes since its foundation. The present building is the result of a major reconstruction project which was undertaken in 1575. The church is notable particularly for the Cornaro Chapel, an important example of Early Renaissance architecture, added by Mauro Codussi during the 1490s. The chapel is the burial place of several members of the powerful Cornaro family (Venetian: Corner), including Catherine Cornaro, Queen of Cyprus and Armenia. The church houses several works of art including pieces by Giambattista Tiepolo and Paolo Veronese.

The Palazzo Ruzzini is 19th-century, neoclassic-style palace located between the Rio adjacent to the Fontego dei Tedeschi and the Casa Perducci and Palazzo Civran on the Grand Canal, in the Sestiere of Cannaregio, in the city of Venice, Italy. The central part of the facade is decorated with a trifora and quadrifora.

The Palazzo Civran is a Neoclassical style palace, located between the Campiello del Remer and the smaller Palazzo Perducci on the Grand Canal in the sestiere of Cannaregio in Venice, Italy. There is a separate Palazzo Civran Grimani on the Canal.

San Lio is a church located on the campo of the same name in the sestiere of Castello.

The Ca' da Mosto is a 13th-century, Venetian-Byzantine style palace, the oldest on the Grand Canal, located between the Rio dei Santi Apostoli and the Palazzo Bollani Erizzo, in the sestiere of Cannaregio in Venice, Italy.

The Fondaco dei Tedeschi (Venetian: Fòntego dei Todeschi, in literal English, "warehouse of the Germans") is a historic building in Venice, northern Italy, situated on the Grand Canal near the Rialto Bridge. It was the headquarters and restricted living quarters of the city's German (Tedeschi) merchants.

The Scuola Grande di San Marco is a building in Venice, Italy, designed by the well-known Venetian architects Pietro Lombardo, Mauro Codussi, and Bartolomeo Bon. It was originally the home to one of the Scuole Grandi of Venice, or six major confraternities, but is now the city's hospital. It faces the Campo Santi Giovanni e Paolo, one of the largest squares in the city.

Campo San Bartolomeo is a city square in Venice, Italy.

The Equestrian statue of Bartolomeo Colleoni is a Renaissance sculpture in Campo Santi Giovanni e Paolo, Venice, Italy, by Andrea del Verrocchio in 1480–1488. Portraying the condottiero Bartolomeo Colleoni (who served for a long time under the Republic of Venice), it has a height of 395 cm excluding the pedestal. It is the second major equestrian statue of the Italian Renaissance, after Donatello's equestrian statue of Gattamelata (1453).

The Palazzo Benedetti a Santa Sofia is a 14th-century Venetian-Gothic style palace with a characteristic and rare sottoportego or portico at the canal side, located near Santa Sofia in the sestiere of Cannaregio. Across the bridge from the palace is the Palazzo Priuli Stazio. This palace also called the Palazzo di Sottoportico della Guerra.