Santa Maria dei Miracoli, Venice

The church of San Canciano or San Canziano is a small church in the sestiere (district) of Cannaregio in Venice. The church was supposedly founded in 864 when citizens from the mainland town of Aquileia fled to the lagoon islands of Venice to avoid the barbarian hordes. It was one of the churches under the jurisdiction of the patriarch of Grado who lived in Venice. It is dedicated to Canzio, Canziano, and Canzianilla, two brothers and a sister who were martyred for their faith at Aquileia. The church at the site was renovated in 1330, consecrated in 1351, and restored in 1550, and again finally reshaped in the early 18th century to a design by Antonio Gaspari. The facade was reconstructed in 1706 using a bequest from Michele Tommasi. The campanile dates from 1532. The nave ceiling was raised during the rebuilding in the mid-18th century using designs of Giorgio Massari. The four side altars dedicated to the Madonna have canvases by Giuseppe Angeli and Bartolomeo Letterini. The rich sculptural and stucco decoration was contributed by the Widmann family. Clemente Molli sculpted the statue of San Maximus, first bishop of Cittanova in Istria. The chancel altarpiece depicts The Glory of the martyred Saints Canzio, Canziano, and Canzianilla attributed to Paolo Zoppo.It is flanked by a painting of the Probatic Pond and Multiplication of the loaves by Domenico Zanchi. The chapel on the left dedicated to St Venerando contains an altarpiece of the Madonna and St Filippo Neri by Nicola Ranieri. The Altar of the Immaculate Virgin, second to left, was financed by Flaminio Corner in 1735.

San Giovanni Grisostomo (English: Saint John Chrysostom) is a small church in the sestiere or neighborhood of Cannaregio, Venice. The church was founded in 1080, destroyed by fire in 1475, then rebuilt starting in 1497 by Mauro Codussi and his son, Domenico. Construction was completed in 1525. The bell tower dates from the late 16th century. The interior is based on a Greek cross design. Behind the façade are hung two canvasses, formerly organ doors, by Giovanni Mansueti depicting Saints Onuphrius, Agatha, Andrew and John Chrysostom. Onuphrius was the co-titular patron saint who was revered by the confraternity of the Tentori (dyers of fabrics, covers, and sheets). In 1516, a relic of the saint, his finger, was donated to this church. The chapel on the right has the painting Saints Christopher, Jerome and Louis of Toulouse (1513) by Giovanni Bellini. On the left rear the chapel of the Rosary or Madonna della Grazie has an altarpiece of Saints John Chrysostom, John the Baptist, John the Evangelist, Theodore, Mary Magdalene, Lucy and Catherine by Sebastiano del Piombo, commissioned by Caterina Contarini. On the wall of the apse is a series of canvases on the life of Saint John Chrysostom and Christ. On the high altar is a relief of the Deposition from the Cross. To the left is the chapel built for Giacomo Bernabò, with sculptural design by Codussi. The marble altarpiece of the Coronation of the Virgin (1500–1502) was completed by Tullio Lombardo. Ceiling: God the Father, fresco by Giuseppe Diamantini.

San Lio is a church located on the campo of the same name in the sestiere of Castello.

The Scuola Grande di San Marco is a building in Venice, Italy, designed by the well-known Venetian architects Pietro Lombardo, Mauro Codussi, and Bartolomeo Bon. It was originally the home to one of the Scuole Grandi of Venice, or six major confraternities, but is now the city's hospital. It faces the Campo Santi Giovanni e Paolo, one of the largest squares in the city.

The Equestrian statue of Bartolomeo Colleoni is a Renaissance sculpture in Campo Santi Giovanni e Paolo, Venice, Italy, by Andrea del Verrocchio in 1480–1488. Portraying the condottiero Bartolomeo Colleoni (who served for a long time under the Republic of Venice), it has a height of 395 cm excluding the pedestal. It is the second major equestrian statue of the Italian Renaissance, after Donatello's equestrian statue of Gattamelata (1453).

Campo Santi Giovanni e Paolo is a city square in Venice, Italy.

Campo Santa Maria Formosa is a city square in the Castello district of Venice, Italy.

Santa Maria della Fava, also originally known as Santa Maria della Consolazione, is an ancient Roman Catholic church in the sestiere of Castello in Venice, Italy. The suffix of della Fava (of the bean) attributed to the church, bridge and piazza has a number of attributed derivations. One explanation is that this area in Venice was used for the commerce of beans or the home of pastry shops for bean cake. A more colorful legend, perhaps for consumption of tourists, is that a man smuggling salt and beans was apprehended at the site, but when he kneeled before a local icon of the Madonna painted on a wall of Ca' Dolce, the salt from his bag disappeared, and thus he escaped imprisonment. The church then was built to house the miraculous icon. Finally, the church may have been endowed by the Fava family from Ferrara. The original church at the site was completed by 1500. While by 1662, it was under the jurisdiction of the Procuratoria of St Mark, it later was under the order of Saint Phillip Neri. The reconstructed, but unfinished, church we see today was designed by Antonio Gaspari in 1711, while the apse and presbytery (1750) were completed by Giorgio Massari. The interior of the church has a famous altarpiece of Saint Anne, Young Mary, and Saint Gioacchino, (1732) by Tiepolo. It also houses a Virgin with St Phillip Neri by Piazzetta. A series of statues of Saints and Evangelists were carved by Giuseppe Bernardi. Flanking the altar, which was designed by Massari are two angels by Giovanni Maria Morlaiter.

The Ponte Minich is a bridge which lies in the Sestiere Castello in Venice and connects the Calle Trevisan with the Calle Bressana. It is named after the surgeon Angelo Minich (1817–1893), who in his will of 25 September 1893 bequeathed the city of Venice thirty thousand lire for the comfort and education of the city, and to ensure the accuracy of the Venetian electrical clocks. The clocks still exist today; they have a white face with Roman numerals and housings made of cast iron.

The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ), commonly called San Apostoli, is a 7th-century Roman Catholic church located in the Cannaregio sestiere of the Italian city of Venice. It is one of the oldest churches in the city and has undergone numerous changes since its foundation. The present building is the result of a major reconstruction project which was undertaken in 1575. The church is notable particularly for the Cornaro Chapel, an important example of Early Renaissance architecture, added by Mauro Codussi during the 1490s. The chapel is the burial place of several members of the powerful Cornaro family (Venetian: Corner), including Catherine Cornaro, Queen of Cyprus and Armenia. The church houses several works of art including pieces by Giambattista Tiepolo and Paolo Veronese.

The Palazzo Ruzzini is 19th-century, neoclassic-style palace located between the Rio adjacent to the Fontego dei Tedeschi and the Casa Perducci and Palazzo Civran on the Grand Canal, in the Sestiere of Cannaregio, in the city of Venice, Italy. The central part of the facade is decorated with a trifora and quadrifora.

Campo San Bartolomeo is a city square in Venice, Italy.