Scuola Grande di San Marco

The Equestrian statue of Bartolomeo Colleoni is a Renaissance sculpture in Campo Santi Giovanni e Paolo, Venice, Italy, by Andrea del Verrocchio in 1480–1488. Portraying the condottiero Bartolomeo Colleoni (who served for a long time under the Republic of Venice), it has a height of 395 cm excluding the pedestal. It is the second major equestrian statue of the Italian Renaissance, after Donatello's equestrian statue of Gattamelata (1453).

Campo Santi Giovanni e Paolo is a city square in Venice, Italy.

The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a church in the Castello sestiere of Venice, Italy. One of the largest churches in the city, it has the status of a minor basilica. After the 15th century the funeral services of all of Venice's doges were held here, and twenty-five doges are buried in the church.

The Ponte Minich is a bridge which lies in the Sestiere Castello in Venice and connects the Calle Trevisan with the Calle Bressana. It is named after the surgeon Angelo Minich (1817–1893), who in his will of 25 September 1893 bequeathed the city of Venice thirty thousand lire for the comfort and education of the city, and to ensure the accuracy of the Venetian electrical clocks. The clocks still exist today; they have a white face with Roman numerals and housings made of cast iron.

Santa Maria dei Derelitti, commonly known as the church of the Ospedaletto, is a Renaissance-style, consecrated church in the Calle della Barbaria delle Tole of the sestiere of Castello, Venice, Italy.

San Lazzaro dei Mendicanti is an ancient church in the sestiere of Castello, Venice, northern Italy, with a facade facing a Rio of the same name. It now serves as the chapel of the Civic Hospital of Venice.

Santa Maria dei Miracoli is a church in the sestiere of Cannaregio, in Venice, Italy.

Campo Santa Maria Formosa is a city square in the Castello district of Venice, Italy.

Casa Venier is a small Gothic-style palace on the north eastern side of Campo Santa Maria Formosa, adjacent to the complex of Palazzi Donà in the Sestiere of Castello, Venice, Italy.

The Palazzo Donà-Ottobon is a palace located at Calle della Madonna on the Fondamenta di San Severo, corner with Calle Larga San Lorenzo, in the Sestiere of Castello in Venice, Italy. The remains of this Venetian Gothic palace are a small corner facade, alongside a canal, with two and a half walled-up gothic arcades in the piano nobile. The portal has an equally awkward marble relief of the Virgin with St Francis, St Claire de Montefalco, and a donor of reduced size. Earlier authors do not mention this portal.

The church of San Canciano or San Canziano is a small church in the sestiere (district) of Cannaregio in Venice. The church was supposedly founded in 864 when citizens from the mainland town of Aquileia fled to the lagoon islands of Venice to avoid the barbarian hordes. It was one of the churches under the jurisdiction of the patriarch of Grado who lived in Venice. It is dedicated to Canzio, Canziano, and Canzianilla, two brothers and a sister who were martyred for their faith at Aquileia. The church at the site was renovated in 1330, consecrated in 1351, and restored in 1550, and again finally reshaped in the early 18th century to a design by Antonio Gaspari. The facade was reconstructed in 1706 using a bequest from Michele Tommasi. The campanile dates from 1532. The nave ceiling was raised during the rebuilding in the mid-18th century using designs of Giorgio Massari. The four side altars dedicated to the Madonna have canvases by Giuseppe Angeli and Bartolomeo Letterini. The rich sculptural and stucco decoration was contributed by the Widmann family. Clemente Molli sculpted the statue of San Maximus, first bishop of Cittanova in Istria. The chancel altarpiece depicts The Glory of the martyred Saints Canzio, Canziano, and Canzianilla attributed to Paolo Zoppo.It is flanked by a painting of the Probatic Pond and Multiplication of the loaves by Domenico Zanchi. The chapel on the left dedicated to St Venerando contains an altarpiece of the Madonna and St Filippo Neri by Nicola Ranieri. The Altar of the Immaculate Virgin, second to left, was financed by Flaminio Corner in 1735.

Santa Maria Formosa, formally The Church of the Purification of Mary, is a church in Venice, northern Italy. It was erected in 1492 under the design by Renaissance architect Mauro Codussi. It lies on the site of a previous church dating from the 7th century, which, according to tradition, was one of the eight founded by San Magno, bishop of Oderzo. The name "formosa" relates to an alleged appearance of the Holy Virgin disguised as a voluptuous woman1.