San Lazzaro dei Mendicanti

The Scuola Grande di San Marco is a building in Venice, Italy, designed by the well-known Venetian architects Pietro Lombardo, Mauro Codussi, and Bartolomeo Bon. It was originally the home to one of the Scuole Grandi of Venice, or six major confraternities, but is now the city's hospital. It faces the Campo Santi Giovanni e Paolo, one of the largest squares in the city.

The Basilica dei Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a church in the Castello sestiere of Venice, Italy. One of the largest churches in the city, it has the status of a minor basilica. After the 15th century the funeral services of all of Venice's doges were held here, and twenty-five doges are buried in the church.

The Equestrian statue of Bartolomeo Colleoni is a Renaissance sculpture in Campo Santi Giovanni e Paolo, Venice, Italy, by Andrea del Verrocchio in 1480–1488. Portraying the condottiero Bartolomeo Colleoni (who served for a long time under the Republic of Venice), it has a height of 395 cm excluding the pedestal. It is the second major equestrian statue of the Italian Renaissance, after Donatello's equestrian statue of Gattamelata (1453).

Campo Santi Giovanni e Paolo is a city square in Venice, Italy.

Santa Maria dei Derelitti, commonly known as the church of the Ospedaletto, is a Renaissance-style, consecrated church in the Calle della Barbaria delle Tole of the sestiere of Castello, Venice, Italy.

The Ponte Minich is a bridge which lies in the Sestiere Castello in Venice and connects the Calle Trevisan with the Calle Bressana. It is named after the surgeon Angelo Minich (1817–1893), who in his will of 25 September 1893 bequeathed the city of Venice thirty thousand lire for the comfort and education of the city, and to ensure the accuracy of the Venetian electrical clocks. The clocks still exist today; they have a white face with Roman numerals and housings made of cast iron.

Santa Maria del Pianto is a late-Baroque-style, Roman Catholic church in Venice, Italy. This dilapidated octagonal church in a forgotten corner of Venice was designed by Baldassare Longhena, and appears inspired by Longhena's Santa Maria della Salute on the Grand Canal, Venice. A church and monastery were begun in 1647, after a Senate decree from 1646 as an ex voto for outcomes in the war against the Ottomans. The Servite nunnery, called the Cappuccine delle Fondamenta Nuove, and observing a cloistered Augustinian rule, was complete by 1658, and the church was consecrated in 1687 to St Mary of the Tearful and St Joseph. In 1810, the order was suppressed. The church abandoned was restored during 1842, and re-opened to worship.

Santa Maria dei Miracoli is a church in the sestiere of Cannaregio, in Venice, Italy.

The Palazzo Donà-Ottobon is a palace located at Calle della Madonna on the Fondamenta di San Severo, corner with Calle Larga San Lorenzo, in the Sestiere of Castello in Venice, Italy. The remains of this Venetian Gothic palace are a small corner facade, alongside a canal, with two and a half walled-up gothic arcades in the piano nobile. The portal has an equally awkward marble relief of the Virgin with St Francis, St Claire de Montefalco, and a donor of reduced size. Earlier authors do not mention this portal.

The church of Santa Maria Assunta, known as I Gesuiti, is a religious building in Venice, northern Italy. It is located in the sestiere of Cannaregio, in Campo dei Gesuiti, not far from the Fondamenta Nuove.

Campo Santa Maria Formosa is a city square in the Castello district of Venice, Italy.

Casa Venier is a small Gothic-style palace on the north eastern side of Campo Santa Maria Formosa, adjacent to the complex of Palazzi Donà in the Sestiere of Castello, Venice, Italy.