Santi Apostoli, Venice

The Ca' da Mosto is a 13th-century, Venetian-Byzantine style palace, the oldest on the Grand Canal, located between the Rio dei Santi Apostoli and the Palazzo Bollani Erizzo, in the sestiere of Cannaregio in Venice, Italy.

The Palazzo Benedetti a Santa Sofia is a 14th-century Venetian-Gothic style palace with a characteristic and rare sottoportego or portico at the canal side, located near Santa Sofia in the sestiere of Cannaregio. Across the bridge from the palace is the Palazzo Priuli Stazio. This palace also called the Palazzo di Sottoportico della Guerra.

The Palazzo Michiel Dalle Colonne is a Baroque style palace located on the northern bank of the Grand Canal in the sestiere of Cannaregio in Venice, Italy. It is one building south of the junction of Rio del Santissimi Apostoli with Grand Canal, next to the Palazzo Michiel del Brusà and across the Canal from the Rialto Mercato and the Campo della Pescaria. The palace is also referred to as Palazzo Michiel Dalle Colonne a Santa Sofia.

San Giovanni Grisostomo (English: Saint John Chrysostom) is a small church in the sestiere or neighborhood of Cannaregio, Venice. The church was founded in 1080, destroyed by fire in 1475, then rebuilt starting in 1497 by Mauro Codussi and his son, Domenico. Construction was completed in 1525. The bell tower dates from the late 16th century. The interior is based on a Greek cross design. Behind the façade are hung two canvasses, formerly organ doors, by Giovanni Mansueti depicting Saints Onuphrius, Agatha, Andrew and John Chrysostom. Onuphrius was the co-titular patron saint who was revered by the confraternity of the Tentori (dyers of fabrics, covers, and sheets). In 1516, a relic of the saint, his finger, was donated to this church. The chapel on the right has the painting Saints Christopher, Jerome and Louis of Toulouse (1513) by Giovanni Bellini. On the left rear the chapel of the Rosary or Madonna della Grazie has an altarpiece of Saints John Chrysostom, John the Baptist, John the Evangelist, Theodore, Mary Magdalene, Lucy and Catherine by Sebastiano del Piombo, commissioned by Caterina Contarini. On the wall of the apse is a series of canvases on the life of Saint John Chrysostom and Christ. On the high altar is a relief of the Deposition from the Cross. To the left is the chapel built for Giacomo Bernabò, with sculptural design by Codussi. The marble altarpiece of the Coronation of the Virgin (1500–1502) was completed by Tullio Lombardo. Ceiling: God the Father, fresco by Giuseppe Diamantini.

The Palazzo Civran is a Neoclassical style palace, located between the Campiello del Remer and the smaller Palazzo Perducci on the Grand Canal in the sestiere of Cannaregio in Venice, Italy. There is a separate Palazzo Civran Grimani on the Canal.

Santa Sofia is a church located in the sestiere (neighborhood) of Cannaregio in Venice, Italy. It should be distinguished from the palazzo Ca' d'Oro on the Grand Canal is also called the Palazzo Santa Sofia. A wooden church of Sant Sofia in Venice is documented in chronicles from 886 The church dates to initial patronage in the 11th century by the patrician family of the Gussoni. Construction began in 1020. It appears to have survived the great fire of 1105 in Venice. Major reconstruction took place from 1507 to 1534. The architect of a late-1600s reconstruction was Antonio Gaspari. With the construction of the Strada Nova in Venice in the 1800s, the church's length was diminished. Under Napoleonic rule, the rites in the church were suppressed. The church was converted into a warehouse, and the contents were dispersed. Fontana recounts how in 1836 the church was " redeem(ed) from the Israelites into whose hands it had fallen, and cleared of the debris. " In 1836, the church was re-consecrated for Roman Catholic services. Presently, the ground floor of the facade and bell tower of the church are screened behind a screen of buildings. The interior is less decorated than in the past. Originally a Last Supper by Paolo Veronese was located on the door leading to the Sacristy. Across from this canvas was a Birth of the Virgin by Titian. The main chapel had an altarpiece of Christ preaching to the Masses by Francesco da Ponte. Above the door, called that of St Peter, was a Crucifixion by Tintoretto. In the pulpit was a canvas by Domenico Tintoretto, depicting, the Marriage of the Virgin. On the organ covers were paintings of Adoration of the Shepherds attributed to Francesco and Leandro Bassano; these works are now attributed to Palma the Elder and are now in the Gallerie dell'Accademia of Venice. Other works included altarpieces by Gentile da Fabriano, Lionardo Corona, and Baldassare d'Anna. A Madonna and saints was painted by Giovanni Segala. The altarpiece of San Lorenzo Giustiniani was painted by Angelo Trevisani. A Baptism of Christ was painted by Daniele Heinz (Daniel Ens), brother of Joseph Ens.In the reduced size of the church after 1836 were housed a Madonna and Saints by Giovanni Battista Maganza; a St Anthony of Padua by Girolamo Brusaferro, a Christ in the Temple and an Adoration of the Magi by Leandro Bassano. In the small chapel beside the main door is a painting by Jacopo Palma the Elder. It also had an altarpieces by Pietro Moro. Likely most of these paintings were not originally in this church, nor have they been retained. Presently in this church are two paintings by Bassano's school: at the side of the presbytery, and a Baptism of Christ, now attributed to Girolamo Heinz, is now on the main altar. Four statues of saints, attributed to Antonio Rizzo, were relocated from the church of the Servi.

The Palazzo Ruzzini is 19th-century, neoclassic-style palace located between the Rio adjacent to the Fontego dei Tedeschi and the Casa Perducci and Palazzo Civran on the Grand Canal, in the Sestiere of Cannaregio, in the city of Venice, Italy. The central part of the facade is decorated with a trifora and quadrifora.

The church of San Canciano or San Canziano is a small church in the sestiere (district) of Cannaregio in Venice. The church was supposedly founded in 864 when citizens from the mainland town of Aquileia fled to the lagoon islands of Venice to avoid the barbarian hordes. It was one of the churches under the jurisdiction of the patriarch of Grado who lived in Venice. It is dedicated to Canzio, Canziano, and Canzianilla, two brothers and a sister who were martyred for their faith at Aquileia. The church at the site was renovated in 1330, consecrated in 1351, and restored in 1550, and again finally reshaped in the early 18th century to a design by Antonio Gaspari. The facade was reconstructed in 1706 using a bequest from Michele Tommasi. The campanile dates from 1532. The nave ceiling was raised during the rebuilding in the mid-18th century using designs of Giorgio Massari. The four side altars dedicated to the Madonna have canvases by Giuseppe Angeli and Bartolomeo Letterini. The rich sculptural and stucco decoration was contributed by the Widmann family. Clemente Molli sculpted the statue of San Maximus, first bishop of Cittanova in Istria. The chancel altarpiece depicts The Glory of the martyred Saints Canzio, Canziano, and Canzianilla attributed to Paolo Zoppo.It is flanked by a painting of the Probatic Pond and Multiplication of the loaves by Domenico Zanchi. The chapel on the left dedicated to St Venerando contains an altarpiece of the Madonna and St Filippo Neri by Nicola Ranieri. The Altar of the Immaculate Virgin, second to left, was financed by Flaminio Corner in 1735.

The Ca' Sagredo is a 14th-century Byzantine-Gothic style palace located on the corner of the Strada Nuova and Campo Santa Sofia, in the sestiere of Cannaregio in central Venice, Italy. It now faces the Grand Canal (Venice), and across the campo from the Ca' Foscari. On the left side there is the Palazzo Giustinian Pesaro.

The Fondaco dei Tedeschi (Venetian: Fòntego dei Todeschi, in literal English, "warehouse of the Germans") is a historic building in Venice, northern Italy, situated on the Grand Canal near the Rialto Bridge. It was the headquarters and restricted living quarters of the city's German (Tedeschi) merchants.

Il Gobbo di Rialto (the Hunchback of the Rialto) is a marble statue of a hunchback found opposite the Church of San Giacomo di Rialto at the end of the Rialto in Venice. Sculpted by Pietro da Salò in the 16th century, the statue takes the form of a crouching, naked hunchback supporting a small flight of steps.

Palazzo dei Camerlenghi is a Renaissance palazzo in Venice, northern Italy, located in the sestiere (quarter) of San Polo. It faces the Canal Grande, adjacent to the Rialto Bridge.