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Abby Aldrich Rockefeller Sculpture Garden

Gardens in New York (state)Midtown ManhattanMuseum of Modern Art (New York City)Parks in Manhattan
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The Abby Aldrich Rockefeller Sculpture Garden is an outdoor courtyard at the Museum of Modern Art in Manhattan, New York City. Designed by notable architect Philip Johnson, the courtyard was conceived at the same time as Johnson's West Wing annex for the museum. Construction began in the spring on 1952 and was completed in April 1953.Throughout its history, the garden has served as the temporary setting for notable artworks including Alexander Calder's Black Widow (1959), Anthony Caro's Midday (1960), Pablo Picasso's She-Goat (1950), as well as providing a space for innovative exhibitions like 8 AUTOMOBILES (1951) and Italy: The New Domestic Landscape (1972).

Excerpt from the Wikipedia article Abby Aldrich Rockefeller Sculpture Garden (License: CC BY-SA 3.0, Authors, Images).

Abby Aldrich Rockefeller Sculpture Garden
West 53rd Street, New York Manhattan

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N 40.761445 ° E -73.976784 °
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West 53rd Street 9
10019 New York, Manhattan
New York, United States
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13 and 15 West 54th Street
13 and 15 West 54th Street

13 and 15 West 54th Street (also the William Murray Residences) are two commercial buildings in the Midtown Manhattan neighborhood of New York City. They are along 54th Street's northern sidewalk between Fifth Avenue and Sixth Avenue. The four-and-a-half-story houses were designed by Henry Janeway Hardenbergh in the Renaissance-inspired style and were constructed between 1896 and 1897 as private residences. They are the two westernmost of five consecutive townhouses erected along the same city block during the 1890s, the others being 5, 7, and 9–11 West 54th Street. The buildings were designed as a nearly identical pair of houses. The facade is made of limestone with rusticated blocks on the first story and smooth blocks on the upper stories. The houses contain a rounded oriel facing 54th Street and a central pair of entrances above the raised basement. The houses are nearly identical except for their roofs; the eastern house at number 13 has a mansard roof while the western house at number 15 has a balustrade. The houses were commissioned for businessman William Murray, who respectively sold 13 and 15 West 54th to Jessie Neilson and James B. Dickson. Number 13 was purchased by John D. Rockefeller Sr. in 1906 and served as the home of his son and daughter-in-law, John D. Rockefeller Jr. and Abby Aldrich Rockefeller, until 1913, after which it was leased by various families through the 1950s. Ownership of number 15 was much more stable, as the Dicksons occupied the site until 1953. Nelson Rockefeller used number 13 as an office from the 1940s until his death in 1979, and he bought number 15 and operated it as the Museum of Primitive Art from 1957 to 1979. The New York City Landmarks Preservation Commission designated the house as an official landmark in 1981, and it was added to the National Register of Historic Places in 1990 as part of the 5–15 West 54th Street Residences historic district.

Rockefeller Apartments
Rockefeller Apartments

The Rockefeller Apartments is a residential building at 17 West 54th Street and 24 West 55th Street in the Midtown Manhattan neighborhood of New York City. Designed by Wallace Harrison and J. André Fouilhoux in the International Style, the Rockefeller Apartments was constructed between 1935 and 1936. The complex was originally designed with 138 apartments. The apartment complex, just north of the Museum of Modern Art, was built on land left over from the construction of Rockefeller Center. The Rockefeller Apartments consists of two towers, one facing north toward 55th Street and one facing south toward 54th Street. The land under the Rockefeller Apartments had been owned by the Rockefeller family, and the architects had been involved in designing Rockefeller Center. The two towers are 11 stories and are faced with brick, with partially protruding cylindrical bays. The interior was intended to allow fifteen percent more air and natural light compared to contemporary building regulations. The ground floor contains a location of Michael's Restaurant. The Rockefeller family had secretly acquired the site by the 1930s, although this was not disclosed until the plans for the apartment complex were announced in November 1935. The family had intended to remodel existing houses on the site, though they instead decided to build an apartment complex to complement Rockefeller Center, connected via an ultimately unbuilt extension of Rockefeller Plaza. The complex was fully leased by the time residents moved to the apartments in October 1936. The building was sold to the Astor family in 1945 and Henry Goelet in 1953, and it became a cooperative apartment complex in 1954. The New York City Landmarks Preservation Commission designated the complex as a city landmark in 1984.

11 West 54th Street
11 West 54th Street

11 West 54th Street (also 9 West 54th Street and the James J. Goodwin Residence) is a commercial building in the Midtown Manhattan neighborhood of New York City. It is along 54th Street's northern sidewalk between Fifth Avenue and Sixth Avenue. The four-and-a-half-story building was designed by McKim, Mead & White in the Georgian Revival style and was constructed between 1896 and 1898 as a private residence. It is one of five consecutive townhouses erected along the same city block during the 1890s, the others being 5, 7, 13 and 15 West 54th Street. The building is designed as a double house, with a larger unit at 11 West 54th Street to the west, as well as a smaller unit at 9 West 54th Street to the east. The facade is made of rusticated blocks of limestone on the first story, as well as Flemish bond brick on the upper stories. Businessman James Junius Goodwin and his wife Josephine lived at the main unit at number 11 with his family and rented number 9. The house initially served as the second residence for James Goodwin, who lived primarily in Connecticut. James Goodwin died in 1915, and Josephine continued to live in the house until 1939, after which it was used briefly by the Inter-America House and the Museum of Modern Art The house was sold to Parsonage Point Realty Company in 1944 and leased to the Rhodes Preparatory School, which bought the building in 1949. The house was then sold in 1979 to the United States Trust Company, which renovated the structure. The New York City Landmarks Preservation Commission designated the house as an official landmark in 1981, and it was added to the National Register of Historic Places in 1990 as part of the 5–15 West 54th Street Residences historic district.

7 West 54th Street
7 West 54th Street

7 West 54th Street (also the Philip Lehman Residence) is a commercial building in the Midtown Manhattan neighborhood of New York City. It is along 54th Street's northern sidewalk between Fifth Avenue and Sixth Avenue. The four-story building was designed by John H. Duncan in the French Beaux-Arts style and was constructed between 1899 and 1900 as a private residence. It is one of five consecutive townhouses erected along the same city block during the 1890s, the others being 5, 11, and 13 and 15 West 54th Street. The facade is made entirely of limestone, with a smooth facade at the first floor and rusticated blocks on the upper stories. Above the centrally positioned main entrance is a balcony at the second story. The house is topped by a slate mansard roof. The house was built with twelve rooms and various hallways and alcoves. Much of the interior furnishings from the house's completion in 1900 have been removed or relocated. The house was commissioned for banker Philip Lehman, who lived in the house until he died in 1947. The house was then occupied by his son Robert Lehman, who lived there until his own death in 1969. The house was then sold in 1974. The New York City Landmarks Preservation Commission designated the house as an official landmark in 1981, and it was added to the National Register of Historic Places in 1990 as part of the 5–15 West 54th Street Residences historic district. The building was purchased by a group of investors in 2005, and Belmont Freeman was hired to renovate the building the next year, largely to the house's original design.