5 West 54th Street

7 West 54th Street (also the Philip Lehman Residence) is a commercial building in the Midtown Manhattan neighborhood of New York City. It is along 54th Street's northern sidewalk between Fifth Avenue and Sixth Avenue. The four-story building was designed by John H. Duncan in the French Beaux-Arts style and was constructed between 1899 and 1900 as a private residence. It is one of five consecutive townhouses erected along the same city block during the 1890s, the others being 5, 11, and 13 and 15 West 54th Street. The facade is made entirely of limestone, with a smooth facade at the first floor and rusticated blocks on the upper stories. Above the centrally positioned main entrance is a balcony at the second story. The house is topped by a slate mansard roof. The house was built with twelve rooms and various hallways and alcoves. Much of the interior furnishings from the house's completion in 1900 have been removed or relocated. The house was commissioned for banker Philip Lehman, who lived in the house until he died in 1947. The house was then occupied by his son Robert Lehman, who lived there until his own death in 1969. The house was then sold in 1974. The New York City Landmarks Preservation Commission designated the house as an official landmark in 1981, and it was added to the National Register of Historic Places in 1990 as part of the 5–15 West 54th Street Residences historic district. The building was purchased by a group of investors in 2005, and Belmont Freeman was hired to renovate the building the next year, largely to the house's original design.

11 West 54th Street (also 9 West 54th Street and the James J. Goodwin Residence) is a commercial building in the Midtown Manhattan neighborhood of New York City. It is along 54th Street's northern sidewalk between Fifth Avenue and Sixth Avenue. The four-and-a-half-story building was designed by McKim, Mead & White in the Georgian Revival style and was constructed between 1896 and 1898 as a private residence. It is one of five consecutive townhouses erected along the same city block during the 1890s, the others being 5, 7, 13 and 15 West 54th Street. The building is designed as a double house, with a larger unit at 11 West 54th Street to the west, as well as a smaller unit at 9 West 54th Street to the east. The facade is made of rusticated blocks of limestone on the first story, as well as Flemish bond brick on the upper stories. Businessman James Junius Goodwin and his wife Josephine lived at the main unit at number 11 with his family and rented number 9. The house initially served as the second residence for James Goodwin, who lived primarily in Connecticut. James Goodwin died in 1915, and Josephine continued to live in the house until 1939, after which it was used briefly by the Inter-America House and the Museum of Modern Art The house was sold to Parsonage Point Realty Company in 1944 and leased to the Rhodes Preparatory School, which bought the building in 1949. The house was then sold in 1979 to the United States Trust Company, which renovated the structure. The New York City Landmarks Preservation Commission designated the house as an official landmark in 1981, and it was added to the National Register of Historic Places in 1990 as part of the 5–15 West 54th Street Residences historic district.

13 and 15 West 54th Street (also the William Murray Residences) are two commercial buildings in the Midtown Manhattan neighborhood of New York City. They are along 54th Street's northern sidewalk between Fifth Avenue and Sixth Avenue. The four-and-a-half-story houses were designed by Henry Janeway Hardenbergh in the Renaissance-inspired style and were constructed between 1896 and 1897 as private residences. They are the two westernmost of five consecutive townhouses erected along the same city block during the 1890s, the others being 5, 7, and 9–11 West 54th Street. The buildings were designed as a nearly identical pair of houses. The facade is made of limestone with rusticated blocks on the first story and smooth blocks on the upper stories. The houses contain a rounded oriel facing 54th Street and a central pair of entrances above the raised basement. The houses are nearly identical except for their roofs; the eastern house at number 13 has a mansard roof while the western house at number 15 has a balustrade. The houses were commissioned for businessman William Murray, who respectively sold 13 and 15 West 54th to Jessie Neilson and James B. Dickson. Number 13 was purchased by John D. Rockefeller Sr. in 1906 and served as the home of his son and daughter-in-law, John D. Rockefeller Jr. and Abby Aldrich Rockefeller, until 1913, after which it was leased by various families through the 1950s. Ownership of number 15 was much more stable, as the Dicksons occupied the site until 1953. Nelson Rockefeller used number 13 as an office from the 1940s until his death in 1979, and he bought number 15 and operated it as the Museum of Primitive Art from 1957 to 1979. The New York City Landmarks Preservation Commission designated the house as an official landmark in 1981, and it was added to the National Register of Historic Places in 1990 as part of the 5–15 West 54th Street Residences historic district.

The University Club of New York (also known as University Club) is a private social club at 1 West 54th Street and Fifth Avenue in the Midtown Manhattan neighborhood of New York City. Founded to celebrate the union of social duty and intellectual life, the club was chartered in 1865 for the "promotion of literature and art". The club is not affiliated with any other University Club or college alumni clubs. The club is considered one of the most prestigious in New York City.The University Club's predecessor, the Red Room Club, was founded in 1861 when a group of Yale College alumni founded the club to extend their collegial ties. Once the University Club received its charter, it struggled with financing, and from 1868 to 1879 the club had no permanent clubhouse and relatively few members. The club was reorganized in 1879 and became a popular social club, being housed at John Caswell's residence until 1883 and then at the Jerome Mansion until the current clubhouse was completed in 1899. Women were not permitted to become members until 1986. The current clubhouse, a nine-story granite-faced Renaissance Revival structure, was designed by Charles Follen McKim, a member of the club. It contains three main floors with a reception area at the first story, a set of library rooms on the fourth story, and a dining area on the seventh story. There are various mezzanines with bedrooms and club rooms as well, in addition to a bath and swimming pool in the basement. The clubhouse is listed on the National Register of Historic Places and is a New York City designated landmark.

Saint Thomas Church is an Episcopal parish church of the Episcopal Diocese of New York at 53rd Street and Fifth Avenue in Midtown Manhattan, New York City. Also known as Saint Thomas Church Fifth Avenue or Saint Thomas Church in the City of New York, it was incorporated on January 9, 1824. The current structure, the congregation’s fourth church, was designed by the architects Ralph Adams Cram and Bertram Grosvenor Goodhue in the French High Gothic Revival style and completed in 1914.The church is home to the Saint Thomas Choir of Men and Boys, a choral ensemble comprising men and boys which performs music of the Anglican tradition at worship services and offers a full concert series during the course of the year. The men of the Saint Thomas Choir are professional singers and the boys are students enrolled at the Saint Thomas Choir School, the only church-affiliated residential choir school in the United States.

The Rockefeller Apartments is a residential building at 17 West 54th Street and 24 West 55th Street in the Midtown Manhattan neighborhood of New York City. Designed by Wallace Harrison and J. André Fouilhoux in the International Style, the Rockefeller Apartments was constructed between 1935 and 1936. The complex was originally designed with 138 apartments. The apartment complex, just north of the Museum of Modern Art, was built on land left over from the construction of Rockefeller Center. The Rockefeller Apartments consists of two towers, one facing north toward 55th Street and one facing south toward 54th Street. The land under the Rockefeller Apartments had been owned by the Rockefeller family, and the architects had been involved in designing Rockefeller Center. The two towers are 11 stories and are faced with brick, with partially protruding cylindrical bays. The interior was intended to allow fifteen percent more air and natural light compared to contemporary building regulations. The ground floor contains a location of Michael's Restaurant. The Rockefeller family had secretly acquired the site by the 1930s, although this was not disclosed until the plans for the apartment complex were announced in November 1935. The family had intended to remodel existing houses on the site, though they instead decided to build an apartment complex to complement Rockefeller Center, connected via an ultimately unbuilt extension of Rockefeller Plaza. The complex was fully leased by the time residents moved to the apartments in October 1936. The building was sold to the Astor family in 1945 and Henry Goelet in 1953, and it became a cooperative apartment complex in 1954. The New York City Landmarks Preservation Commission designated the complex as a city landmark in 1984.

The Peninsula New York is a historic luxury hotel located on the corner of Fifth Avenue and 55th Street in Manhattan, New York City. The hotel is part of the Hong Kong–based Peninsula Hotels group, which is owned by The Hongkong and Shanghai Hotels, Limited. The hotel was bought in 1988 by the Peninsula group for a price of $127 million. The Peninsula New York has received the AAA Five Diamond Award for thirteen consecutive years, and in 2007, it was named one of the greatest hotels in the world by Travel + Leisure magazine.

The Abby Aldrich Rockefeller Sculpture Garden is an outdoor courtyard at the Museum of Modern Art in Manhattan, New York City. Designed by notable architect Philip Johnson, the courtyard was conceived at the same time as Johnson's West Wing annex for the museum. Construction began in the spring on 1952 and was completed in April 1953.Throughout its history, the garden has served as the temporary setting for notable artworks including Alexander Calder's Black Widow (1959), Anthony Caro's Midday (1960), Pablo Picasso's She-Goat (1950), as well as providing a space for innovative exhibitions like 8 AUTOMOBILES (1951) and Italy: The New Domestic Landscape (1972).

Fifth Avenue Presbyterian Church is a Presbyterian Church (U.S.A.) church in New York City. The church, on Fifth Avenue at 7 West 55th Street in Midtown Manhattan, has approximately 2,200 members and is one of the larger PCUSA congregations. The church, founded in 1808 as the Cedar Street Presbyterian Church, has been at this site since 1875.Fifth Avenue Presbyterian Church (FAPC) has long been noted for its high standards in preaching and music and has been at the forefront of many movements, from the development of the Sunday school in the 19th century to its current leadership in homeless advocacy. In 2001, the church successfully sued the City of New York for the right to shelter homeless individuals on its front steps.In 1884, the joint funerals of the mother of President Theodore Roosevelt and of his first wife, Alice, were held here. In 1910, the church's historic sanctuary was the site of the wedding of TR's son, Theodore Roosevelt Jr., an event attended by the former President, and 500 of his former Rough Riders. It was also the site of the 1965 recording of A Concert of Sacred Music by Duke Ellington and his orchestra, broadcast nationally by CBS television in 1966, and of dance legend Frankie Manning's "rollicking three-hour memorial service" in 2009.Architecturally and historically, “Fifth Avenue Presbyterian Church is famed for its sloping auditorium, its fine acoustics, its old gas brackets and reflectors. Instrumental in founding Princeton Theological Seminary, Presbyterian Hospital (now New York Presbyterian Hospital) and many a mission church, this grand house of God is often called the Cathedral of Presbyterianism.”

La Caravelle was a restaurant in New York City, specialising in French cuisine. It opened on September 21, 1960, at 33 West 55th Street in Manhattan. The restaurant was established by Fred Decré and Robert Meyzen, with Roger Fessaguet as head chef, and took its name from the type of sailing ships Christopher Columbus sailed on his voyages to the New World. Like most European restaurants, La Caravelle had a menu that changed daily. This made the restaurant popular with new customers and also brought them back regularly. Salvador Dalí, John Lindsay, Leland Hayward, Walter Cronkite and Dorothy Kilgallen often dined at the restaurant in its early years. President John F. Kennedy was especially fond of La Caravelle's vichyssoise and chicken in champagne sauce, and he often requested them as "take out" orders to eat on the plane while traveling. Twenty years after its opening, chef Roger Fessaguet left the kitchen to become an owner with Meyzen due to the retirement of Fred Decré. In 1984, Robert Meyzen retired and Fessaguet and André Jammet took over ownership of the restaurant. The following year, a New York Magazine article cited it as one of the best restaurants in New York City, and mentioned that most guidebooks gave it their highest rating. Fessaguet retired in 1988, leaving ownership with Jammet and his wife. The Jammets redecorated La Caravelle in 1990, replacing the original red carpets and banquettes with a color scheme of green and peach. Artist Nina Duran was hired to create a small mural for the restaurant's foyer. The restaurant closed on May 22, 2004, despite garnering the James Beard Foundation's Most Outstanding Restaurant in the Country award in the same year. The name is now known for champagnes produced by the Jammets; the restaurant began serving them as its house brand in 1997.

12 West 56th Street (originally the Harry B. Hollins Residence) is a consular building in the Midtown Manhattan neighborhood of New York City, housing the Consulate General of Argentina in New York City. It is along 56th Street's southern sidewalk between Fifth Avenue and Sixth Avenue. The four-and-a-half story building was designed by McKim, Mead & White in the Georgian Revival style. It was constructed between 1899 and 1901 as a private residence, one of several on 56th Street's "Bankers' Row". The first floor is clad with blocks of limestone, while the other floors contain red brick trimmed with limestone. The entrance is through a central porch on the east side of the building, designed by James Edwin Ruthven Carpenter Jr. as part of an annex completed in 1924. The second floor contains French windows and the third and fourth floors contain sash windows. The house was commissioned for stockbroker H. B. Hollins and his wife Evalina Hollins. The couple had initially planned to design their house alongside their neighbor Frederick C. Edey, at 10 West 56th Street, but the Hollinses built their house alone because a covenant temporarily prevented the Edey house from being built. The house was sold to the Calumet Club in 1914 and was used by the club until 1935. It was then used by several tenants for short terms, including Charles Joel Duveen, the International Silk Guild, and The Salvation Army. The government of Argentina has owned the building since 1947; it initially used the house as the offices of an Argentine Navy commission before opening a consulate there. The New York City Landmarks Preservation Commission designated the house as an official landmark in 1984.

The Second Presbyterian Church, founded in 1756 and incorporated in 1784 as the Scotch Presbyterian Church, is a church in Manhattan, New York City.