Santa Maria Odigitria al Tritone

The Galleria Comunale d'Arte Moderna is the museum of modern and contemporary art of the city of Rome, Italy. It is housed in a former Barefoot Carmelite monastery dating from the 17th century and adjacent to the church of San Giuseppe a Capo le Case, at 24 Via Francesco Crispi.

The Teatro Sistina is a theatre in Rome, Italy. The building, designed by Marcello Piacentini, was begun in 1946 on the former site of the Pontifical Ecclesiastical Polish Institute. It was inaugurated on 28 December 1949 as a cinema, but later become mostly used for theatrical and cabaret representations. In the 1960s it was directed by Pietro Garinei and Sandro Giovannini, who here premiered some of their main successes, such as Rugantino, Attanasio cavallo vanesio, Aggiungi un posto a tavola and others.

The Palazzo di Propaganda Fide (in English: Palace of the Propagation of the Faith) is a palace located in Rome, designed by Gian Lorenzo Bernini, then Francesco Borromini. Since 1626, it has housed the Congregation for the Evangelization of Peoples and since 1929 is an extraterritorial property of the Holy See.

Sant'Andrea delle Fratte ("Saint Andrew of the Thickets") is a 17th-century basilica church in Rome, Italy, dedicated to St. Andrew. The Cardinal Priest of the Titulus S. Andreae Apostoli de Hortis is Ennio Antonelli.

Piazza Barberini is a large piazza in the centro storico or city center of Rome, Italy and situated on the Quirinal Hill. It was created in the 16th century but many of the surrounding buildings have subsequently been rebuilt. The current appellation was given in 1625 when it was named after the Palazzo Barberini, the substantial Baroque palace built in an elevated position on the south side of the piazza for the Barberini. Originally, there was a large entrance gateway to the palace designed by the Baroque painter and architect Pietro da Cortona on the south east corner of the piazza but this was demolished to make way for the construction of a new road in the 19th century. However, its appearance is known from engravings and early photographs of the piazza.At the centre of the piazza is the Fontana del Tritone or Triton Fountain (1642–3) sculpted by Bernini. Another fountain, the Fontana delle Api (1644), also by Bernini is in the nearby Via Vittorio Veneto but it has been reconstructed somewhat arbitrarily following its removal from its previous position on the corner of a palace where the Piazza Barberini meets the Via Sistina.Until the 18th century, unknown human corpses were displayed here for public identification. Between 1632 and 1822 an antique obelisk stood here; it was transferred to Villa Medici.

Fontana del Tritone (Triton Fountain) is a seventeenth-century fountain in Rome, by the Baroque sculptor Gian Lorenzo Bernini. Commissioned by his patron, Pope Urban VIII, the fountain is located in the Piazza Barberini, near the entrance to the Palazzo Barberini (which now houses the Galleria Nazionale d'Arte Antica) that Bernini helped to design and construct for the Barberini, Urban's family. This fountain should be distinguished from the nearby Fontana dei Tritoni (Fountain of the Tritons) by Carlo Francesco Bizzaccheri in Piazza Bocca della Verità which features two Tritons. The fountain was executed in travertine in 1642–43. At its centre rises a larger than lifesize muscular Triton, a minor sea god of ancient Greco-Roman legend, depicted as a merman kneeling on the sum of four dolphin tailfins. His head is thrown back and his arms raise a conch to his lips; from it a jet of water spurts, formerly rising dramatically higher than it does today. The fountain has a base of four dolphins that entwine the papal tiara with crossed keys and the heraldic Barberini bees in their scaly tails.The Tritone, the first of Bernini's free-standing urban fountains, was erected to provide water from the Acqua Felice aqueduct which Urban had restored, in a dramatic celebration. It was Bernini's last major commission from his great patron who died in 1644. At the Triton Fountain, Urban and Bernini brought the idea of a sculptural fountain, familiar from villa gardens, decisively to a public urban setting for the first time; previous public fountains in the city of Rome had been passive basins for the reception of public water. Bernini has represented the triton to illustrate the triumphant passage from Ovid's Metamorphoses book I, evoking godlike control over the waters and describing the draining away of the Universal Deluge. The passage that Urban set Bernini to illustrate, was well known to all literate Roman contemporaries: Already Triton, at his call, appears Above the waves; a Tyrian robe he wears; And in his hand a crooked trumpet bears. The sovereign bids him peaceful sounds inspire, And give the waves the signal to retire. His writhen shell he takes; whose narrow vent Grows by degrees into a large extent, Then gives it breath; the blast with doubling sound, Runs the wide circuit of the world around: The sun first heard it, in his early east, And met the rattling echoes in the west. The waters, list'ning to the trumpet's roar, Obey the summons, and forsake the shore. —free translation by Sir Samuel Garth, John Dryden, et al..Two finished terracotta bozzetti at the Detroit Institute of Arts, securely attributed to Bernini, reflect his exploration of the fountain's themes of the intertwined upended dolphins and the muscular, scaly-tailed Triton.

Angel with the Superscription is a statue by Italian artist Gian Lorenzo Bernini. Originally commissioned by Pope Clement IX for the Ponte Sant'Angelo project, the statue was replaced with a copy and the original was moved to Sant'Andrea delle Fratte in Rome, Italy. The statue was started in 1667 and completed in 1669. It might seem that in this late work Bernini is not inspired by ancient works, instead the body (not the drapery) derives from Belvedere Antinoo (now Ermes): a figure studied by many other artists such as Algardi, Duquesnoy and Poussin. Bernini will say the students of the Academy of France in Paris that he was inspired many times by this statue, from his youth, considering it an "oracle".

Angel with the Crown of Thorns is a statue by Italian artist Gian Lorenzo Bernini. Originally commissioned by Pope Clement IX for the Ponte Sant'Angelo project, the statue was replaced with a copy and the original was moved to Sant'Andrea delle Fratte in Rome, Italy. The statue was started in 1667 and completed in 1669. A terracotta modello for the sculpture is held by the musée du Louvre in Paris.

Palazzo Scanderbeg or Palazzetto Scanderbeg is a Roman palazzo, located on the Piazza Scanderbeg (Num. 117) near the Trevi Fountain. It takes its name from its fifteenth-century host, the Albanian national hero Skanderbeg. The Palazzo was host of the National Museum of Pasta Foods (Museo Nazionale delle Paste Alimentari). Recently re-opened it is the host of a residence - Palazzo Scanderbeg Townhouse and Palazzo Scanderbeg Suites.

La Civiltà Cattolica (Italian for Catholic Civilization) is a periodical published by the Jesuits in Rome, Italy. It has been published continuously since 1850 and is among the oldest of Catholic Italian periodicals. All of the journal's articles are the collective responsibility of the entire "college" of the magazine's writers even if published under a single author's name. It is the only one to be directly revised by the Secretariat of State of the Holy See and to receive its approval before being published.The periodical is headquartered since 1951 in the Villa Malta (Pincian Hill) situated in Via F. Crispi, Rome.In more recent times the magazine has advocated reaching out to children, teens, and young people who use and interact with social media (Facebook, Twitter, Skype, YouTube, etc., on devices such as the iPod and iPad) to an intense degree, and find ways to foster their faith life through interior meditation, including, among other exercises, the Spiritual Exercises of Saint Ignatius of Loyola, the Jesuits' founder.

The Bibliotheca Hertziana – Max Planck Institute for Art History is a German research institute located in Rome, Italy. It was founded by a donation of Henriette Hertz in 1912 as a Kaiser Wilhelm Institute. Of the 80 institutes in the Max Planck Society (Max Planck Gesellschaft), it is one of the few not located in Germany. The institute is situated in the historical centre of Rome near Trinità dei Monti in a cluster of four buildings along the Via Gregoriana: the 16th-century Palazzo Zuccari, the adjacent Palazzo Stroganoff, the Villino Stroganoff across the road and the new library building (completed in 2012) designed by the Spanish architect Juan Navarro Baldeweg.

Piazza Scanderbeg is a square in Rome, Italy located on the junction of Vicolo Scanderbeg and Via della Panetteria. It is named after the Albanian national hero Skanderbeg, who once lived in Palazzo Skanderbeg located on the square.It was inaugurated by Benito Mussolini.