Palazzo di Propaganda Fide

Sant'Andrea delle Fratte ("Saint Andrew of the Thickets") is a 17th-century basilica church in Rome, Italy, dedicated to St. Andrew. The Cardinal Priest of the Titulus S. Andreae Apostoli de Hortis is Ennio Antonelli.

Angel with the Superscription is a statue by Italian artist Gian Lorenzo Bernini. Originally commissioned by Pope Clement IX for the Ponte Sant'Angelo project, the statue was replaced with a copy and the original was moved to Sant'Andrea delle Fratte in Rome, Italy. The statue was started in 1667 and completed in 1669. It might seem that in this late work Bernini is not inspired by ancient works, instead the body (not the drapery) derives from Belvedere Antinoo (now Ermes): a figure studied by many other artists such as Algardi, Duquesnoy and Poussin. Bernini will say the students of the Academy of France in Paris that he was inspired many times by this statue, from his youth, considering it an "oracle".

Angel with the Crown of Thorns is a statue by Italian artist Gian Lorenzo Bernini. Originally commissioned by Pope Clement IX for the Ponte Sant'Angelo project, the statue was replaced with a copy and the original was moved to Sant'Andrea delle Fratte in Rome, Italy. The statue was started in 1667 and completed in 1669. A terracotta modello for the sculpture is held by the musée du Louvre in Paris.

The Column of the Immaculate Conception (Italian: La Colonna della Immacolata Concezione) is a nineteenth-century monument in central Rome depicting the Blessed Virgin Mary, located in what is called Piazza Mignanelli, towards the south east part of Piazza di Spagna. It was placed aptly in front of the offices of the Palazzo di Propaganda Fide which houses the Congregation for the Evangelization of Peoples. Since December 1953, Pontiffs have visited the monument annually and offered a bouquet of flowers at the base of the column with help of Roman firemen commemorating the Feast of the Immaculate Conception.

The Bibliotheca Hertziana – Max Planck Institute for Art History is a German research institute located in Rome, Italy. It was founded by a donation of Henriette Hertz in 1912 as a Kaiser Wilhelm Institute. Of the 80 institutes in the Max Planck Society (Max Planck Gesellschaft), it is one of the few not located in Germany. The institute is situated in the historical centre of Rome near Trinità dei Monti in a cluster of four buildings along the Via Gregoriana: the 16th-century Palazzo Zuccari, the adjacent Palazzo Stroganoff, the Villino Stroganoff across the road and the new library building (completed in 2012) designed by the Spanish architect Juan Navarro Baldeweg.

Palazzo Zuccari, also called Palazzetto Zuccheri, is a 16th-century residence, located at the crossroads of via Sistina and via Gregoriana, with a Mannerist 16th-century facades on the latter street and a late Baroque facade on the piazza Trinità dei Monti in the Campo Marzio neighborhood of Rome, Italy. Designed by Federico Zuccari, the house is known locally as the "House of Monsters" for the decorations on its doors and windows overlooking the via Gregoriana.

The church of the Santissima Trinità dei Monti, often called merely the Trinità dei Monti (French: La Trinité-des-Monts), is a Roman Catholic late Renaissance titular church in Rome, central Italy. It is best known for its position above the Spanish Steps which lead down to the famous Piazza di Spagna. The church and its surrounding area (including the Villa Medici) are a French State property.

The Giorgio de Chirico House Museum (Casa Museo di Giorgio de Chirico) is a house museum in the 16th century Palazzetto del Borgognoni at Piazza di Spagna 31 in Rome. The house was acquired by Giorgio de Chirico in 1948. It was left to the state by his widow and opened as an art museum dedicated to his work in 1998. Only open by appointment, it is closed on Mondays and Sundays. The nearest Metro stop is Spagna.

The Galleria Comunale d'Arte Moderna is the museum of modern and contemporary art of the city of Rome, Italy. It is housed in a former Barefoot Carmelite monastery dating from the 17th century and adjacent to the church of San Giuseppe a Capo le Case, at 24 Via Francesco Crispi.

The Keats–Shelley Memorial House is a writer's house museum in Rome, Italy, commemorating the Romantic poets John Keats and Percy Bysshe Shelley. The museum houses one of the world's most extensive collections of memorabilia, letters, manuscripts, and paintings relating to Keats and Shelley, as well as Byron, Wordsworth, Robert Browning, Elizabeth Barrett Browning, Oscar Wilde, and others. It is located on the second floor of the building situated just to the south of the base of the Spanish Steps and east of the Piazza di Spagna.

The Spanish Steps (Italian: Scalinata di Trinità dei Monti) in Rome, Italy, climb a steep slope between the Piazza di Spagna at the base and Piazza Trinità dei Monti, dominated by the Trinità dei Monti church, at the top. The monumental stairway of 135 steps was built with French diplomat Étienne Gueffier's bequeathed funds of 20,000 scudi, in 1723–1725, linking the Trinità dei Monti church under the patronage of the Bourbon kings of France, at the top of the steps, and the Spanish Embassy to the Holy See in the Palazzo Monaldeschi at the bottom of the steps. The stairway was designed by architects Francesco de Sanctis and Alessandro Specchi.

Santa Maria Odigitria, sometimes Santa Maria dei Siciliani, is a Roman Catholic church in Rome, located at civico 82 on via del Tritone in the Colonna district. The Confraternity of the Sicilians was officially recognized by the papal bull "Pastoris aeterni" of Pope Clement VIII on 5 February 1594 and immediately began construction. The building, consecrated on 17 August 1596, was from the first the national church of Sicily, then ruled by the Crown of Aragon. Upon the integration of Sicily into Italy, it became regional rather than a national church. It is named after the icon of the Virgin Mary venerated in the church – it is of the Hodegetria ("She Who Shows the Way") type and was brought to Rome from Constantinople. The confraternity also had an oratory adjoining the church, which now displays a painting of Saint Rosalia by the Sicilian painter Gaetano Sottino. During the French occupation of Rome from the end of the 18th century to the start of the 19th century, the church was deconsecrated. It was rebuilt by Francesco Manno between 1814 and 1817. In 1990 its four side chapels were used to display four altar frontals by Giuseppe Migneco (showing popes Leo II, Agaton and Methodius), Salvatore Fiume (Saint Lucy), Sebastiano Milluzzo (Saint Agatha), and Mario Bardi (Saint Rosalia). Pope Paul VI made the church a cardinal deaconry on 12 February 1973 by the apostolic constitution "Romana templa".