Acqua Vergine

Sant'Andrea delle Fratte ("Saint Andrew of the Thickets") is a 17th-century basilica church in Rome, Italy, dedicated to St. Andrew. The Cardinal Priest of the Titulus S. Andreae Apostoli de Hortis is Ennio Antonelli.

Angel with the Superscription is a statue by Italian artist Gian Lorenzo Bernini. Originally commissioned by Pope Clement IX for the Ponte Sant'Angelo project, the statue was replaced with a copy and the original was moved to Sant'Andrea delle Fratte in Rome, Italy. The statue was started in 1667 and completed in 1669. It might seem that in this late work Bernini is not inspired by ancient works, instead the body (not the drapery) derives from Belvedere Antinoo (now Ermes): a figure studied by many other artists such as Algardi, Duquesnoy and Poussin. Bernini will say the students of the Academy of France in Paris that he was inspired many times by this statue, from his youth, considering it an "oracle".

Angel with the Crown of Thorns is a statue by Italian artist Gian Lorenzo Bernini. Originally commissioned by Pope Clement IX for the Ponte Sant'Angelo project, the statue was replaced with a copy and the original was moved to Sant'Andrea delle Fratte in Rome, Italy. The statue was started in 1667 and completed in 1669. A terracotta modello for the sculpture is held by the musée du Louvre in Paris.

The Accademia di San Luca (the "Academy of Saint Luke") is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first principe or director; the statutes were ratified in 1607.: 30  Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, believed to be the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum.

The Palazzo di Propaganda Fide (in English: Palace of the Propagation of the Faith) is a palace located in Rome, designed by Gian Lorenzo Bernini, then Francesco Borromini. Since 1626, it has housed the Congregation for the Evangelization of Peoples and since 1929 is an extraterritorial property of the Holy See.

The Istituto Nazionale per la Grafica (National Institute for the Graphic Design) is an Italian institute having the aim of preserving, protecting and promote a heritage of works providing documentary evidence of all types of graphic design: prints, drawings, photographs. The institute is located in Rome and is managed by the Directorate-General for Contemporary Landscape, Arts and Architecture of the Italian Ministry of Cultural Heritage and Activities. The institute is housed in the monumental complex of Trevi Fountain, consisting of Palazzo Poli and neighbouring Palazzo della Calcografia, built in 1837 by architect Giuseppe Valadier as headquarters of the Chamber Intaglio, directed by Valadier himself for decades. The historic Palazzo Poli was purchased in 1978 by the Italian State, with the very purpose of unifying the National Intaglio and the National Cabinet of Prints, which in 1975 were merged into the present institute.

The Palazzo Poli is a palace in Rome, Italy, that was altered to form the backdrop to the Trevi Fountain. The central portion of the palace was demolished to provide room for the large fountain in 1730. As a setting for the fountain, Luigi Vanvitelli gave the building a new monumental facade that contains the giant order of Corinthian pilasters linking the two main storeys of the palace.In the 1830s, Princess Zinaida Volkonskaya threw lavish parties in this palace. The Palazzo Poli houses a collection of copper engraving plates dated from the sixteenth century to the present. The Palazzo also houses the Istituto Nazionale per la Grafica.

Santi Vincenzo e Anastasio a Trevi ("Saints Vincent and Anastasius at Trevi") is a Baroque church in Rome, the capital of Italy. Built from 1646 to 1650 to the design of architect Martino Longhi the Younger and located in close proximity to the Trevi Fountain and the Quirinal Palace, for which it served as parish church, it is notable as the place where the precordia and embalmed hearts of 22 popes from Sixtus V to Leo XIII are preserved.Santi Vincenzo e Anastasio a Trevi lies on the location of a medieval church, mentioned in 962 in a bull by Pope John XII as a branch of the San Silvestro in Capite basilica as well as in 15th century records. Known as Santi Vincenzo e Anastasio since the 16th century, it was rebuilt in the Baroque style and completed in 1650. Two entablatures superimposed over the main one, all three with arched, angled or broken pediments, concentrate attention on the richly sculptural central bay of the façade's two storeys, in a theatrical composition "more curious than exemplary" that found few imitators. Its dense massing of Corinthian columns, ten in the lower order and six above make a total, with the columns flanking the finestrone of the upper tier, eighteen fully disengaged Corinthian columns, causing Roman wags to dub the façade il canneto, "the canebrake".The church was reconstructed on the order of Cardinal Mazarin, whose triumphantly presented coat of arms and cardinal's hat, supported by angels, is the focus of the façade composition. It is rumored that Mazarin's niece, Marie Mancini, a mistress of Louis XIV of France, is also portrayed on the facade, in the central female mascaron. The sculptural portrayal of a laywoman and the support of the cardinal's ecclesiastical coat of arms by the sculptures of two barechested women make the church unique among churches in Rome. Until the 1820s, Santi Vincenzo e Anastasio a Trevi was known as the "Pontifical Parish" (Parrocchia Pontificia). The church's interior features a single nave; the altar is decorated by the painting Martyrdom of Saints Vincent and Anastasius by Francesco Pascucci. Prolific Italian illustrator and engraver Bartolomeo Pinelli (1771–1835) was buried in Santi Vincenzo e Anastasio a Trevi as was Russian princess Zinaida Volkonskaya. Its travertine facade has proved porous; restoration with liquid hydraulic mortar and other materials was undertaken in 1989–90 to arrest deterioration.

Santa Maria Odigitria, sometimes Santa Maria dei Siciliani, is a Roman Catholic church in Rome, located at civico 82 on via del Tritone in the Colonna district. The Confraternity of the Sicilians was officially recognized by the papal bull "Pastoris aeterni" of Pope Clement VIII on 5 February 1594 and immediately began construction. The building, consecrated on 17 August 1596, was from the first the national church of Sicily, then ruled by the Crown of Aragon. Upon the integration of Sicily into Italy, it became regional rather than a national church. It is named after the icon of the Virgin Mary venerated in the church – it is of the Hodegetria ("She Who Shows the Way") type and was brought to Rome from Constantinople. The confraternity also had an oratory adjoining the church, which now displays a painting of Saint Rosalia by the Sicilian painter Gaetano Sottino. During the French occupation of Rome from the end of the 18th century to the start of the 19th century, the church was deconsecrated. It was rebuilt by Francesco Manno between 1814 and 1817. In 1990 its four side chapels were used to display four altar frontals by Giuseppe Migneco (showing popes Leo II, Agaton and Methodius), Salvatore Fiume (Saint Lucy), Sebastiano Milluzzo (Saint Agatha), and Mario Bardi (Saint Rosalia). Pope Paul VI made the church a cardinal deaconry on 12 February 1973 by the apostolic constitution "Romana templa".

The Trevi Fountain (Italian: Fontana di Trevi) is an 18th-century fountain in the Trevi district in Rome, Italy, designed by Italian architect Nicola Salvi and completed by Giuseppe Pannini and several others. Standing 26.3 metres (86 ft) high and 49.15 metres (161.3 ft) wide, it is the largest Baroque fountain in the city and one of the most famous fountains in the world. The fountain has appeared in several films, including Roman Holiday (1953), the eponymous Three Coins in the Fountain (1954), Federico Fellini's classic La Dolce Vita (1960), Sabrina Goes to Rome (1998), and The Lizzie McGuire Movie (2003).

Santa Maria in Trivio is a church in Rome. It is dedicated to Mary, mother of Jesus, and is located on Piazza dei Crociferi in rione Trevi. It is near the Fountain of Trevi. In Mariano Vasi's 19th-century guidebook, the church is referred to as Santa Maria a Trevi. According to tradition, the church was founded by the Byzantine general Belisarius in the 6th century. Allegedly, he found the church to expiate for deposing Pope Silverius in 537. Previously the church had been known as Santa Maria in Fornica. This was recorded in an 11th-century inscription on the wall of the church.In 1571 the church was given to the Order of the Crociferi. Between 1573 and 1575 the architect Giacomo del Duca rebuilt the church, designing e.g. the innovative pediment above the entrance door. The crucifix in the chapel was decorated by Giovanni Francesco Bolognese. The altarpiece of St Camillo de Lellis was painted by Gasparo Serenari. The main altarpiece was painted by Bartolommeo Morelli. Other altarpieces in side altars were by the studio of Palma il Giovane, Luigi Scaramuccia, and Pietro Perugino. The ceiling was painted by Antonio Gherardi.

Palazzo Scanderbeg or Palazzetto Scanderbeg is a Roman palazzo, located on the Piazza Scanderbeg (Num. 117) near the Trevi Fountain. It takes its name from its fifteenth-century host, the Albanian national hero Skanderbeg. The Palazzo was host of the National Museum of Pasta Foods (Museo Nazionale delle Paste Alimentari). Recently re-opened it is the host of a residence - Palazzo Scanderbeg Townhouse and Palazzo Scanderbeg Suites.