Eugene O'Neill Theatre

St. Malachy Roman Catholic Church is a parish church of the Roman Catholic Archdiocese of New York, located in Manhattan on West 49th Street, between Broadway and Eighth Avenue. The parish has served the theatre community in a special way since 1920, and its parishioners have included many actors, such as Bob Hope and Gregory Peck.

The 49th Street Theatre (later renamed Cinema 49) was a Broadway theater at 235 West 49th Street in the Theater District of Manhattan in New York City. The 750-seat neo-Renaissance style theater was designed by the architect Herbert J. Krapp for the Shubert Organization. It opened on December 26, 1921, with a performance of Face Value, a comedy by Laurence Grass. Although it had some popular productions, such as the revue La Chauve-Souris and the Aaron Hoffman play Give and Take, the venue was one of the Shuberts' less successful locations. They lost control of the property during the Great Depression. It continued to operate as a playhouse until April 1938. The final theatrical performance at the venue was a production of Henrik Ibsen's The Wild Duck. The venue was then converted to show movies and reopened as Cinema 49. The cinema was also unsuccessful and closed in 1940; the building was demolished in December of that year.

The Walter Kerr Theatre, previously the Ritz Theatre, is a Broadway theater at 219 West 48th Street in the Theater District of Midtown Manhattan in New York City. The theater was designed by Herbert J. Krapp and was constructed for the Shubert brothers in 1921. The venue, renamed in 1990 after theatrical critic Walter Kerr, has 975 seats across three levels and is operated by Jujamcyn Theaters. The facade is made of plain patterned brick, with fire escapes in front of it. The auditorium contains Adam-style detailing, two balconies, and murals. The Shuberts developed the Ritz Theatre after World War I as part of a theatrical complex around 48th and 49th Streets. The Ritz Theatre opened on March 21, 1921, with the play Mary Stuart, and it was leased to William Harris Jr., who operated it for a decade. After many unsuccessful shows, the theater was leased to the Works Progress Administration's Federal Theatre Project from 1936 to 1939, then served as a CBS and NBC broadcasting studio. The Ritz briefly hosted legitimate shows in 1942 and 1943, and it again functioned as a studio for ABC until 1965. The Ritz was abandoned for several years until Eddie Bracken took over in 1970, renovating it and hosting several short-lived shows from 1971 to 1973. During the 1970s, the Ritz variously operated as a pornographic theater, vaudeville house, children's theater, and poster-storage warehouse. Jujamcyn took over in 1981 and reopened it two years later following an extensive restoration. The theater was renovated again in 1990 and renamed after Kerr.

The Longacre Theatre is a Broadway theater at 220 West 48th Street in the Theater District of Midtown Manhattan in New York City, United States. Opened in 1913, it was designed by Henry B. Herts and was named for Longacre Square, now known as Times Square. The Longacre has 1,077 seats and is operated by The Shubert Organization. Both the facade and the auditorium's interior are New York City designated landmarks. The ground-floor facade is made of rusticated blocks of terracotta. The theater's main entrance is shielded by a marquee. The upper stories are divided vertically into five bays, which cobtain niches on either side of three large windows. The auditorium contains ornamental plasterwork, a sloped orchestra level, two balconies, and a coved ceiling. The balcony level contains box seats topped by flat arches, and the proscenium opening is also a flat arch. In addition, the Longacre contains two lounges, and the top story formerly had offices. Theatrical personality Harry Frazee acquired the site in 1911 and developed the Longacre Theatre to accommodate musicals. The Longacre opened on May 1, 1913, with the play Are You a Crook?, but the theater housed several flops in its early years. Frazee, who co-owned the theater with G. M. Anderson, sold his ownership stake in 1917 to focus on baseball. The Shubert brothers acquired the Longacre in 1924 and operated it for two decades before leasing it as a radio and television studio in 1944. The Shuberts returned the Longacre to legitimate theatrical use in 1953. The theater gained a reputation for hosting few successful productions in the late 20th century and was nearly converted to a court in the early 1990s. The Longacre was renovated in 2008.

The Ambassador Theatre is a Broadway theater at 219 West 49th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, the Ambassador Theatre was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It has 1,125 seats across two levels and is operated by The Shubert Organization. The auditorium interior is a New York City designated landmark. The theater is oriented on a diagonal axis, maximizing seating capacity on its small site of 100 by 100 feet (30 by 30 m). The facade is largely made of golden brick and is simple in design. The most prominent part of the facade is a curved entrance at the southeast corner, facing Broadway, where a lobby leads to the rear of the theater's orchestra level. The auditorium contains Adam-style detailing, a large balcony, and box seats with decorated arches above them. The auditorium contains a segmental proscenium arch topped by a curved sounding board. The Shuberts developed the Ambassador, along with the neighboring O'Neill and Walter Kerr theaters, after World War I as part of a theatrical complex around 48th and 49th Streets. The Ambassador opened on February 11, 1921, with the musical The Rose Girl. The Shuberts sold the property in 1935, and it was intermittently used as a CBS broadcast studio, a movie theater, and for live theater until 1945. The Ambassador then hosted foreign films in the late 1940s and was a studio for the DuMont Television Network in the early 1950s. In 1956, the Shuberts assumed ownership again, returning it to use as a live theater. Though many of the Ambassador's productions in the 20th century were short runs, it has hosted since 2003 the musical Chicago, the second-longest-running Broadway show as of 2021.

The Crowne Plaza Times Square Manhattan (originally the Holiday Inn Crowne Plaza Manhattan) is a hotel at 1601 Broadway, between 48th and 49th Streets, in the Theater District of Midtown Manhattan in New York City. Operated by Intercontinental Hotels Group as part of the Crowne Plaza chain, the hotel has 795 guest units. The hotel was designed by Alan Lapidus and is 480 feet (150 m) tall with 46 floors. The facade was designed in glass and pink granite, with a 100-foot-tall (30 m) arch facing Broadway. The hotel was designed to comply with city regulations that required deep setbacks at the base, as well as large illuminated signs. In addition to the hotel rooms themselves, the Crowne Plaza Times Square contains ground-story retail space, nine stories of office space, and a 159-space parking garage. The hotel's tenants include the American Management Association, Learning Tree International, and the New York Sports Club. Developer William Zeckendorf Jr. bought the hotel's site in 1985 and subsequently razed the existing structures there. Construction commenced in 1988, and the hotel opened on December 1, 1989. For the first several years of the hotel's operation, its office space and exterior signage was empty. Adam Tihany redesigned the interior in 1999. The City Investment Fund, a joint venture between Morgan Stanley Real Estate and Fisher Brothers, bought the Crowne Plaza in 2006 and renovated it again two years later. Vornado Realty Trust then acquired majority ownership of the hotel in 2015. The hotel rooms have been closed since 2020 due to the COVID-19 pandemic in New York City.

The Minnesota Strip is an archaic name for an area in Manhattan comprising Eighth Avenue between 42nd Street and 57th Street. It is now part of Hell's Kitchen.

1585 Broadway, also the Morgan Stanley Building, is a 42-story office building on Times Square in the Theater District neighborhood of Manhattan in New York City. The building was designed by Gwathmey Siegel & Associates Architects and Emery Roth & Sons and was developed by David and Jean Solomon. 1540 Broadway occupies a site on the west side of Broadway between 47th and 48th Streets. The building has served as the headquarters of financial-services company Morgan Stanley since 1995. 1585 Broadway consists of a low base, with setbacks that recede into a tower section measuring 685 ft (209 m) tall. The facade is designed with large signs at the base. The upper stories contain a facade of glass with aluminum spandrels, as well as a glass gable roof. At the ground level, the entire Broadway side contains stores, and the main entrances are placed on 47th and 48th Streets. The office entrances are connected by a wide lobby, which also connects to a basement cafeteria. Morgan Stanley's offices occupy the upper floors, with an executive suite at the 40th and 41st stories. The interior was designed by Gwathmey Siegel and Gensler. Solomon Equities had developed 1585 Broadway as a speculative development in 1989, on the site of the Strand Theatre and another building. Morgan Stanley had expressed interest in the space during construction but ultimately decided against it. When 1585 Broadway was completed in 1990, law firm Proskauer Rose was the only tenant, occupying eleven floors. The Solomons unsuccessfully attempted to attract more tenants and fell into debt, forcing the building into foreclosure in December 1991. The building was taken over by a consortium of banks who sold it to Morgan Stanley in 1993. Morgan Stanley moved into the building after several renovations. Proskauer Rose renovated its own space in 2000 and continued to occupy part of the building until 2010. Afterward, Morgan Stanley expanded into the former Proskauer Rose space and renovated each floor in the mid-2010s.

The Ethel Barrymore Theatre is a Broadway theater at 241 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1928, it was designed by Herbert J. Krapp in the Elizabethan, Mediterranean, and Adam styles for the Shubert family. The theater, named in honor of actress Ethel Barrymore, has 1,058 seats and is operated by the Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The ground-floor facade is made of rusticated blocks of terracotta. The theater's main entrance consists of two archways and a doorway shielded by a marquee. The upper stories contain an arched screen made of terracotta, inspired by Roman baths, which is surrounded by white brick. The auditorium contains ornamental plasterwork, a sloped orchestra level, a large balcony, and a coved ceiling with a 36 ft-wide (11 m) dome. The balcony level contains box seats topped by decorative arches. The theater was also designed with a basement lounge and a now-demolished stage house. The Shubert brothers developed the Barrymore Theatre after Ethel Barrymore agreed to have the brothers manage her theatrical career. It opened on December 20, 1928, with The Kingdom of God, and was the last pre-Depression house developed by the Shuberts. Ethel Barrymore only worked with the Shuberts until 1932 and last performed in the theater in 1940. The Barrymore has consistently remained in use as a legitimate theater since its opening, hosting plays and musicals; it is one of the few Broadway theaters to have never been sold or renamed. The theater was refurbished in the 1980s and the 2000s.

KMA Music is a recording studio located in Midtown Manhattan, just north of Times Square, in the Theater District of New York City. It was opened in 1988 by Michael Case Kissel. Until 2007, the studio's original location was 1650 Broadway at 51st street. KMA has since moved to 1619 Broadway at 49th street. Located in the Brill Building, a facility well known for its historical significance in the music industry, Shortly after moving, the studio underwent a major redesign. Consulting with Fran Manzella, a well known studio architect, KMA sought to modernize their appearance as well as music consultant Roy P. Perez to expand its major label clientele.

The 50th Street station is a bi-level station on the IND Eighth Avenue and Queens Boulevard Lines of the New York City Subway, located at 50th Street and Eighth Avenue in the Hell's Kitchen neighborhood of Manhattan. The lower level, on the Queens Boulevard Line, is served by the E train at all times, and the upper level, on the Eighth Avenue Line, is served by the C at all times except late nights and the A during late nights.

The Samuel J. Friedman Theatre, formerly the Biltmore Theatre, is a Broadway theater at 261 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, it was designed by Herbert J. Krapp in the neo-Renaissance style and was constructed for Irwin Chanin. It has 650 seats across two levels and is operated by the Manhattan Theatre Club (MTC). The auditorium interior is a New York City landmark, and the theater is listed on the National Register of Historic Places. Since 2008, the theater has been named for Broadway publicist Samuel J. Friedman, whose family was a major donor to MTC. The facade is largely designed in terracotta and buff-colored brick. The ground floor, which contains the theater's entrance, is shielded by a marquee. The upper stories are divided into bays separated by fluted pilasters, and the facade is topped by an entablature and balustrade. The auditorium contains neo-Renaissance detailing, a raked orchestra level, a large balcony, and a shallow domed ceiling. The basement contains MTC's gift shop and the Susan and Peter J. Solomon Family Lounge, while a mezzanine level contains another lounge. There are also false box seats near the front of the auditorium, flanking the proscenium arch. The modern configuration of the theater dates to a 2000s renovation, when the auditorium was redesigned to a smaller size, allowing the addition of MTC's lounges and offices behind it. The Biltmore Theatre was Chanin's second Broadway theater, opening on December 7, 1925, with the play Easy Come Easy Go. The Biltmore largely hosted flops during the late 1920s and early 1930s. It was used by Federal Theatre's Living Newspaper project in 1936 before being acquired by Warner Bros. The Biltmore was a CBS radio and television studio from 1952 to 1961, when producer David Cogan turned the Biltmore back into a legitimate theater. Cogan sold the Biltmore in 1986, and it fell into disrepair after a fire in late 1987. Though the theater was sold several times afterward, including to the Nederlander Organization and Stewart F. Lane in 1993, it was not restored until MTC agreed to operate the theater in 2001. The theater reopened in 2003, and MTC took ownership of the Friedman after it was renamed in 2008.