Longacre Theatre

1585 Broadway, also the Morgan Stanley Building, is a 42-story office building on Times Square in the Theater District neighborhood of Manhattan in New York City. The building was designed by Gwathmey Siegel & Associates Architects and Emery Roth & Sons and was developed by David and Jean Solomon. 1540 Broadway occupies a site on the west side of Broadway between 47th and 48th Streets. The building has served as the headquarters of financial-services company Morgan Stanley since 1995. 1585 Broadway consists of a low base, with setbacks that recede into a tower section measuring 685 ft (209 m) tall. The facade is designed with large signs at the base. The upper stories contain a facade of glass with aluminum spandrels, as well as a glass gable roof. At the ground level, the entire Broadway side contains stores, and the main entrances are placed on 47th and 48th Streets. The office entrances are connected by a wide lobby, which also connects to a basement cafeteria. Morgan Stanley's offices occupy the upper floors, with an executive suite at the 40th and 41st stories. The interior was designed by Gwathmey Siegel and Gensler. Solomon Equities had developed 1585 Broadway as a speculative development in 1989, on the site of the Strand Theatre and another building. Morgan Stanley had expressed interest in the space during construction but ultimately decided against it. When 1585 Broadway was completed in 1990, law firm Proskauer Rose was the only tenant, occupying eleven floors. The Solomons unsuccessfully attempted to attract more tenants and fell into debt, forcing the building into foreclosure in December 1991. The building was taken over by a consortium of banks who sold it to Morgan Stanley in 1993. Morgan Stanley moved into the building after several renovations. Proskauer Rose renovated its own space in 2000 and continued to occupy part of the building until 2010. Afterward, Morgan Stanley expanded into the former Proskauer Rose space and renovated each floor in the mid-2010s.

The Ethel Barrymore Theatre is a Broadway theater at 241 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1928, it was designed by Herbert J. Krapp in the Elizabethan, Mediterranean, and Adam styles for the Shubert family. The theater, named in honor of actress Ethel Barrymore, has 1,058 seats and is operated by the Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The ground-floor facade is made of rusticated blocks of terracotta. The theater's main entrance consists of two archways and a doorway shielded by a marquee. The upper stories contain an arched screen made of terracotta, inspired by Roman baths, which is surrounded by white brick. The auditorium contains ornamental plasterwork, a sloped orchestra level, a large balcony, and a coved ceiling with a 36 ft-wide (11 m) dome. The balcony level contains box seats topped by decorative arches. The theater was also designed with a basement lounge and a now-demolished stage house. The Shubert brothers developed the Barrymore Theatre after Ethel Barrymore agreed to have the brothers manage her theatrical career. It opened on December 20, 1928, with The Kingdom of God, and was the last pre-Depression house developed by the Shuberts. Ethel Barrymore only worked with the Shuberts until 1932 and last performed in the theater in 1940. The Barrymore has consistently remained in use as a legitimate theater since its opening, hosting plays and musicals; it is one of the few Broadway theaters to have never been sold or renamed. The theater was refurbished in the 1980s and the 2000s.

The Walter Kerr Theatre, previously the Ritz Theatre, is a Broadway theater at 219 West 48th Street in the Theater District of Midtown Manhattan in New York City. The theater was designed by Herbert J. Krapp and was constructed for the Shubert brothers in 1921. The venue, renamed in 1990 after theatrical critic Walter Kerr, has 975 seats across three levels and is operated by Jujamcyn Theaters. The facade is made of plain patterned brick, with fire escapes in front of it. The auditorium contains Adam-style detailing, two balconies, and murals. The Shuberts developed the Ritz Theatre after World War I as part of a theatrical complex around 48th and 49th Streets. The Ritz Theatre opened on March 21, 1921, with the play Mary Stuart, and it was leased to William Harris Jr., who operated it for a decade. After many unsuccessful shows, the theater was leased to the Works Progress Administration's Federal Theatre Project from 1936 to 1939, then served as a CBS and NBC broadcasting studio. The Ritz briefly hosted legitimate shows in 1942 and 1943, and it again functioned as a studio for ABC until 1965. The Ritz was abandoned for several years until Eddie Bracken took over in 1970, renovating it and hosting several short-lived shows from 1971 to 1973. During the 1970s, the Ritz variously operated as a pornographic theater, vaudeville house, children's theater, and poster-storage warehouse. Jujamcyn took over in 1981 and reopened it two years later following an extensive restoration. The theater was renovated again in 1990 and renamed after Kerr.

Hotel Edison is a historic hotel building at 228 West 47th Street in Midtown Manhattan, New York City, and is part of the Triumph Hotels collection which is owned by Shimmie Horn and Gerald Barad. It was constructed in 1931. Thomas Edison turned on the lights when it opened. It accommodated 1,000 guests on 26 floors and offered three restaurants. It attempted to mimic the telephone number PEnnsylvania 6-5000 of the Hotel Pennsylvania by using the telephone exchange name CIrcle 6-5000. Herbert J. Krapp was the architect, and Milton J. Kramer was the original owner. The hotel's ballroom was used as the Broadway theatres Arena Theatre in 1950 and as the Edison Theatre from 1972 until 1991, when it was converted back into a ballroom. In the early 1950s, "Glorious" Gloria Parker and her orchestra hosted an evening broadcast on WOR from the Hotel Edison. Parker would open the show with the glass harp (or musical glasses) and feature the popular Latin sound on her marimba with her orchestra. Henry Jerome was a band leader at the hotel when he heard from Bill Randle about a trio. This led the signing of Dorsey Burnette, Johnny Burnette and Paul Burlison to a management contract. Jerome got Johnny a daytime job as an elevator operator at the hotel and moved The Rock and Roll Trio in the hotel from the YMCA. He secured a contract for the trio with GAC (General Artists Corporation) and with the Coral division of Decca Records. The hallway walking scene preceding Luca Brasi's murder in the 1972 film The Godfather was filmed in the hotel. It was the penthouse in Woody Allen's 1994 film Bullets over Broadway. Neil Simon's 2001 play 45 Seconds from Broadway is set in the hotel's cafe. Michael Keaton is seen drinking at the hotel's bar, the Rum House, in the 2014 film Birdman.

The Edison Theatre was a Broadway theatre located in the Hotel Edison at 240 West 47th Street in Midtown Manhattan. Originally opening in 1931 as the hotel's ballroom, it became the Arena Theatre on May 31, 1950, with a revival of George Kelly's The Show Off. The following year it was returned to the hotel's ballroom and remained as such until the early 1970s, when it was re-converted to a theatre. Its most notable production was Oh! Calcutta!, which opened on September 24, 1976, and ran for 13 years, with a total of 5,959 performances. Other shows staged here included Don't Bother Me, I Can't Cope, Me and Bessie, Sizwe Banzi is Dead, The Island, and Love Letters. The theatre closed on February 24, 1991. Its final production was Those Were the Days, a musical revue celebrating Klezmer, featuring Bruce Adler, who was nominated for a Tony Award as Best Featured Actor in a Musical. In 2008, Maria DiDia, the Edison Theater General Manager, returned the property to the owners of the Edison Hotel, who promptly removed the theater seats and turned it back into its original art deco ballroom configuration.

The Strand Theatre was an early movie palace located at 1579 Broadway, at the northwest corner of 47th Street and Broadway in Times Square, New York City. Opened in 1914, the theater was later known as the Mark Strand Theatre, the Warner Theatre, and the Cinerama Theatre. It closed as the RKO Warner Twin Theatre, and was demolished in 1987.

The Eugene O'Neill Theatre, previously the Forrest Theatre and the Coronet Theatre, is a Broadway theater at 230 West 49th Street in the Theater District of Midtown Manhattan in New York City. The theater was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It opened in 1925 as part of a hotel and theater complex named after 19th-century tragedian Edwin Forrest. The modern theater, named in honor of American playwright Eugene O'Neill, has 1,108 seats across two levels and is operated by Jujamcyn Theaters. The auditorium interior is a New York City designated landmark. The facade was originally made of brick and terracotta to complement the neighboring hotel. The original facade was removed in a 1940s renovation and replaced with stucco; the modern theater is of painted limestone and contains a large iron balcony. The auditorium contains Adam-style detailing, a large balcony, and box seats within decorative arches. There is also a five-centered proscenium arch and a coved ceiling with medallions. The Shuberts developed the Forrest Theatre after World War I as part of a theatrical complex around 48th and 49th Streets. When the Forrest Theatre opened on November 24, 1925, its first production was the musical Mayflowers. After a series of unsuccessful shows, the Shuberts lost the theater to foreclosure in 1934, upon which it hosted Tobacco Road, which became the longest-running production in Broadway history. Following a brief run as a broadcast studio in 1944, the theater was sold in 1945 to City Playhouse Theatres, which renovated the theater and renamed it the Coronet. The theater was sold in 1959 to Lester Osterman, who renamed it after Eugene O'Neill. The playwright Neil Simon acquired the theater in 1967, after which he staged several of his own works there. Jujamcyn has operated the theater since 1982 and restored it in 1994. The O'Neill has hosted the musical The Book of Mormon since 2011.

The Crowne Plaza Times Square Manhattan (originally the Holiday Inn Crowne Plaza Manhattan) is a hotel at 1601 Broadway, between 48th and 49th Streets, in the Theater District of Midtown Manhattan in New York City. Operated by Intercontinental Hotels Group as part of the Crowne Plaza chain, the hotel has 795 guest units. The hotel was designed by Alan Lapidus and is 480 feet (150 m) tall with 46 floors. The facade was designed in glass and pink granite, with a 100-foot-tall (30 m) arch facing Broadway. The hotel was designed to comply with city regulations that required deep setbacks at the base, as well as large illuminated signs. In addition to the hotel rooms themselves, the Crowne Plaza Times Square contains ground-story retail space, nine stories of office space, and a 159-space parking garage. The hotel's tenants include the American Management Association, Learning Tree International, and the New York Sports Club. Developer William Zeckendorf Jr. bought the hotel's site in 1985 and subsequently razed the existing structures there. Construction commenced in 1988, and the hotel opened on December 1, 1989. For the first several years of the hotel's operation, its office space and exterior signage was empty. Adam Tihany redesigned the interior in 1999. The City Investment Fund, a joint venture between Morgan Stanley Real Estate and Fisher Brothers, bought the Crowne Plaza in 2006 and renovated it again two years later. Vornado Realty Trust then acquired majority ownership of the hotel in 2015. The hotel rooms have been closed since 2020 due to the COVID-19 pandemic in New York City.

The Samuel J. Friedman Theatre, formerly the Biltmore Theatre, is a Broadway theater at 261 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, it was designed by Herbert J. Krapp in the neo-Renaissance style and was constructed for Irwin Chanin. It has 650 seats across two levels and is operated by the Manhattan Theatre Club (MTC). The auditorium interior is a New York City landmark, and the theater is listed on the National Register of Historic Places. Since 2008, the theater has been named for Broadway publicist Samuel J. Friedman, whose family was a major donor to MTC. The facade is largely designed in terracotta and buff-colored brick. The ground floor, which contains the theater's entrance, is shielded by a marquee. The upper stories are divided into bays separated by fluted pilasters, and the facade is topped by an entablature and balustrade. The auditorium contains neo-Renaissance detailing, a raked orchestra level, a large balcony, and a shallow domed ceiling. The basement contains MTC's gift shop and the Susan and Peter J. Solomon Family Lounge, while a mezzanine level contains another lounge. There are also false box seats near the front of the auditorium, flanking the proscenium arch. The modern configuration of the theater dates to a 2000s renovation, when the auditorium was redesigned to a smaller size, allowing the addition of MTC's lounges and offices behind it. The Biltmore Theatre was Chanin's second Broadway theater, opening on December 7, 1925, with the play Easy Come Easy Go. The Biltmore largely hosted flops during the late 1920s and early 1930s. It was used by Federal Theatre's Living Newspaper project in 1936 before being acquired by Warner Bros. The Biltmore was a CBS radio and television studio from 1952 to 1961, when producer David Cogan turned the Biltmore back into a legitimate theater. Cogan sold the Biltmore in 1986, and it fell into disrepair after a fire in late 1987. Though the theater was sold several times afterward, including to the Nederlander Organization and Stewart F. Lane in 1993, it was not restored until MTC agreed to operate the theater in 2001. The theater reopened in 2003, and MTC took ownership of the Friedman after it was renamed in 2008.

The Lunt-Fontanne Theatre, originally the Globe Theatre, is a Broadway theater at 205 West 46th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1910, the Lunt-Fontanne Theatre was designed by Carrère and Hastings in the Beaux-Arts style for Charles Dillingham. The theater is named after theatrical couple Alfred Lunt and Lynn Fontanne; its original name was inspired by that of the Globe Theatre, London's Shakespearean playhouse. The current configuration of the interior, dating to 1958, has about 1,500 seats across two levels and is operated by the Nederlander Organization. The facade is a New York City landmark. The theater's only surviving facade is on 46th Street and was once the carriage entrance. The ground level contains the theater's entrance on the east, as well as exits from the auditorium and stage house. On the upper stories, the facade contains a five-bay-wide central pavilion with arches, flanked by simpler pavilions on either side. Another entrance on Broadway, with an ornate lobby, was demolished in 1958. The auditorium originally contained three levels and box seating prior to its reconfiguration. The tiled roof and the auditorium's ceiling were designed with retractable sections, which are no longer in use. The Globe Theatre opened on January 10, 1910. Most of the Globe's early shows were revues and musicals, including several productions by Dillingham. The Globe was converted into a movie house operated by the Brandt chain in the 1930s. City Playhouses Inc., a partnership between developers Robert W. Dowling and William Zeckendorf, bought it in 1957. After the firm Roche and Roche gut-renovated the venue, it was renamed and reopened on May 5, 1958. City Playhouses sold the theater to producers Cy Feuer and Ernest H. Martin in 1960, and it was then sold to developer Stanley Stahl in 1965. The Nederlanders have operated the theater since 1973.

The Brooks Atkinson Theatre, originally the Mansfield Theatre, is a Broadway theater at 256 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1926, it was designed by Herbert J. Krapp in a Spanish style and was constructed for Irwin Chanin. It has 1,069 seats across two levels and is operated by the Nederlander Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is divided into two sections: the four-story stage house to the west, covered in buff-colored brick, and the three-story auditorium to the east, designed with yellow-beige brick and terracotta. The ground floor, which contains the theater's entrance, is shielded by a marquee. Above is a set of Palladian windows on the second story, as well as rectangular sash windows with lunettes on the third story. The facade is topped by an entablature and a sloping tiled roof. The auditorium contains ornamental plasterwork, a sloped orchestra level, a large balcony, and a coved ceiling. The balcony level contains box seats near the front of the auditorium, above which are murals. The Mansfield Theatre was developed with the Biltmore (now Friedman) Theatre across the street, opening on February 15, 1926. The Mansfield struggled to attract hits from its opening until 1945, when Michael Myerberg bought it. In 1950, the Mansfield was leased to CBS for television productions under the name Studio 59. The theater was renamed after the former New York Times theater critic Brooks Atkinson when Myerberg returned it to legitimate use in 1960. The Nederlander Organization purchased part-ownership of the Atkinson in 1967 and acquired full ownership in 1974. Following a renovation in 2000, the theater has hosted several shows in the 21st century, such as the musical Waitress.

The Royal Roost was a jazz club located at 1580 Broadway in the Theater District of Manhattan in New York City.