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The Q is a multilevel LGBT nightclub in the Hell's Kitchen neighborhood of Manhattan in New York City. Backed by celebrity investors including Billy Porter and Zachary Quinto, the club is billed as "the largest queer-owned and -operated nightlife venue in Manhattan". It is known for its five distinctly themed rooms and for its entertainment selection, which features A-list comedians, prominent local drag queens, burlesque acts and jazz bands. The establishment was originally set to open in 2020, but its debut was pushed to June 2021 due to the COVID-19 pandemic. The Q has garnered praise from critics, who have described it as innovative, inclusive and chic.

The 50th Street station is a bi-level station on the IND Eighth Avenue and Queens Boulevard Lines of the New York City Subway, located at 50th Street and Eighth Avenue in the Hell's Kitchen neighborhood of Manhattan. The lower level, on the Queens Boulevard Line, is served by the E train at all times, and the upper level, on the Eighth Avenue Line, is served by the C at all times except late nights and the A during late nights.

The Eugene O'Neill Theatre, previously the Forrest Theatre and the Coronet Theatre, is a Broadway theater at 230 West 49th Street in the Theater District of Midtown Manhattan in New York City. The theater was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It opened in 1925 as part of a hotel and theater complex named after 19th-century tragedian Edwin Forrest. The modern theater, named in honor of American playwright Eugene O'Neill, has 1,108 seats across two levels and is operated by Jujamcyn Theaters. The auditorium interior is a New York City designated landmark. The facade was originally made of brick and terracotta to complement the neighboring hotel. The original facade was removed in a 1940s renovation and replaced with stucco; the modern theater is of painted limestone and contains a large iron balcony. The auditorium contains Adam-style detailing, a large balcony, and box seats within decorative arches. There is also a five-centered proscenium arch and a coved ceiling with medallions. The Shuberts developed the Forrest Theatre after World War I as part of a theatrical complex around 48th and 49th Streets. When the Forrest Theatre opened on November 24, 1925, its first production was the musical Mayflowers. After a series of unsuccessful shows, the Shuberts lost the theater to foreclosure in 1934, upon which it hosted Tobacco Road, which became the longest-running production in Broadway history. Following a brief run as a broadcast studio in 1944, the theater was sold in 1945 to City Playhouse Theatres, which renovated the theater and renamed it the Coronet. The theater was sold in 1959 to Lester Osterman, who renamed it after Eugene O'Neill. The playwright Neil Simon acquired the theater in 1967, after which he staged several of his own works there. Jujamcyn has operated the theater since 1982 and restored it in 1994. The O'Neill has hosted the musical The Book of Mormon since 2011.

St. Malachy Roman Catholic Church is a parish church of the Roman Catholic Archdiocese of New York, located in Manhattan on West 49th Street, between Broadway and Eighth Avenue. The parish has served the theatre community in a special way since 1920, and its parishioners have included many actors, such as Bob Hope and Gregory Peck.

The 49th Street Theatre (later renamed Cinema 49) was a Broadway theater at 235 West 49th Street in the Theater District of Manhattan in New York City. The 750-seat neo-Renaissance style theater was designed by the architect Herbert J. Krapp for the Shubert Organization. It opened on December 26, 1921, with a performance of Face Value, a comedy by Laurence Grass. Although it had some popular productions, such as the revue La Chauve-Souris and the Aaron Hoffman play Give and Take, the venue was one of the Shuberts' less successful locations. They lost control of the property during the Great Depression. It continued to operate as a playhouse until April 1938. The final theatrical performance at the venue was a production of Henrik Ibsen's The Wild Duck. The venue was then converted to show movies and reopened as Cinema 49. The cinema was also unsuccessful and closed in 1940; the building was demolished in December of that year.

One Worldwide Plaza is the largest tower of a three-building, mixed-use commercial and residential complex in the Hell's Kitchen neighborhood of Manhattan, New York City. The complex, known collectively as Worldwide Plaza, was completed in 1989. One Worldwide Plaza is a commercial office tower on the west side of Eighth Avenue, while Two Worldwide Plaza is a residential condominium tower west of the center of the block, and Three Worldwide Plaza is a low-rise condominium residential building with street level stores on Ninth Avenue, to the west of the towers. Skidmore, Owings & Merrill was the designer for the office complex, and the residential complex was designed by Frank Williams.The complex, whose component skyscrapers are among the tallest buildings in New York City, occupies the entire city block bounded by Eighth Avenue, Ninth Avenue, 49th Street, and 50th Street. One Worldwide Plaza is built on the site of New York City's third Madison Square Garden.

Madison Square Garden (MSG III) was an indoor arena in New York City, the third bearing that name. Built in 1925 and closed in 1968, it was located on the west side of Eighth Avenue between 49th and 50th Streets in Manhattan, on the site of the city's trolley-car barns. It was the first Garden that was not located near Madison Square. MSG III was the home of the New York Rangers of the National Hockey League and the New York Knicks of the National Basketball Association, and also hosted numerous boxing matches, the Millrose Games, concerts, and other events. In 1968 it was demolished and its role and name passed to the current Madison Square Garden, which stands at the site of the original Penn Station. One Worldwide Plaza was built on the arena's former 50th Street location.

The Samuel J. Friedman Theatre, formerly the Biltmore Theatre, is a Broadway theater at 261 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, it was designed by Herbert J. Krapp in the neo-Renaissance style and was constructed for Irwin Chanin. It has 650 seats across two levels and is operated by the Manhattan Theatre Club (MTC). The auditorium interior is a New York City landmark, and the theater is listed on the National Register of Historic Places. Since 2008, the theater has been named for Broadway publicist Samuel J. Friedman, whose family was a major donor to MTC. The facade is largely designed in terracotta and buff-colored brick. The ground floor, which contains the theater's entrance, is shielded by a marquee. The upper stories are divided into bays separated by fluted pilasters, and the facade is topped by an entablature and balustrade. The auditorium contains neo-Renaissance detailing, a raked orchestra level, a large balcony, and a shallow domed ceiling. The basement contains MTC's gift shop and the Susan and Peter J. Solomon Family Lounge, while a mezzanine level contains another lounge. There are also false box seats near the front of the auditorium, flanking the proscenium arch. The modern configuration of the theater dates to a 2000s renovation, when the auditorium was redesigned to a smaller size, allowing the addition of MTC's lounges and offices behind it. The Biltmore Theatre was Chanin's second Broadway theater, opening on December 7, 1925, with the play Easy Come Easy Go. The Biltmore largely hosted flops during the late 1920s and early 1930s. It was used by Federal Theatre's Living Newspaper project in 1936 before being acquired by Warner Bros. The Biltmore was a CBS radio and television studio from 1952 to 1961, when producer David Cogan turned the Biltmore back into a legitimate theater. Cogan sold the Biltmore in 1986, and it fell into disrepair after a fire in late 1987. Though the theater was sold several times afterward, including to the Nederlander Organization and Stewart F. Lane in 1993, it was not restored until MTC agreed to operate the theater in 2001. The theater reopened in 2003, and MTC took ownership of the Friedman after it was renamed in 2008.

New World Stages is a five-theater, Off-Broadway performing arts complex in the Hell's Kitchen neighborhood of Manhattan in New York City. It is between 49th and 50th Streets beneath the plaza of the Worldwide Plaza complex at Eighth Avenue.

The Walter Kerr Theatre, previously the Ritz Theatre, is a Broadway theater at 219 West 48th Street in the Theater District of Midtown Manhattan in New York City. The theater was designed by Herbert J. Krapp and was constructed for the Shubert brothers in 1921. The venue, renamed in 1990 after theatrical critic Walter Kerr, has 975 seats across three levels and is operated by Jujamcyn Theaters. The facade is made of plain patterned brick, with fire escapes in front of it. The auditorium contains Adam-style detailing, two balconies, and murals. The Shuberts developed the Ritz Theatre after World War I as part of a theatrical complex around 48th and 49th Streets. The Ritz Theatre opened on March 21, 1921, with the play Mary Stuart, and it was leased to William Harris Jr., who operated it for a decade. After many unsuccessful shows, the theater was leased to the Works Progress Administration's Federal Theatre Project from 1936 to 1939, then served as a CBS and NBC broadcasting studio. The Ritz briefly hosted legitimate shows in 1942 and 1943, and it again functioned as a studio for ABC until 1965. The Ritz was abandoned for several years until Eddie Bracken took over in 1970, renovating it and hosting several short-lived shows from 1971 to 1973. During the 1970s, the Ritz variously operated as a pornographic theater, vaudeville house, children's theater, and poster-storage warehouse. Jujamcyn took over in 1981 and reopened it two years later following an extensive restoration. The theater was renovated again in 1990 and renamed after Kerr.

The Longacre Theatre is a Broadway theater at 220 West 48th Street in the Theater District of Midtown Manhattan in New York City, United States. Opened in 1913, it was designed by Henry B. Herts and was named for Longacre Square, now known as Times Square. The Longacre has 1,077 seats and is operated by The Shubert Organization. Both the facade and the auditorium's interior are New York City designated landmarks. The ground-floor facade is made of rusticated blocks of terracotta. The theater's main entrance is shielded by a marquee. The upper stories are divided vertically into five bays, which cobtain niches on either side of three large windows. The auditorium contains ornamental plasterwork, a sloped orchestra level, two balconies, and a coved ceiling. The balcony level contains box seats topped by flat arches, and the proscenium opening is also a flat arch. In addition, the Longacre contains two lounges, and the top story formerly had offices. Theatrical personality Harry Frazee acquired the site in 1911 and developed the Longacre Theatre to accommodate musicals. The Longacre opened on May 1, 1913, with the play Are You a Crook?, but the theater housed several flops in its early years. Frazee, who co-owned the theater with G. M. Anderson, sold his ownership stake in 1917 to focus on baseball. The Shubert brothers acquired the Longacre in 1924 and operated it for two decades before leasing it as a radio and television studio in 1944. The Shuberts returned the Longacre to legitimate theatrical use in 1953. The theater gained a reputation for hosting few successful productions in the late 20th century and was nearly converted to a court in the early 1990s. The Longacre was renovated in 2008.

The Ambassador Theatre is a Broadway theater at 219 West 49th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1921, the Ambassador Theatre was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It has 1,125 seats across two levels and is operated by The Shubert Organization. The auditorium interior is a New York City designated landmark. The theater is oriented on a diagonal axis, maximizing seating capacity on its small site of 100 by 100 feet (30 by 30 m). The facade is largely made of golden brick and is simple in design. The most prominent part of the facade is a curved entrance at the southeast corner, facing Broadway, where a lobby leads to the rear of the theater's orchestra level. The auditorium contains Adam-style detailing, a large balcony, and box seats with decorated arches above them. The auditorium contains a segmental proscenium arch topped by a curved sounding board. The Shuberts developed the Ambassador, along with the neighboring O'Neill and Walter Kerr theaters, after World War I as part of a theatrical complex around 48th and 49th Streets. The Ambassador opened on February 11, 1921, with the musical The Rose Girl. The Shuberts sold the property in 1935, and it was intermittently used as a CBS broadcast studio, a movie theater, and for live theater until 1945. The Ambassador then hosted foreign films in the late 1940s and was a studio for the DuMont Television Network in the early 1950s. In 1956, the Shuberts assumed ownership again, returning it to use as a live theater. Though many of the Ambassador's productions in the 20th century were short runs, it has hosted since 2003 the musical Chicago, the second-longest-running Broadway show as of 2021.