Montesanto Funicular

The Certosa di San Martino ("Charterhouse of St. Martin") is a former monastery complex, now a museum, in Naples, southern Italy. Along with Castel Sant'Elmo that stands beside it, this is the most visible landmark of the city, perched atop the Vomero hill that commands the gulf. A Carthusian monastery, it was finished and inaugurated under the rule of Queen Joan I in 1368. It was dedicated to St. Martin of Tours. During the first half of the 16th century it was expanded. Later, in 1623, it was further expanded and became, under the direction of architect Cosimo Fanzago, essentially the structure one sees today. In 1799 anti-clerical French forces of occupation suppressed the monastery and forced the monks to flee. In the ensuing decades the monks made several attempts to reestablish their charter house, with the last effort failing in 1866, when the state definitively confiscated the property. Today, the buildings house the National Museum of San Martino with a display of Spanish and Bourbon era artifacts, as well as displays of the presepe—Nativity scene—considered to be among the finest in the world.

The National Museum of San Martino is a museum opened to the public in Naples in 1866, after the unification of Italy, after the Charterhouse included among the suppressed ecclesiastical assets, was declared a national monument. By the will of the Neapolitan archaeologist Giuseppe Fiorelli, the rooms were intended to collect in a museum evidence of the life of Naples and the southern Kingdoms (Kingdom of Naples and Kingdom of Sicily first and the Kingdom of the Two Sicilies after). The museum, which is spread over two levels, is accessed from the two cloisters of the charterhouse. Since December 2014, the Ministry of Cultural Heritage and Activities has been managing the museum and charterhouse through the Campania museum complex, which in December 2019 became the Regional Directorate for Museums.

Napoli Montesanto is a railway station in Naples, Italy, served by Line 2 of the Naples metropolitan railway service. Trenitalia describes the station as serving the historic centre and university area, with interchange to the Cumana railway and the Montesanto Funicular.

Santissima Trinità delle Monache is a large former monastery and church in central Naples, Italy; it now serves as a military hospital. It is located in the Spanish Quarter of the city.

Santa Maria ad Ogni Bene dei Sette Dolori, also known as Santa Maria de Sette Dolori, is a Roman Catholic church in Naples, Italy. It stands on a hill, providing an excellent view of Spaccanapoli, a Decumanus of Naples which ends across via Francesco Girardi. From the door of the church, one has a direct view across Naples through the straight decumanus. The church also faces the former convent of Santissima Trinità delle Monache.

The church of Santa Maria di Montesanto and the annexed monastery were built in Naples, Italy, by a community of Carmelite friars that had its origins in Montesanto, Sicily. The initial architect was Pietro De Marino, but the work including the cupola (1680) was completed by Dionisio Lazzari. The facades, done in the 19th century by Angelo Viva, depict Our Lady of Carmel (the Madonna del Carmelo). The interior is on a Latin-cross plan. In the first two chapels are canvases by Paolo De Matteis, depicting St Michael Archangel and the Miracle of St Anthony (1693). In one arm of the transept is the Crucifixion with Madonna and St John the Baptist, an 18th-century wood sculpture by Nicola Fumo. An interior chapel, dedicated to Saint Cecilia, was patronized by the musicians from the Real Cappella Palatina. The church houses the tomb of the composer Alessandro Scarlatti, who died in 1725, the altar surmounted by a painting of Giuseppe Simonelli which depicts Saint Cecilia.

Santa Maria del Rosario a Portamedina (also known as the church of Santa Giovanna d'Arco or Rosariello a Portamedina) is a church located on Via Rosario in Portamedina in the Quartieri Spagnoli of the historic center of Naples, Italy. The church was founded in 1568 by the Congregation of the Holy Spirit, and church and cloister were completed in the 17th century. From 1724 to 1742, the complex underwent reconstruction, which gives the site its present shape, external rococo decoration, and internal stucco details. This was likely carried out by either Domenico Antonio Vaccaro or his followers. In 1929, the conservatory of the Dominican order was transferred to nuns of the Compagnia di Maria and in 1937 it was recognized legally as a school. During the twentieth century, the complex was enlarged and altered. The facade facing a narrow street, has an ornate stucco portico. The interior is a centralized with two chapels, a rectangular apse, and no dome. At present, the church is closed to the public.

The Pagliara Art Museum (Italian: Museo d'arte della fondazione Pagliara), also known as the Art Museum of the Pagliara Foundation, is an art museum in Naples, Italy (open by appointment), attached to the Suor Orsola Benincasa Institute, a primary cultural institution in the city.

The Central Funicular (Italian: Funicolare Centrale), is one of four funiculars in the public transportion system of Naples, Italy. The system is a true funicular: an inclined railway with two passenger cars, connected via cables, operating in concert. Inaugurated in 1928, the Central Funicular of Naples is one of the most used funicular railways in the world, and carries over 10 million passengers per year.The Central Funicular connects its upper terminus in Vomero with its lower terminus at Via Toledo near Galleria Umberto via four stations: Piazza Fuga, Petraio-Via Palizzi (accessing the Vomero Petraio), Corso Vittorio Emanuele (Napoli), and Augusteo at Piazzetta Duca d'Aosta. At Piazza Fuga, the Central Funicular station is adjacent to Piazza Fuga, near Piazza Vanvitelli, where there is a connection to both Vanvitelli station, on Line 1 of the Naples Metro, and to the Chiaia Funicular. The Montesanto Funicular is a short walk to the northeast. A fourth funicular, the Mergellina Funicular, connects the two further areas of Posillipo Alto and Mergellina. A now defunct system, the Sorrento Funicular, operated nearby from 1883 to 1886.

The Petraio is a lineal urban neighborhood and pedestrian road in Naples, Italy. It descends from what was once an expansive upper agricultural area (the present day hilltop district of Vomero) and connects adjacent neighborhoods to downtown Naples — terminating just outside the original perimeter walls of Naples, near the present day Chiaia district. The path arose from an ancient self-formed alluvial channel that followed a natural and narrow watercourse, deposting rocks, stones and pebbles; meandering and bifurcating as it descended. As it became trafficked, inhabited and developed, the path was improved to connect a rustic series of paved stone gradini (steps), discese (descending steps), vici (alleys), largi (widenings), rampe (ramps) and salite (climbs) — varying in slope and width — and framed by buildings, churches,and small businesses.As one of Naples' roughly more than 200 neighborhood stairs, inclined walks and ramps, the Petraio is accessible only on foot, and is noted for its range of architecture — from Neapolitan Liberty villas to bassi, small one and two room dwellings directly accessed off the Petraio itself — as well as its picturesque character and broad views of the city, the Gulf of Naples, Sorrento and the isle of Capri. Originally, called il Imbrecciata (the debris-field) and later O'Petraro, the Petraio takes its name from the paths's original rocky character — the word stone translating to pietra in Italian and petra in Neapolitan.

San Nicola da Tolentino is a church, located in Corso Vittorio Emanuele in Naples, Italy. The church was founded in 1618 in a zone where one of the Palaces of the Regio Consigliere Scipione De Curtis was found, and which patronized the construction of a hospice run by the Augustinian Order. After the 1631 eruption of Vesuvius, forced the monks to relocate to Resina. The monastery was then ceded to monks of the Order of San Martino and later to priests of the Congregation Vincenziani della Missione till 1836, when they were expelled, only to regain the facility in 1860 and move back in by the 20th century. Outside, a scenic staircase leads to the church atrium of the church. A series of marble inscriptions and votive offerings indicate the veneration of Our Lady of Lourdes which began in 1873. The stucco and white marble interior is mainly the design Domenico Antonio Vaccaro following a reconstruction in the 18th century. The main altar is attributed to Granucci. In the lateral chapels is a St Joseph and Child Jesus with Saints Gennaro and Elmo by Giuseppe Castellano. It is placed next to a 16th-century crucifix. the frescoes on the ceiling (1890) were completed by Vincenzo Galloppi, who also decorated the apse in an oriental style similar to that of Domenico Morelli. The presbytery walls were frescoed by Francesco Saverio Altamura and Bernardo Hay with stories relevant to the Virgin of Lourdes; in 1875, a reproduction of the Grotto of Lourdes was built. The site was often visited by the modern saint Doctor Giuseppe Moscati, who provided a marble plaque in gratitude to the Virgin

The Teatro Nuovo (New Theatre) is a theatre located on Via Montecalvario in the Quartieri Spagnoli district of Naples. The original theatre was an opera house designed by Domenico Antonio Vaccaro. Completed in 1724, it was also known as the Teatro Nuovo sopra Toledo and the Teatro Nuovo de Montecalvario. The theatre specialised in the opera buffa genre and saw the world premieres of hundreds of operas in its heyday. These included fifteen of Cimarosa's operas and seven of Donizetti's. The present theatre is the third to have been erected on the site following its destruction by fire in 1861 and again in 1935.