San Nicola da Tolentino, Naples

The Central Funicular (Italian: Funicolare Centrale), is one of four funiculars in the public transportion system of Naples, Italy. The system is a true funicular: an inclined railway with two passenger cars, connected via cables, operating in concert. Inaugurated in 1928, the Central Funicular of Naples is one of the most used funicular railways in the world, and carries over 10 million passengers per year.The Central Funicular connects its upper terminus in Vomero with its lower terminus at Via Toledo near Galleria Umberto via four stations: Piazza Fuga, Petraio-Via Palizzi (accessing the Vomero Petraio), Corso Vittorio Emanuele (Napoli), and Augusteo at Piazzetta Duca d'Aosta. At Piazza Fuga, the Central Funicular station is adjacent to Piazza Fuga, near Piazza Vanvitelli, where there is a connection to both Vanvitelli station, on Line 1 of the Naples Metro, and to the Chiaia Funicular. The Montesanto Funicular is a short walk to the northeast. A fourth funicular, the Mergellina Funicular, connects the two further areas of Posillipo Alto and Mergellina. A now defunct system, the Sorrento Funicular, operated nearby from 1883 to 1886.

The church of Santa Caterina da Siena is located in the city center of Naples, Italy, and while built in the 16th century, the interior was decorated by Baroque era artists over the next two centuries.

San Carlo alle Mortelle is a Baroque style, Roman Catholic church in central Naples, Italy.

Santa Maria delle Grazie a Mondragone is a small now-deconsecrated Roman Catholic church building on Piazzeta Mondragone in central Naples, Italy.

The Certosa di San Martino ("Charterhouse of St. Martin") is a former monastery complex, now a museum, in Naples, southern Italy. Along with Castel Sant'Elmo that stands beside it, this is the most visible landmark of the city, perched atop the Vomero hill that commands the gulf. A Carthusian monastery, it was finished and inaugurated under the rule of Queen Joan I in 1368. It was dedicated to St. Martin of Tours. During the first half of the 16th century it was expanded. Later, in 1623, it was further expanded and became, under the direction of architect Cosimo Fanzago, essentially the structure one sees today. In 1799 anti-clerical French forces of occupation suppressed the monastery and forced the monks to flee. In the ensuing decades the monks made several attempts to reestablish their charter house, with the last effort failing in 1866, when the state definitively confiscated the property. Today, the buildings house the National Museum of San Martino with a display of Spanish and Bourbon era artifacts, as well as displays of the presepe—Nativity scene—considered to be among the finest in the world.

Santa Maria della Concordia is a baroque-style, Roman Catholic church, located on the Piazza of the same name in Naples, region of Campania, Italy.

The Palazzo Cellamare or Cellammare is a monumental palace located in via Chiaia 139 in the Quartiere San Ferdinando of Naples, Italy. The entrance is near the church of Santa Caterina a Chiaia.

Sant'Orsola a Chiaia (also called Sant'Orsola dei Mercedari Spagnoli, or the Parish church of Santa Maria della Mercede a Chiaia) is a church in largo Sant'Orsola in the quartieri of Chiaia in Naples, Italy. Originally, this was the site of a small 16th-century chapel endowed by the Spaniard Annibale de Troyanis y Mortella and dedicated to Saint Ursula. In 1569 it was donated to fathers of the Order of Santa Maria della Mercede, who in 1576 demolished the chapel to build a new convent. The church was reconstructed. In 1875, the cloister that held the tombs of the monks was demolished and the Teatro Sannazaro was built instead. The convent held Mercedari priests till 1923. In the 19th century, the reconstruction added frescoes in the arches of the nave and ceiling, depicting Stories of the Virgin (1851) and Redemption of Captives (1852) by G. Gravante. In the transept are two canvases by unknown 16th-century artists.

Quartieri Spagnoli (Spanish Neighborhoods) is a part of the city of Naples in Italy. The Neapolitan language is stronger here than anywhere else. The area, encompassing c. 800,000 square metres, consists of a grid of around eighteen streets by twelve, including a population of some 14,000 inhabitants. The Quartieri were created in the 16th century to house Spanish garrisons, hence the name, whose role was to quench revolts from the Neapolitan population. Among the historic churches in the district are: Church of the Immacolata Concezione e Purificazione di Maria de' nobili in Montecalvario Church of San Carlo alle Mortelle Church of San Mattia Church of Santa Maria della Concezione a Montecalvario Church of Santa Maria della Lettera Church of Santa Maria della Mercede a Montecalvario Church of Santa Maria Francesca delle Cinque Piaghe Church of Sant'Anna di Palazzo Church of Santa Maria del Rosario a Portamedina Church of Santa Maria della Concordia Church of Santa Maria delle Grazie a Toledo Convent and church of Santa Maria dello Splendore Church of Santa Maria Ognibene Church of Santa Teresella degli Spagnoli Church of the Trinità dei Pellegrini Church of the Santissima Trinità degli Spagnoli

Sant'Anna di Palazzo (or church of the Rosario di Palazzo) is a church in the quartiere of San Ferdinando in Naples, Italy. After the victory at the Lepanto, this church and Santa Maria della Vittoria in Naples were erected and dedicated to the Madonna del Rosario, whose devotion was felt to have contributed to the success at the battle. In 1572, Michele Lauro offered the Dominicans this land for construction of a church. In this time, this zone was exterior to the walls and less populated. One of the leaders of the Parthenopean Republic, Eleonora Fonseca Pimentel was married here in February 1778, and later buried her son here. Luca Giordano was baptized in this church. The facade (1706-1710) is attributed to Giovanni Battista Nauclerio. The stucco decorations date from the 17th century, but heavily restored in the 18th century. There are four bas-relief depictions of popes who helped establish the devotion of the rosary: Popes Benedict XI, Benedict XIII, Innocent V, and Pius V. The main altar (1729) created by Domenico Antonio Vaccaro. The main altarpiece is a Madonna del Rosario (c. 1738) by Giuseppe Bonito. The Rococo style sacristy (1739) was completed by Michelangelo Porzio. The dome, once tiled with Maiolica, dominates the skyline of the zone. The church was severely damaged during bombardments in 1943.

The church of the Santissima Trinità degli Spagnoli is a religious building in Naples, Italy, found in the piazza of the same name. The structure was first built in 1573 and was ceded to the Spanish residents of the Quartieri Spagnoli, later it passed to the Order of the Santissima Trinità della Redenzione dei Cattivi, an order dedicated to the redemption of captives held in Muslim lands. This order had been instituted by Pope Innocent III. The church was rebuilt and the interior redecorated by the Trinitarians in 1788. The portico dates from the mid-17th century. The church and convent were suppressed during the Napoleonic occupation. At the time a seventeenth-century altarpiece of the Santissima Trinità con la Madonna del Rimedio was looted.

The Teatro Nuovo (New Theatre) is a theatre located on Via Montecalvario in the Quartieri Spagnoli district of Naples. The original theatre was an opera house designed by Domenico Antonio Vaccaro. Completed in 1724, it was also known as the Teatro Nuovo sopra Toledo and the Teatro Nuovo de Montecalvario. The theatre specialised in the opera buffa genre and saw the world premieres of hundreds of operas in its heyday. These included fifteen of Cimarosa's operas and seven of Donizetti's. The present theatre is the third to have been erected on the site following its destruction by fire in 1861 and again in 1935.