Santa Maria ad Ogni Bene dei Sette Dolori

Santissima Trinità delle Monache is a large former monastery and church in central Naples, Italy; it now serves as a military hospital. It is located in the Spanish Quarter of the city.

Santa Maria del Rosario a Portamedina (also known as the church of Santa Giovanna d'Arco or Rosariello a Portamedina) is a church located on Via Rosario in Portamedina in the Quartieri Spagnoli of the historic center of Naples, Italy. The church was founded in 1568 by the Congregation of the Holy Spirit, and church and cloister were completed in the 17th century. From 1724 to 1742, the complex underwent reconstruction, which gives the site its present shape, external rococo decoration, and internal stucco details. This was likely carried out by either Domenico Antonio Vaccaro or his followers. In 1929, the conservatory of the Dominican order was transferred to nuns of the Compagnia di Maria and in 1937 it was recognized legally as a school. During the twentieth century, the complex was enlarged and altered. The facade facing a narrow street, has an ornate stucco portico. The interior is a centralized with two chapels, a rectangular apse, and no dome. At present, the church is closed to the public.

The Teatro Nuovo (New Theatre) is a theatre located on Via Montecalvario in the Quartieri Spagnoli district of Naples. The original theatre was an opera house designed by Domenico Antonio Vaccaro. Completed in 1724, it was also known as the Teatro Nuovo sopra Toledo and the Teatro Nuovo de Montecalvario. The theatre specialised in the opera buffa genre and saw the world premieres of hundreds of operas in its heyday. These included fifteen of Cimarosa's operas and seven of Donizetti's. The present theatre is the third to have been erected on the site following its destruction by fire in 1861 and again in 1935.

Santa Maria della Concezione a Montecalvario is a church in central Naples, Italy. Founded as a small church in 1579, it was attached to the adjacent monastery and school of the Concezione. It is located on via Concezione a Montecalvario #32. From 1718 to 1725, Domenico Antonio Vaccaro with the collaboration of the engineers Giuseppe Lucchese Prezzolini and Filippo Marinelli, reconstructed the church. Its decoration dates to 1724. In 1889 the complex was closed due to structural instability. By the end of the 19th century it had come to the jurisdiction of the Collegi Riuniti, and in 1916, it was granted in perpetuity to the Archiconfraternity of the Santissimo Corpo di Cristo, while the college and garden were given to the Commune of Naples. In 1928, the college was demolished and a school built. In 1960 a maternity institute was built in the grounds of the garden. In 1978, further restorations were carried out under Loreto Colombo, yet the church was again damaged by the 1980 Irpinia earthquake, and work continued till 1987. The interior has a Greek cross plan. The cupola is decorated by stuccoes by Giuseppe Cristiano. The main altar and the majolica pavement wes designed by Vaccaro. It is flanked by the heraldic symbols of the Mercurio family. The 16th century statue depicts the Immaculate Conception. The chapels have paintings by Vaccaro, Tommaso Martini, and Nicola Maria Rossi. The Vaccaro brothers also completed the majolica pavement.

The church of Santa Maria di Montesanto and the annexed monastery were built in Naples, Italy, by a community of Carmelite friars that had its origins in Montesanto, Sicily. The initial architect was Pietro De Marino, but the work including the cupola (1680) was completed by Dionisio Lazzari. The facades, done in the 19th century by Angelo Viva, depict Our Lady of Carmel (the Madonna del Carmelo). The interior is on a Latin-cross plan. In the first two chapels are canvases by Paolo De Matteis, depicting St Michael Archangel and the Miracle of St Anthony (1693). In one arm of the transept is the Crucifixion with Madonna and St John the Baptist, an 18th-century wood sculpture by Nicola Fumo. An interior chapel, dedicated to Saint Cecilia, was patronized by the musicians from the Real Cappella Palatina. The church houses the tomb of the composer Alessandro Scarlatti, who died in 1725, the altar surmounted by a painting of Giuseppe Simonelli which depicts Saint Cecilia.

The Santissima Trinità dei Pellegrini (Most Holy Trinity of Pilgrims) is a church on via Portamedina in the historic city centre of Naples, Italy

Santa Maria Materdomini is a Roman Catholic church located near piazzetta Fabrizio Pignatelli, in Naples, Italy

Santa Maria della Carità (also called La Giorgia) is a church located on Piazza Carità in Naples, Italy.

The church of St. Nicholas the Charitable (it: Chiesa di San Nicola alla Carità) is a church located on via Toledo, almost midway between Piazza Carità and Piazza Dante in Naples, Italy.

The Montesanto Funicular (Italian: Funicolare di Montesanto), is one of four operating funiculars in the public transportion system of Naples, Italy. The system is a true funicular: an inclined railway with two passenger cars connected via cables, operating in concert. Opened in 1891, the Montesanto Funicular carries over 4 million passengers per year. The line connects its upper terminus in the Morghen area of Vomero with its lower terminus near the city's Spanish Quarter via three stations, Morghen, Corso Vittorio Emanuele (Napoli), and Montesanto. At the upper station, it is a short walk to Piazza Vanvitelli, where there is a connection to Vanvitelli station, on Line 1 of the Naples Metro (Metropolitana di Napoli), and to the Chiaia and Central Funiculars. A fourth funicular, the Mergellina Funicular, connects Posillipo Alto with the city's Mergellina area. A now defunct system, the Sorrento Funicular, operated nearby from 1883-1886.

The Palazzo Latilla is an 18th-century monumental palace located at Via Tarsia #28, in the neighborhood of Avvocata in Naples, Italy.

The Certosa di San Martino ("Charterhouse of St. Martin") is a former monastery complex, now a museum, in Naples, southern Italy. Along with Castel Sant'Elmo that stands beside it, this is the most visible landmark of the city, perched atop the Vomero hill that commands the gulf. A Carthusian monastery, it was finished and inaugurated under the rule of Queen Joan I in 1368. It was dedicated to St. Martin of Tours. During the first half of the 16th century it was expanded. Later, in 1623, it was further expanded and became, under the direction of architect Cosimo Fanzago, essentially the structure one sees today. In 1799 anti-clerical French forces of occupation suppressed the monastery and forced the monks to flee. In the ensuing decades the monks made several attempts to reestablish their charter house, with the last effort failing in 1866, when the state definitively confiscated the property. Today, the buildings house the National Museum of San Martino with a display of Spanish and Bourbon era artifacts, as well as displays of the presepe—Nativity scene—considered to be among the finest in the world.