12 West 56th Street

10 West 56th Street (originally the Frederick C. and Birdsall Otis Edey Residence) is a commercial building in the Midtown Manhattan neighborhood of New York City. It is along 56th Street's southern sidewalk between Fifth Avenue and Sixth Avenue. The six-story building was designed by Warren and Wetmore in the French Renaissance Revival style. It was constructed in 1901 as a private residence, one of several on 56th Street's "Bankers' Row". The main facade is largely clad with limestone, while the side facades are clad with brick and have limestone quoins. The ground story contains a glass storefront with rusticated molded-concrete piers. The second floor contains an arched Palladian window while the third and fourth stories have tripartite windows. A mansard roof rises above the fourth floor. According to the New York City Department of City Planning, the house has 16,446 square feet (1,527.9 m2) inside. The house was commissioned for stockbroker Frederick C. Edey and his wife Birdsall Otis Edey in 1899. The couple had initially planned to design their house alongside their neighbor H. B. Hollins, at 12 West 56th Street, but a covenant prevented the Edey house from being built for two years. The Edeys occupied the house until 1919, when the Frangold Realty Company bought it and added a sixth story. Over the following years, it was used largely for commercial purposes, though Elizabeth Taylor also lived at the house in the mid-1950s. The New York City Landmarks Preservation Commission designated the house as an official landmark in 2007. The house has been owned by billionaire Carlos Slim since 2011.

712 Fifth Avenue is a 650-foot-tall (200 m) skyscraper at 56th Street and Fifth Avenue in the Midtown Manhattan neighborhood of New York City. Constructed from 1987 to 1990, it was designed by SLCE Architects and Kohn Pedersen Fox Associates. The skyscraper's base includes the Coty Building at 714 Fifth Avenue (built 1871) and the Rizzoli Bookstore building at 712 Fifth Avenue (built 1908), both of which are New York City designated landmarks. The facades of the Coty and Rizzoli buildings are preserved at the base; an imitation facade was also built at 716 Fifth Avenue to complement the grouping. The lower floors contain a storefront and an atrium behind the landmark facades of the Coty and Rizzoli buildings. The tower stories contain a facade of white marble, gray limestone, and green and black granite. Inside the tower, each floor has 7,500 square feet (700 m2) of office space on average. The newer tower's juxtaposition with the Coty and Rizzoli buildings was both praised and criticized by architectural writers such as Paul Goldberger and Christopher Gray. Before the construction of the present skyscraper, 712 Fifth Avenue was the address of the Rizzoli Bookstore building. Planning for 712 Fifth Avenue dates to 1983, but the project was delayed for several years because of opposition to the demolition of historic structures at the skyscraper's base. The Coty and Rizzoli buildings were incorporated into the base, where a Henri Bendel store operated from 1990 until 2018. Upon completion, the skyscraper was mostly vacant because of a weak real-estate market. The building was sold in 1999 to the Paramount Group for a then-record $285 million.

30 West 56th Street (originally the Henry Seligman Residence) is a building in the Midtown Manhattan neighborhood of New York City. It is along 56th Street's southern sidewalk between Fifth Avenue and Sixth Avenue. The five-story building was designed by C. P. H. Gilbert in the French Renaissance Revival style. It was constructed between 1899 and 1901 as a private residence, one of several on 56th Street's "Bankers' Row". The main facade is largely clad with limestone, while the side facades are clad with brick and have limestone quoins. It is divided vertically into three bays. The ground story contains three openings within a wall of rusticated blocks; the center opening was the original main entrance. The second floor contains wood-framed windows and the third and fourth stories have window openings containing three panes; there are ornamental balconettes at the second and fourth stories. A cornice and mansard roof rises above the fourth floor. The interior was ornately decorated, with a marble reception hall, Japanese-style smoking room, and Gothic style library. The house was commissioned for banker Henry Seligman, of J. & W. Seligman & Co., and his wife Adelaide. The couple was involved in numerous clubs and organizations and hosted events at the house until they both died in the early 1930s. Afterward, the house was leased to the Beethoven Association in 1934 and divided into apartments in 1941. The ground floor housed numerous restaurants starting in 1940, and modifications were made to the building in subsequent years. In 1994 it was purchased by Alberta Ferretti's firm Aeffe USA, which has occupied the building since 1996. The New York City Landmarks Preservation Commission designated the house as an official landmark in 2007.

Fifth Avenue Presbyterian Church is a Presbyterian Church (U.S.A.) church in New York City. The church, on Fifth Avenue at 7 West 55th Street in Midtown Manhattan, has approximately 2,200 members and is one of the larger PCUSA congregations. The church, founded in 1808 as the Cedar Street Presbyterian Church, has been at this site since 1875.Fifth Avenue Presbyterian Church (FAPC) has long been noted for its high standards in preaching and music and has been at the forefront of many movements, from the development of the Sunday school in the 19th century to its current leadership in homeless advocacy. In 2001, the church successfully sued the City of New York for the right to shelter homeless individuals on its front steps.In 1884, the joint funerals of the mother of President Theodore Roosevelt and of his first wife, Alice, were held here. In 1910, the church's historic sanctuary was the site of the wedding of TR's son, Theodore Roosevelt Jr., an event attended by the former President, and 500 of his former Rough Riders. It was also the site of the 1965 recording of A Concert of Sacred Music by Duke Ellington and his orchestra, broadcast nationally by CBS television in 1966, and of dance legend Frankie Manning's "rollicking three-hour memorial service" in 2009.Architecturally and historically, “Fifth Avenue Presbyterian Church is famed for its sloping auditorium, its fine acoustics, its old gas brackets and reflectors. Instrumental in founding Princeton Theological Seminary, Presbyterian Hospital (now New York Presbyterian Hospital) and many a mission church, this grand house of God is often called the Cathedral of Presbyterianism.”

Stux Gallery is a contemporary fine art dealership located on 520 West End Avenue on the Upper West Side of Manhattan, New York City. Artists represented/exhibited by the gallery have included Doug and Mike Starn, Vik Muniz, Andres Serrano, Dennis Oppenheim, Elaine Sturtevant, Inka Essenhigh, and Orlan.

La Caravelle was a restaurant in New York City, specialising in French cuisine. It opened on September 21, 1960, at 33 West 55th Street in Manhattan. The restaurant was established by Fred Decré and Robert Meyzen, with Roger Fessaguet as head chef, and took its name from the type of sailing ships Christopher Columbus sailed on his voyages to the New World. Like most European restaurants, La Caravelle had a menu that changed daily. This made the restaurant popular with new customers and also brought them back regularly. Salvador Dalí, John Lindsay, Leland Hayward, Walter Cronkite and Dorothy Kilgallen often dined at the restaurant in its early years. President John F. Kennedy was especially fond of La Caravelle's vichyssoise and chicken in champagne sauce, and he often requested them as "take out" orders to eat on the plane while traveling. Twenty years after its opening, chef Roger Fessaguet left the kitchen to become an owner with Meyzen due to the retirement of Fred Decré. In 1984, Robert Meyzen retired and Fessaguet and André Jammet took over ownership of the restaurant. The following year, a New York Magazine article cited it as one of the best restaurants in New York City, and mentioned that most guidebooks gave it their highest rating. Fessaguet retired in 1988, leaving ownership with Jammet and his wife. The Jammets redecorated La Caravelle in 1990, replacing the original red carpets and banquettes with a color scheme of green and peach. Artist Nina Duran was hired to create a small mural for the restaurant's foyer. The restaurant closed on May 22, 2004, despite garnering the James Beard Foundation's Most Outstanding Restaurant in the Country award in the same year. The name is now known for champagnes produced by the Jammets; the restaurant began serving them as its house brand in 1997.

The Coty Building is a building at 714 Fifth Avenue in the Midtown Manhattan neighborhood of New York City. The six-story building contains a French-inspired facade and mansard roof, which are integrated into the base of the adjoining skyscraper at 712 Fifth Avenue. The third through fifth floors contain 276 decorative glass panes, the only documented architectural work by René Lalique in the United States. Built as a brownstone rowhouse in 1871, it was redesigned in 1907–1908 by architect Woodruff Leeming. It was commissioned by owner and real estate investor Charles A. Gould, who, foreseeing the neighborhood shift from residential to commercial use, wished to replace the facade of the brownstone. Upon its completion in 1910, the building was leased to perfumer François Coty, who occupied the building until 1941. During the mid-20th century, the building had a variety of tenants. With the development of 712 Fifth Avenue, the Coty Building was proposed for demolition in the early 1980s. The Coty Building's facade was preserved in 1985 as a New York City designated landmark. The Coty Building's original interiors were completely removed, and the skyscraper was completed behind the older facade in 1990.

Associated American Artists (AAA) was an art gallery in New York City that was established in 1934 and ceased operation in 2000. The gallery marketed art to the middle and upper-middle classes, first in the form of affordable prints and later in home furnishings and accessories, and played a significant role in the growth of art as an industry.

Galerie St. Etienne is an Expressionism art gallery operating in the United States, founded in Vienna in 1923 by Otto Kallir (originally Otto Nirenstein) as the Neue Galerie. Forced to leave Austria after the 1938 Nazi invasion, Kallir established his gallery in Paris as the Galerie St. Etienne, named after the Neue Galerie's location near Vienna's Cathedral of St. Stephen. In 1939, Kallir and his family left France for the United States, where he reestablished the Galerie St. Etienne on 46 West 57th Street in New York City. The gallery still exists, run by Otto Kallir's granddaughter Jane and Hildegard Bachert on 24 West 57th Street. It maintains a reputation as a principal harbinger of Austrian and German Expressionism to the US.

The Peninsula New York is a historic luxury hotel located on the corner of Fifth Avenue and 55th Street in Manhattan, New York City. The hotel is part of the Hong Kong–based Peninsula Hotels group, which is owned by The Hongkong and Shanghai Hotels, Limited. The hotel was bought in 1988 by the Peninsula group for a price of $127 million. The Peninsula New York has received the AAA Five Diamond Award for thirteen consecutive years, and in 2007, it was named one of the greatest hotels in the world by Travel + Leisure magazine.

The Crown Building (formerly known as the Heckscher Building) is a mixed-use property at the southwest corner of 57th Street and Fifth Avenue in the Midtown Manhattan neighborhood of New York City. The building was designed by Warren and Wetmore. It has historically been one of the most expensive retail and office space locations in the United States. The office portion of the building is currently being converted to the Aman New York Hotel & Residences.

Bykert Gallery was a contemporary art gallery in New York City between 1966 and 1975, run by Klaus Kertess (1940 - 2016) and Jeff Byers who had been classmates at Yale College, class of 1958. The gallery originally was located at 15 West West 57th Street in Manhattan, (in the same space as the defunct Green Gallery that closed in 1965); it later moved to East 81st Street between Madison and Fifth Avenues. Among the artists who were represented at Bykert are Brice Marden, Chuck Close, Ralph Humphrey, David Novros, and Dorothea Rockburne. Artists who showed there with solo exhibitions or in group shows include Jared Bark, Bill Bollinger, Robert Duran, Richard Van Buren, Peter Gourfain, Alan Saret, Michael Goldberg, Ronnie Landfield, Gary Stephan, Deborah Remington, Bob Neuwirth, Paul Mogensen, Judy Rifka, Arleen Schloss, Alan Uglow, Barry Le Va, Thornton Willis, David Novros and Joe Zucker. During the 1960s Lynda Benglis began her career by working for the Bykert Gallery as a secretary before launching her own successful artistic career; and during the 1970s Mary Boone began her career by working for the Bykert Gallery as a secretary before opening her own successful gallery.