Music Box Theatre

George Abbott Way is a section of West 45th Street west of Times Square between Seventh and Eighth Avenues in New York City, named for Broadway producer and director George Abbott. It is just east of Restaurant Row.

The Imperial Theatre is a Broadway theater at 249 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1923, the Imperial Theatre was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It has 1,457 seats across two levels and is operated by The Shubert Organization. The auditorium interior is a New York City designated landmark. The theater is largely situated on 46th Street. A narrow lobby extends to the main entrance on 45th Street, where there is a three-story facade of white terracotta. The 46th Street facade, which is made of buff-colored brick, was intended as the carriage entrance. The lobby, originally decorated in dark and white tiles, leads to the rear of the theater's orchestra level. The auditorium contains Adam-style detailing, a large balcony, and box seats with carved panels above them. The flat proscenium arch above the stage is topped by a curved sounding board. The Shubert Organization's fiftieth venue in New York City, the Imperial was constructed in 1923 to replace the outdated Lyric Theatre. The Imperial opened on December 25, 1923, with the musical Mary Jane McKane. Since then, it has hosted numerous long-running musicals, including Annie Get Your Gun, Fiddler on the Roof, Dreamgirls, The Mystery of Edwin Drood, Les Misérables, and Billy Elliot the Musical. The Imperial has also hosted plays, with Chapter Two being the theater's longest-running play.

The Gerald Schoenfeld Theatre, formerly the Plymouth Theatre, is a Broadway theater at 236 West 45th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Schoenfeld Theatre is named for Gerald Schoenfeld, longtime president of the Shubert Organization, which operates the theater. It has 1,079 seats across two levels. Both the facade and the auditorium interior are New York City landmarks. The neoclassical facade is simple in design and is similar to that of the Broadhurst Theatre, which was developed concurrently. The Schoenfeld's facade is made of buff-colored brick and terracotta and is divided into two sections: a stage house to the west and the theater's entrance to the east. The entrance facade is topped by fire-escape galleries and contains a curved corner facing east toward Broadway. The auditorium contains an orchestra level, a large balcony, a small technical gallery, a mostly flat ceiling, and a sounding board. The space is decorated in the Adam style with plasterwork designs. Near the front of the auditorium, flanking the elliptical proscenium arch, are box seats at balcony level. The Shubert brothers developed the Broadhurst and Plymouth theaters following the success of the Booth and Shubert theaters directly to the east. The Plymouth Theatre was leased to Arthur Hopkins and opened on October 10, 1917, with the comedy A Successful Calamity. The Shuberts retained ownership of the theater and took over after Hopkins's death in 1950. The theater has hosted not only musicals but also revues, comedies, and dramas throughout its history. It was renamed for Gerald Schoenfeld in 2005.

The Richard Rodgers Theatre (formerly Chanin's 46th Street Theatre and the 46th Street Theatre) is a Broadway theater at 226 West 46th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, it was designed by Herbert J. Krapp and was constructed for Irwin Chanin. It has 1,319 seats across two levels and is operated by the Nederlander Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is divided into two sections. The eastern section, containing the auditorium, is designed in the neo-Renaissance style with white brick and terracotta. The auditorium's ground floor has an entrance under a marquee, above which is a loggia of three double-height arches, as well as a entablature and balustrade at the top. The facade's western section, comprising the stage house, is seven stories high and is faced in buff-colored brick. The auditorium contains neo-Renaissance detailing, steep stadium seating in the orchestra level, a large balcony, and a shallow domed ceiling. Due to the slope of the seats, the rear of the orchestra is one story above ground. There are also box seats near the front of the auditorium on two tiers. Chanin's 46th Street Theatre was the first Broadway theater developed by Irwin S. Chanin, and it was immediately leased to the Shubert brothers when it opened. The Shuberts bought the building outright in 1931 and renamed it the 46th Street Theatre. In 1945, the theater was taken over by Robert W. Dowling of the City Investing Company. In 1960, it was purchased by the producer Lester Osterman, who sold it to producers Stephen R. Friedman and Irwin Meyer in 1978. The Nederlander Organization purchased the venue in 1981 and renamed it to honor the composer Richard Rodgers in 1990. Over the years, the Richard Rodgers has hosted eleven Tony Award-winning productions: Guys and Dolls, Redhead, How to Succeed in Business Without Really Trying, 1776, Raisin, Nine, Fences, Lost in Yonkers, In the Heights, and Hamilton. Other long-running shows at the theater have included Panama Hattie and One Touch of Venus.

The Booth Theatre is a Broadway theater at 222 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. The venue was originally operated by Winthrop Ames, who named it for 19th-century American actor Edwin Booth. It has 800 seats across two levels and is operated by The Shubert Organization. The facade and parts of the interior are New York City landmarks. The Booth's facade is made of brick and terracotta, with sgraffito decorations designed in stucco. Three arches face north onto 45th Street, and a curved corner faces east toward Broadway. To the east, the Shubert Alley facade includes doors to the lobby and the stage house. The auditorium contains an orchestra level, one balcony, box seats, and a coved ceiling. The walls are decorated with wooden paneling with windows above, an unusual design for Broadway theaters, and there is an elliptical proscenium arch at the front of the auditorium. The stage house to the south is shared with the Shubert Theatre, and a gift shop occupies some of the former dressing rooms. The Shubert brothers developed the Booth and Shubert theaters as their first venues on the block. It opened on October 16, 1913, with Arnold Bennett's play The Great Adventure. Ames leased the theater and showed many of his own productions until 1932, when the Shuberts took over. Many of the Booth's initial productions had short runs, particularly in the 1930s, but longer runs began to predominate by the 1940s. Long-running productions have included Luv, Butterflies Are Free, That Championship Season, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, and The Elephant Man.

Sony Hall is a concert venue operated by Blue Note Entertainment Group located on West 46th Street in the Theater District, Manhattan, New York City. It originally opened as a Broadway theatre. Like many theaters in NYC, it has served many functions since its opening in 1938. Located in the basement of the Paramount Hotel, it began as Billy Rose's Diamond Horseshoe nightclub where the 1945 film Diamond Horseshoe was filmed, and later spent time as a burlesque theater before becoming a legitimate Broadway theatre under the names Century Theatre, Mayfair Theatre, and Stairway Theatre. As a Broadway theater, it is most well known for the Tony Award winning original Broadway production transfer of On Golden Pond in 1979. After becoming a private venue through the 1980s and remaining mostly closed through the 1990s and 2000s, it reemerged in 2013 after a 20-million-dollar renovation as a theater hosting the immersive production Queen of the Night. It is currently run as a live music performance venue showcasing audio and visual technology by Sony.

The Bernard B. Jacobs Theatre (formerly the Royale Theatre and the John Golden Theatre) is a Broadway theater at 242 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the theater was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 1,100 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is designed in a Spanish style with golden brick, terracotta, and stone and is divided into two sections. The western portion of the facade contains the theater's entrance, with five double-height arched windows and a curved pediment above. The eastern portion is the stage house and is topped by a loggia. The auditorium contains Spanish-style detailing, a large balcony, and an expansive vaulted ceiling. The auditorium's interior features murals by Willy Pogany as well as several box seats. The Royale, Majestic, and Masque (now John Golden) theaters, along with the Lincoln Hotel, were all developed by the Chanin brothers and designed by Krapp as part of a theater/hotel complex. The Royale was the first of the three theaters to be completed, opening on January 11, 1927. The Shubert family took over the Royale in 1930 but subsequently went into receivership, and producer John Golden leased the theater in 1932. Golden renamed the theater after himself in 1934, but the Shuberts took over in 1936 and leased the theater to CBS Radio. The Royale was restored as a legitimate theater under its original name in 1940. The theater was renamed for longtime Shubert Organization president Bernard B. Jacobs in 2005.

The Paramount Hotel (formerly the Century-Paramount Hotel) is a hotel in the Theater District of Midtown Manhattan in New York City, United States. Designed by architect Thomas W. Lamb, the hotel is at 235 West 46th Street, between Eighth Avenue and Broadway. The Paramount Hotel is owned by RFR Realty and contains 597 rooms. The hotel building, designed in a Renaissance style, is a New York City designated landmark. The hotel is 19 stories tall and is "H"-shaped in arrangement, with light courts to the west and east. The north and south faces of the hotel contain numerous setbacks. The facade is generally made of brick, stone, and terracotta; most of the decorative detail is concentrated on the south facade, along 46th Street. The hotel building contains a double-height colonnade at street level, as well as several terraces above each of the setbacks. The building has a double-height hip roof flanked by mansard roofs. The basement contains an event venue named Sony Hall, which has historically been used as a nightclub and theater. The double-height lobby's design dates to a 1990 renovation by Philippe Starck. Isidore Zimmer, Samuel Resnick, and Frank Locker developed the hotel from 1927 to 1928. The property went into foreclosure shortly after its completion, and Chase National Bank took over in the 1930s. The Paramount became popular after Billy Rose's Diamond Horseshoe (now Sony Hall) opened in the basement in 1938. When the Diamond Horseshoe closed in 1951, the hotel began to decline, and the property was sold multiple times over the next few decades. Philip Pilevsky and Arthur G. Cohen acquired the hotel in 1986, and Ian Schrager operated it for the next two decades. Starck renovated the hotel from 1988 to 1990, and several renovations have taken place since then. The hotel was sold in 2004 to Sol Melia Hotels and Resorts and Hard Rock Cafe, then in 2007 to Walton Street Capital. In 2011, the hotel was sold to Aby Rosen's RFR Holding.

The John Golden Theatre, formerly the Theatre Masque and Masque Theater, is a Broadway theater at 252 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the Golden Theatre was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 800 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is designed in a Spanish style with golden brick, terracotta, and stone. The ground floor, which contains the theater's entrance, is clad in rusticated blocks of terracotta above a granite water table. Above are a set of three double-height arches, as well as two terracotta plaques. The facade is topped by a loggia. The auditorium contains Spanish-style detailing, a large balcony, and a rib-arched ceiling. Due to the theater's small size, it lacks box seats. The balcony, proscenium arch, and exit arches are ornately decorated, with geometric panels and twisting colonettes. The Golden, Majestic, and Bernard B. Jacobs theaters, along with the Lincoln Hotel, were all developed by Chanin and designed by Krapp as part of a theater/hotel complex. The Masque opened on February 24, 1927, and was the second of the three theaters to open. The Shubert family took over the Masque in 1930 but subsequently went into receivership, and producer John Golden leased the theater in 1936. Golden renamed the theater after himself in 1937, and the Shuberts regained full control in 1945. The Golden has mostly remained in legitimate use since then, except from 1946 to 1948, when it was used as a cinema. Over the years, the Golden has largely been used for productions with small casts, as well as revues.

The Broadhurst Theatre is a Broadway theater at 235 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Broadhurst Theatre is named for British-American theatrical producer George Broadhurst, who leased the theater before its opening. It has 1,218 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The neoclassical facade is simple in design and is similar to that of the Schoenfeld (formerly Plymouth) Theatre, which was developed concurrently. The Broadhurst's facade is made of buff-colored brick and terracotta and is divided into two sections: a stage house to the west and the theater's entrance to the east. The entrance is topped by fire-escape galleries and contains a curved corner facing east toward Broadway. The auditorium contains an orchestra level, a large balcony, a small technical gallery, and a flat ceiling. The space is decorated in the classical Greek and Adam styles, with Doric columns and Greek friezes. Near the front of the auditorium, flanking the flat proscenium arch, are box seats at balcony level. The Shubert brothers developed the Broadhurst and Plymouth theaters following the success of the Booth and Shubert theaters directly to the east. The Broadhurst Theatre opened on September 27, 1917, with Misalliance; its namesake had intended to use the theater for his own productions. The Shuberts acquired full control of the Broadhurst in 1929 and have operated it since then. The theater has hosted not only musicals but also revues, comedies, and dramas throughout its history. Long-running shows hosted at the Broadhurst have included Hold Everything!, Fiorello!, Cabaret, Grease, Kiss of the Spider Woman, Les Misérables, and Mamma Mia!.

Shubert Alley is a pedestrian alley in the Theater District of Midtown Manhattan in New York City. The alley, a privately owned public space, connects 44th and 45th Streets and covers about 6,400 square feet (590 m2). It runs through the middle of a city block, parallel to Eighth Avenue to the west and Broadway to the east. The western half of the alley abuts the Shubert and Booth theaters, while the eastern half is adjacent to One Astor Plaza. Because it is near several major theaters, the alley has been considered the geographical center of Broadway theatre. The alley was built along with the Shubert and Booth theaters in 1913. The Shubert family parked their cars in the alley, which was gated and locked at night. Actors would gather in the alley while waiting to try out for parts, lining up along the western wall. In the 1930s, the alley was fenced off and part of it was used as a bus terminal. The eastern half of the alley, which faced the Astor Hotel, was rebuilt when the hotel was demolished in 1967. A northward extension of Shubert Alley opened in the 1980s when the New York Marriott Marquis was built. The alley continues to serve as a theater fire exit and has also hosted several events during its history, including Broadway Cares/Equity Fights AIDS benefits and the annual Stars in the Alley concert.

The Marquis Theatre is a Broadway theater on the third floor of the New York Marriott Marquis hotel in the Theater District of Midtown Manhattan in New York City. Opened in 1986, it is operated by the Nederlander Organization. There are 1,612 seats in the auditorium, spread across an orchestra level and a balcony. The Marquis was designed by John C. Portman Jr., who designed the Marriott Marquis and included the theater to increase the size of the hotel. The theater's main entrance and box office are at 210 West 46th Street. The box office is at ground level, and there are escalators leading from the ground floor to the auditorium. Due to a lack of space, the wings on each side of the proscenium arch are smaller than mandated by city building codes. The theater also has no freight elevator, no dedicated restroom facilities, and small hallways. A theater was proposed on the site in 1973 as part of a hotel (later the Marriott Marquis), the completion of which was delayed until 1985. The hotel had controversially replaced several existing theaters, and the design features of the new Marquis Theatre were highly criticized, even by the hotel's supporters. The first major production at the Marquis, the long-running Me and My Girl, was followed by a series of short-lived productions in the 1990s and 2000s.