Paramount Hotel

Sony Hall is a concert venue operated by Blue Note Entertainment Group located on West 46th Street in the Theater District, Manhattan, New York City. It originally opened as a Broadway theatre. Like many theaters in NYC, it has served many functions since its opening in 1938. Located in the basement of the Paramount Hotel, it began as Billy Rose's Diamond Horseshoe nightclub where the 1945 film Diamond Horseshoe was filmed, and later spent time as a burlesque theater before becoming a legitimate Broadway theatre under the names Century Theatre, Mayfair Theatre, and Stairway Theatre. As a Broadway theater, it is most well known for the Tony Award winning original Broadway production transfer of On Golden Pond in 1979. After becoming a private venue through the 1980s and remaining mostly closed through the 1990s and 2000s, it reemerged in 2013 after a 20-million-dollar renovation as a theater hosting the immersive production Queen of the Night. It is currently run as a live music performance venue showcasing audio and visual technology by Sony.

The Imperial Theatre is a Broadway theater at 249 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1923, the Imperial Theatre was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It has 1,457 seats across two levels and is operated by The Shubert Organization. The auditorium interior is a New York City designated landmark. The theater is largely situated on 46th Street. A narrow lobby extends to the main entrance on 45th Street, where there is a three-story facade of white terracotta. The 46th Street facade, which is made of buff-colored brick, was intended as the carriage entrance. The lobby, originally decorated in dark and white tiles, leads to the rear of the theater's orchestra level. The auditorium contains Adam-style detailing, a large balcony, and box seats with carved panels above them. The flat proscenium arch above the stage is topped by a curved sounding board. The Shubert Organization's fiftieth venue in New York City, the Imperial was constructed in 1923 to replace the outdated Lyric Theatre. The Imperial opened on December 25, 1923, with the musical Mary Jane McKane. Since then, it has hosted numerous long-running musicals, including Annie Get Your Gun, Fiddler on the Roof, Dreamgirls, The Mystery of Edwin Drood, Les Misérables, and Billy Elliot the Musical. The Imperial has also hosted plays, with Chapter Two being the theater's longest-running play.

The Brooks Atkinson Theatre, originally the Mansfield Theatre, is a Broadway theater at 256 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1926, it was designed by Herbert J. Krapp in a Spanish style and was constructed for Irwin Chanin. It has 1,069 seats across two levels and is operated by the Nederlander Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is divided into two sections: the four-story stage house to the west, covered in buff-colored brick, and the three-story auditorium to the east, designed with yellow-beige brick and terracotta. The ground floor, which contains the theater's entrance, is shielded by a marquee. Above is a set of Palladian windows on the second story, as well as rectangular sash windows with lunettes on the third story. The facade is topped by an entablature and a sloping tiled roof. The auditorium contains ornamental plasterwork, a sloped orchestra level, a large balcony, and a coved ceiling. The balcony level contains box seats near the front of the auditorium, above which are murals. The Mansfield Theatre was developed with the Biltmore (now Friedman) Theatre across the street, opening on February 15, 1926. The Mansfield struggled to attract hits from its opening until 1945, when Michael Myerberg bought it. In 1950, the Mansfield was leased to CBS for television productions under the name Studio 59. The theater was renamed after the former New York Times theater critic Brooks Atkinson when Myerberg returned it to legitimate use in 1960. The Nederlander Organization purchased part-ownership of the Atkinson in 1967 and acquired full ownership in 1974. Following a renovation in 2000, the theater has hosted several shows in the 21st century, such as the musical Waitress.

The Richard Rodgers Theatre (formerly Chanin's 46th Street Theatre and the 46th Street Theatre) is a Broadway theater at 226 West 46th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, it was designed by Herbert J. Krapp and was constructed for Irwin Chanin. It has 1,319 seats across two levels and is operated by the Nederlander Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is divided into two sections. The eastern section, containing the auditorium, is designed in the neo-Renaissance style with white brick and terracotta. The auditorium's ground floor has an entrance under a marquee, above which is a loggia of three double-height arches, as well as a entablature and balustrade at the top. The facade's western section, comprising the stage house, is seven stories high and is faced in buff-colored brick. The auditorium contains neo-Renaissance detailing, steep stadium seating in the orchestra level, a large balcony, and a shallow domed ceiling. Due to the slope of the seats, the rear of the orchestra is one story above ground. There are also box seats near the front of the auditorium on two tiers. Chanin's 46th Street Theatre was the first Broadway theater developed by Irwin S. Chanin, and it was immediately leased to the Shubert brothers when it opened. The Shuberts bought the building outright in 1931 and renamed it the 46th Street Theatre. In 1945, the theater was taken over by Robert W. Dowling of the City Investing Company. In 1960, it was purchased by the producer Lester Osterman, who sold it to producers Stephen R. Friedman and Irwin Meyer in 1978. The Nederlander Organization purchased the venue in 1981 and renamed it to honor the composer Richard Rodgers in 1990. Over the years, the Richard Rodgers has hosted eleven Tony Award-winning productions: Guys and Dolls, Redhead, How to Succeed in Business Without Really Trying, 1776, Raisin, Nine, Fences, Lost in Yonkers, In the Heights, and Hamilton. Other long-running shows at the theater have included Panama Hattie and One Touch of Venus.

740 Eighth Avenue, also known as The Torch, is a supertall hotel skyscraper under construction in Midtown Manhattan, New York City. It is planned to reach a height of 1,067 feet (325.1 meters) and is expected to be completed in 2027. The 56-story building will incorporate a 260-foot drop tower as well as an observation deck. It is designed by ODA Architects.

The Music Box Theatre is a Broadway theater at 239 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1921, the Music Box Theatre was designed by C. Howard Crane in a Palladian-inspired style and was constructed for Irving Berlin and Sam H. Harris. It has 1,025 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is made of limestone and is symmetrically arranged, with both Palladian and neo-Georgian motifs. At ground level, the eastern portion of the facade contains the theater's entrance, with a marquee over it, while the stage door is to the west. A double-height central colonnade at the second and third floors conceals a fire-escape staircase; it is flanked by windows in the outer bays. The auditorium contains Adam style detailing, a large balcony, and two outwardly curved box seats within ornate archways. The theater was also designed with a comparatively small lobby, a lounge in the basement, and mezzanine-level offices. Harris proposed the Music Box Theatre in 1919 specifically to host his productions with Berlin, and the Shubert family gained an ownership stake shortly after the Music Box opened. The theater initially hosted the partners' Music Box Revue nearly exclusively, presenting its first play, Cradle Snatchers, in 1925. Many of the Music Box's early productions were hits with several hundred performances. There were multiple productions by Moss Hart and George S. Kaufman in the 1930s, including Once in a Lifetime and The Man Who Came to Dinner. After Harris died in 1941, Berlin and the Shuberts shared ownership of the theater, and the Music Box largely showed dramas rather than musicals. The theater hosted several plays by William Inge in the 1950s. Though the length of production runs declined in later years, the Music Box has remained in theatrical use since its opening. The Shuberts acquired the Berlin estate's ownership stake in 2007.

The Samuel J. Friedman Theatre, formerly the Biltmore Theatre, is a Broadway theater at 261 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1925, it was designed by Herbert J. Krapp in the neo-Renaissance style and was constructed for Irwin Chanin. It has 650 seats across two levels and is operated by the Manhattan Theatre Club (MTC). The auditorium interior is a New York City landmark, and the theater is listed on the National Register of Historic Places. Since 2008, the theater has been named for Broadway publicist Samuel J. Friedman, whose family was a major donor to MTC. The facade is largely designed in terracotta and buff-colored brick. The ground floor, which contains the theater's entrance, is shielded by a marquee. The upper stories are divided into bays separated by fluted pilasters, and the facade is topped by an entablature and balustrade. The auditorium contains neo-Renaissance detailing, a raked orchestra level, a large balcony, and a shallow domed ceiling. The basement contains MTC's gift shop and the Susan and Peter J. Solomon Family Lounge, while a mezzanine level contains another lounge. There are also false box seats near the front of the auditorium, flanking the proscenium arch. The modern configuration of the theater dates to a 2000s renovation, when the auditorium was redesigned to a smaller size, allowing the addition of MTC's lounges and offices behind it. The Biltmore Theatre was Chanin's second Broadway theater, opening on December 7, 1925, with the play Easy Come Easy Go. The Biltmore largely hosted flops during the late 1920s and early 1930s. It was used by Federal Theatre's Living Newspaper project in 1936 before being acquired by Warner Bros. The Biltmore was a CBS radio and television studio from 1952 to 1961, when producer David Cogan turned the Biltmore back into a legitimate theater. Cogan sold the Biltmore in 1986, and it fell into disrepair after a fire in late 1987. Though the theater was sold several times afterward, including to the Nederlander Organization and Stewart F. Lane in 1993, it was not restored until MTC agreed to operate the theater in 2001. The theater reopened in 2003, and MTC took ownership of the Friedman after it was renamed in 2008.

The Edison Theatre was a Broadway theatre located in the Hotel Edison at 240 West 47th Street in Midtown Manhattan. Originally opening in 1931 as the hotel's ballroom, it became the Arena Theatre on May 31, 1950, with a revival of George Kelly's The Show Off. The following year it was returned to the hotel's ballroom and remained as such until the early 1970s, when it was re-converted to a theatre. Its most notable production was Oh! Calcutta!, which opened on September 24, 1976, and ran for 13 years, with a total of 5,959 performances. Other shows staged here included Don't Bother Me, I Can't Cope, Me and Bessie, Sizwe Banzi is Dead, The Island, and Love Letters. The theatre closed on February 24, 1991. Its final production was Those Were the Days, a musical revue celebrating Klezmer, featuring Bruce Adler, who was nominated for a Tony Award as Best Featured Actor in a Musical. In 2008, Maria DiDia, the Edison Theater General Manager, returned the property to the owners of the Edison Hotel, who promptly removed the theater seats and turned it back into its original art deco ballroom configuration.

George Abbott Way is a section of West 45th Street west of Times Square between Seventh and Eighth Avenues in New York City, named for Broadway producer and director George Abbott. It is just east of Restaurant Row.

Hotel Edison is a historic hotel building at 228 West 47th Street in Midtown Manhattan, New York City, and is part of the Triumph Hotels collection which is owned by Shimmie Horn and Gerald Barad. It was constructed in 1931. Thomas Edison turned on the lights when it opened. It accommodated 1,000 guests on 26 floors and offered three restaurants. It attempted to mimic the telephone number PEnnsylvania 6-5000 of the Hotel Pennsylvania by using the telephone exchange name CIrcle 6-5000. Herbert J. Krapp was the architect, and Milton J. Kramer was the original owner. The hotel's ballroom was used as the Broadway theatres Arena Theatre in 1950 and as the Edison Theatre from 1972 until 1991, when it was converted back into a ballroom. In the early 1950s, "Glorious" Gloria Parker and her orchestra hosted an evening broadcast on WOR from the Hotel Edison. Parker would open the show with the glass harp (or musical glasses) and feature the popular Latin sound on her marimba with her orchestra. Henry Jerome was a band leader at the hotel when he heard from Bill Randle about a trio. This led the signing of Dorsey Burnette, Johnny Burnette and Paul Burlison to a management contract. Jerome got Johnny a daytime job as an elevator operator at the hotel and moved The Rock and Roll Trio in the hotel from the YMCA. He secured a contract for the trio with GAC (General Artists Corporation) and with the Coral division of Decca Records. The hallway walking scene preceding Luca Brasi's murder in the 1972 film The Godfather was filmed in the hotel. It was the penthouse in Woody Allen's 1994 film Bullets over Broadway. Neil Simon's 2001 play 45 Seconds from Broadway is set in the hotel's cafe. Michael Keaton is seen drinking at the hotel's bar, the Rum House, in the 2014 film Birdman.

The Marquis Theatre is a Broadway theater on the third floor of the New York Marriott Marquis hotel in the Theater District of Midtown Manhattan in New York City. Opened in 1986, it is operated by the Nederlander Organization. There are 1,612 seats in the auditorium, spread across an orchestra level and a balcony. The Marquis was designed by John C. Portman Jr., who designed the Marriott Marquis and included the theater to increase the size of the hotel. The theater's main entrance and box office are at 210 West 46th Street. The box office is at ground level, and there are escalators leading from the ground floor to the auditorium. Due to a lack of space, the wings on each side of the proscenium arch are smaller than mandated by city building codes. The theater also has no freight elevator, no dedicated restroom facilities, and small hallways. A theater was proposed on the site in 1973 as part of a hotel (later the Marriott Marquis), the completion of which was delayed until 1985. The hotel had controversially replaced several existing theaters, and the design features of the new Marquis Theatre were highly criticized, even by the hotel's supporters. The first major production at the Marquis, the long-running Me and My Girl, was followed by a series of short-lived productions in the 1990s and 2000s.

The Ethel Barrymore Theatre is a Broadway theater at 241 West 47th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1928, it was designed by Herbert J. Krapp in the Elizabethan, Mediterranean, and Adam styles for the Shubert family. The theater, named in honor of actress Ethel Barrymore, has 1,058 seats and is operated by the Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The ground-floor facade is made of rusticated blocks of terracotta. The theater's main entrance consists of two archways and a doorway shielded by a marquee. The upper stories contain an arched screen made of terracotta, inspired by Roman baths, which is surrounded by white brick. The auditorium contains ornamental plasterwork, a sloped orchestra level, a large balcony, and a coved ceiling with a 36 ft-wide (11 m) dome. The balcony level contains box seats topped by decorative arches. The theater was also designed with a basement lounge and a now-demolished stage house. The Shubert brothers developed the Barrymore Theatre after Ethel Barrymore agreed to have the brothers manage her theatrical career. It opened on December 20, 1928, with The Kingdom of God, and was the last pre-Depression house developed by the Shuberts. Ethel Barrymore only worked with the Shuberts until 1932 and last performed in the theater in 1940. The Barrymore has consistently remained in use as a legitimate theater since its opening, hosting plays and musicals; it is one of the few Broadway theaters to have never been sold or renamed. The theater was refurbished in the 1980s and the 2000s.