Bernard B. Jacobs Theatre

The John Golden Theatre, formerly the Theatre Masque and Masque Theater, is a Broadway theater at 252 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the Golden Theatre was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 800 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is designed in a Spanish style with golden brick, terracotta, and stone. The ground floor, which contains the theater's entrance, is clad in rusticated blocks of terracotta above a granite water table. Above are a set of three double-height arches, as well as two terracotta plaques. The facade is topped by a loggia. The auditorium contains Spanish-style detailing, a large balcony, and a rib-arched ceiling. Due to the theater's small size, it lacks box seats. The balcony, proscenium arch, and exit arches are ornately decorated, with geometric panels and twisting colonettes. The Golden, Majestic, and Bernard B. Jacobs theaters, along with the Lincoln Hotel, were all developed by Chanin and designed by Krapp as part of a theater/hotel complex. The Masque opened on February 24, 1927, and was the second of the three theaters to open. The Shubert family took over the Masque in 1930 but subsequently went into receivership, and producer John Golden leased the theater in 1936. Golden renamed the theater after himself in 1937, and the Shuberts regained full control in 1945. The Golden has mostly remained in legitimate use since then, except from 1946 to 1948, when it was used as a cinema. Over the years, the Golden has largely been used for productions with small casts, as well as revues.

The Majestic Theatre is a Broadway theater at 245 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1927, the theater was designed by Herbert J. Krapp in a Spanish style and was built for real-estate developer Irwin S. Chanin. It has 1,681 seats across two levels and is operated by The Shubert Organization. Both the facade and interior are New York City landmarks. The facade is designed in a Spanish style with golden brick, terracotta, and stone and is divided into two sections. The western portion of the facade contains the theater's entrance, with fire-escape galleries and a terracotta pediment above. The eastern portion is the stage house and is topped by archways. The auditorium contains Adam style detailing, steep stadium seating in the orchestra level, a large balcony, and an expansive plaster dome. Due to the slope of the seats, the rear of the orchestra is one story above ground. An interior leads to a large staircase, which connects to the rears of both the orchestra and balcony. The balcony has extensive decoration, and there are also box seats near the front of the auditorium at balcony level. The Majestic, Bernard B. Jacobs, and John Golden theaters, along with the Lincoln Hotel, were all developed by Chanin and designed by Krapp as part of a theater/hotel complex. The Shuberts have operated the Majestic since 1930. The Majestic was always intended as a venue for major musical theatre productions because of its large size. Among the shows that have premiered at the Majestic are Carousel, South Pacific, The Music Man, Camelot, A Little Night Music, and The Wiz. Since 1988, the theater has housed The Phantom of the Opera, which is the longest-running production in Broadway history as of 2022.

The Gerald Schoenfeld Theatre, formerly the Plymouth Theatre, is a Broadway theater at 236 West 45th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Schoenfeld Theatre is named for Gerald Schoenfeld, longtime president of the Shubert Organization, which operates the theater. It has 1,079 seats across two levels. Both the facade and the auditorium interior are New York City landmarks. The neoclassical facade is simple in design and is similar to that of the Broadhurst Theatre, which was developed concurrently. The Schoenfeld's facade is made of buff-colored brick and terracotta and is divided into two sections: a stage house to the west and the theater's entrance to the east. The entrance facade is topped by fire-escape galleries and contains a curved corner facing east toward Broadway. The auditorium contains an orchestra level, a large balcony, a small technical gallery, a mostly flat ceiling, and a sounding board. The space is decorated in the Adam style with plasterwork designs. Near the front of the auditorium, flanking the elliptical proscenium arch, are box seats at balcony level. The Shubert brothers developed the Broadhurst and Plymouth theaters following the success of the Booth and Shubert theaters directly to the east. The Plymouth Theatre was leased to Arthur Hopkins and opened on October 10, 1917, with the comedy A Successful Calamity. The Shuberts retained ownership of the theater and took over after Hopkins's death in 1950. The theater has hosted not only musicals but also revues, comedies, and dramas throughout its history. It was renamed for Gerald Schoenfeld in 2005.

The Broadhurst Theatre is a Broadway theater at 235 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Broadhurst Theatre is named for British-American theatrical producer George Broadhurst, who leased the theater before its opening. It has 1,218 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The neoclassical facade is simple in design and is similar to that of the Schoenfeld (formerly Plymouth) Theatre, which was developed concurrently. The Broadhurst's facade is made of buff-colored brick and terracotta and is divided into two sections: a stage house to the west and the theater's entrance to the east. The entrance is topped by fire-escape galleries and contains a curved corner facing east toward Broadway. The auditorium contains an orchestra level, a large balcony, a small technical gallery, and a flat ceiling. The space is decorated in the classical Greek and Adam styles, with Doric columns and Greek friezes. Near the front of the auditorium, flanking the flat proscenium arch, are box seats at balcony level. The Shubert brothers developed the Broadhurst and Plymouth theaters following the success of the Booth and Shubert theaters directly to the east. The Broadhurst Theatre opened on September 27, 1917, with Misalliance; its namesake had intended to use the theater for his own productions. The Shuberts acquired full control of the Broadhurst in 1929 and have operated it since then. The theater has hosted not only musicals but also revues, comedies, and dramas throughout its history. Long-running shows hosted at the Broadhurst have included Hold Everything!, Fiorello!, Cabaret, Grease, Kiss of the Spider Woman, Les Misérables, and Mamma Mia!.

Row NYC Hotel is a hotel in New York City. At 27 stories and 1,331 rooms, it was the largest hotel in Manhattan when it opened on February 13, 1928, as the Hotel Lincoln, one day after the 119th anniversary of the birth of its namesake, Abraham Lincoln. It featured a towering mast on top with neon lettering reading "HOTEL LINCOLN" which was lit on opening day by Governor Al Smith, who pressed a button in Albany to illuminate it. It was originally owned by the Kramer family and then by Maria Kramer, a dancer once married to Max Kramer, until the 1950s.

The St. James Theatre, originally Erlanger's Theatre, is a Broadway theater at 246 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1927, it was designed by Warren and Wetmore in a neo-Georgian style and was constructed for A. L. Erlanger. It has 1,709 seats across three levels and is operated by Jujamcyn Theaters. Both the facade and the auditorium interior are New York City landmarks. The facade is made largely of stucco, except for the ground story, which is clad in cast stone above a granite water table. The ground story has several recessed openings to the lobby, auditorium, and upper-story offices. Above that are two marquees and a double-story cast-iron loggia, masking the fire escapes from the auditorium. The top story contains windows from the offices there. The auditorium is decorated largely with murals and ornamental plasterwork. The theater has a sloped orchestra level, two balcony levels, and a flat ceiling with a carved sounding board. The first balcony level contains box seats near the front of the auditorium, above which are murals. In addition, there are several lounges and passageways throughout the theater. Erlanger had proposed a theater on the site as early as 1921, but two proposals failed to materialize. Erlanger's Theatre opened on September 26, 1927, with the musical The Merry Malones. Erlanger died in 1930, and the theater then passed to Lodewick Vroom in 1932; Vroom renamed it after St James's Theatre in London. The Shubert family acquired the St. James in 1941 but were forced to sell it in 1956 following an antitrust suit. William L. McKnight bought the theater and renovated it in 1958, with Jujamcyn taking over the venue's operation. The theater was further renovated in 1985, 1999, and 2016. The theater has housed several long-running musicals in its history, including original productions of Oklahoma!, The King and I, Hello, Dolly!, The Who's Tommy, and The Producers.

The Music Box Theatre is a Broadway theater at 239 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1921, the Music Box Theatre was designed by C. Howard Crane in a Palladian-inspired style and was constructed for Irving Berlin and Sam H. Harris. It has 1,025 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is made of limestone and is symmetrically arranged, with both Palladian and neo-Georgian motifs. At ground level, the eastern portion of the facade contains the theater's entrance, with a marquee over it, while the stage door is to the west. A double-height central colonnade at the second and third floors conceals a fire-escape staircase; it is flanked by windows in the outer bays. The auditorium contains Adam style detailing, a large balcony, and two outwardly curved box seats within ornate archways. The theater was also designed with a comparatively small lobby, a lounge in the basement, and mezzanine-level offices. Harris proposed the Music Box Theatre in 1919 specifically to host his productions with Berlin, and the Shubert family gained an ownership stake shortly after the Music Box opened. The theater initially hosted the partners' Music Box Revue nearly exclusively, presenting its first play, Cradle Snatchers, in 1925. Many of the Music Box's early productions were hits with several hundred performances. There were multiple productions by Moss Hart and George S. Kaufman in the 1930s, including Once in a Lifetime and The Man Who Came to Dinner. After Harris died in 1941, Berlin and the Shuberts shared ownership of the theater, and the Music Box largely showed dramas rather than musicals. The theater hosted several plays by William Inge in the 1950s. Though the length of production runs declined in later years, the Music Box has remained in theatrical use since its opening. The Shuberts acquired the Berlin estate's ownership stake in 2007.

George Abbott Way is a section of West 45th Street west of Times Square between Seventh and Eighth Avenues in New York City, named for Broadway producer and director George Abbott. It is just east of Restaurant Row.

The Hayes Theater (formerly the Little Theatre, New York Times Hall, Winthrop Ames Theatre, and Helen Hayes Theatre) is a Broadway theater at 240 West 44th Street in the Theater District of Midtown Manhattan in New York City. Named for actress Helen Hayes, the venue is operated by Second Stage Theater. It is the smallest Broadway theater, with 597 seats across two levels. The theater was constructed in 1912 for impresario Winthrop Ames and designed by Ingalls & Hoffman in a neo-Georgian style. The original single-level, 299-seat configuration was modified in 1920, when Herbert J. Krapp added a balcony. The theater has served as a legitimate playhouse, a conference hall, and a broadcasting studio throughout its history. The facade and parts of the theater's interior are New York City landmarks. The facade is made largely of red brick. The main entrance is through an arch on the eastern portion of the ground-floor; the rest of the ground floor is taken up by emergency exits, shielded by marquee. The main entrance connects to a box-office lobby, as well as a foyer with a vaulted ceiling and staircases. The auditorium is decorated with ornamental plasterwork, with Adam-style design elements; it has a sloped orchestra level, one balcony level, and a flat ceiling. There are other spaces throughout the theater, including lounges. Ames had intended for the Little Theatre to show new plays, but lack of profits led him to expand the theater within a decade of its opening. Ames leased the theater to Oliver Morosco in 1919 and to John Golden in 1922. The New York Times bought the theater in 1931 with plans to raze it, but the Little continued hosting plays until 1941, when it was converted into a conference hall. The theater became an ABC broadcasting studio in 1951. The Little briefly hosted legitimate shows from 1963 to 1965, when it became a Westinghouse studio, taping shows such as the Merv Griffin Show. The Little again became a legitimate theater in 1977, and it was then sold to Martin Markinson and Donald Tick, who renamed the theater for Helen Hayes in 1983. Second Stage bought the theater in 2015 and reopened it in 2018, removing Hayes's first name from the theater.

Sardi's is a continental restaurant located at 234 West 44th Street, between Broadway and Eighth Avenue, in the Theater District of Manhattan, New York City. Sardi's opened at its current location on March 5, 1927. It is known for the caricatures of Broadway celebrities on its walls, of which there are over a thousand. Sardi's was founded by Vincent Sardi Sr. and his wife Jenny Pallera, who had previously operated a restaurant nearby between 1921 and 1926. To attract customers, Sardi Sr. hired Russian refugee Alex Gard to draw caricatures in exchange for free food. Even after Gard's death, Sardi's continued to commission caricatures. Following the death of Vincent Sardi Sr. in 1969, Sardi's started to decline in the 1980s, eventually being sold off in 1986. After closing temporarily in 1990, it reopened with new staff. The restaurant is today considered an institution in Broadway theatre. Over the years, the restaurant became known as a pre- and post-theater hangout, as well as a location for opening night parties, and was where the idea of the Tony Award was devised.

The Shubert Theatre is a Broadway theater at 225 West 44th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. Lee and J. J. Shubert had named the theater in memory of their brother Sam S. Shubert, who died in an accident several years before the theater's opening. It has 1,502 seats across three levels and is operated by The Shubert Organization. The facade and parts of the interior are New York City landmarks. The Shubert's facade is made of brick and terracotta, with sgraffito decorations designed in stucco. Three arches face south onto 44th Street, and a curved corner faces east toward Broadway. To the east, the Shubert Alley facade includes doors to the lobby and the stage house. The auditorium contains an orchestra level, two balconies, and a flat ceiling. The space is decorated with mythological murals throughout. Near the front of the auditorium, flanking the elliptical proscenium arch, are box seats at balcony level. The upper levels contain offices formerly occupied by the Shubert brothers, and the stage house to the north is shared with the Booth Theatre. The Shubert brothers developed the Booth and Shubert theaters as their first venues on the block. The Shubert Theatre opened on October 2, 1913, with a revival of Hamlet. The theater has hosted numerous long-running musicals throughout its history, such as Bells Are Ringing and Promises, Promises. Since the 1970s, the Shubert has hosted relatively few shows, including long runs of the musicals A Chorus Line, Crazy for You, Chicago, Spamalot, Memphis, and Matilda the Musical.

The Booth Theatre is a Broadway theater at 222 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. The venue was originally operated by Winthrop Ames, who named it for 19th-century American actor Edwin Booth. It has 800 seats across two levels and is operated by The Shubert Organization. The facade and parts of the interior are New York City landmarks. The Booth's facade is made of brick and terracotta, with sgraffito decorations designed in stucco. Three arches face north onto 45th Street, and a curved corner faces east toward Broadway. To the east, the Shubert Alley facade includes doors to the lobby and the stage house. The auditorium contains an orchestra level, one balcony, box seats, and a coved ceiling. The walls are decorated with wooden paneling with windows above, an unusual design for Broadway theaters, and there is an elliptical proscenium arch at the front of the auditorium. The stage house to the south is shared with the Shubert Theatre, and a gift shop occupies some of the former dressing rooms. The Shubert brothers developed the Booth and Shubert theaters as their first venues on the block. It opened on October 16, 1913, with Arnold Bennett's play The Great Adventure. Ames leased the theater and showed many of his own productions until 1932, when the Shuberts took over. Many of the Booth's initial productions had short runs, particularly in the 1930s, but longer runs began to predominate by the 1940s. Long-running productions have included Luv, Butterflies Are Free, That Championship Season, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, and The Elephant Man.