Richard Rodgers Theatre

The Marquis Theatre is a Broadway theater on the third floor of the New York Marriott Marquis hotel in the Theater District of Midtown Manhattan in New York City. Opened in 1986, it is operated by the Nederlander Organization. There are 1,612 seats in the auditorium, spread across an orchestra level and a balcony. The Marquis was designed by John C. Portman Jr., who designed the Marriott Marquis and included the theater to increase the size of the hotel. The theater's main entrance and box office are at 210 West 46th Street. The box office is at ground level, and there are escalators leading from the ground floor to the auditorium. Due to a lack of space, the wings on each side of the proscenium arch are smaller than mandated by city building codes. The theater also has no freight elevator, no dedicated restroom facilities, and small hallways. A theater was proposed on the site in 1973 as part of a hotel (later the Marriott Marquis), the completion of which was delayed until 1985. The hotel had controversially replaced several existing theaters, and the design features of the new Marquis Theatre were highly criticized, even by the hotel's supporters. The first major production at the Marquis, the long-running Me and My Girl, was followed by a series of short-lived productions in the 1990s and 2000s.

The Imperial Theatre is a Broadway theater at 249 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1923, the Imperial Theatre was designed by Herbert J. Krapp and was constructed for the Shubert brothers. It has 1,457 seats across two levels and is operated by The Shubert Organization. The auditorium interior is a New York City designated landmark. The theater is largely situated on 46th Street. A narrow lobby extends to the main entrance on 45th Street, where there is a three-story facade of white terracotta. The 46th Street facade, which is made of buff-colored brick, was intended as the carriage entrance. The lobby, originally decorated in dark and white tiles, leads to the rear of the theater's orchestra level. The auditorium contains Adam-style detailing, a large balcony, and box seats with carved panels above them. The flat proscenium arch above the stage is topped by a curved sounding board. The Shubert Organization's fiftieth venue in New York City, the Imperial was constructed in 1923 to replace the outdated Lyric Theatre. The Imperial opened on December 25, 1923, with the musical Mary Jane McKane. Since then, it has hosted numerous long-running musicals, including Annie Get Your Gun, Fiddler on the Roof, Dreamgirls, The Mystery of Edwin Drood, Les Misérables, and Billy Elliot the Musical. The Imperial has also hosted plays, with Chapter Two being the theater's longest-running play.

Sony Hall is a concert venue operated by Blue Note Entertainment Group located on West 46th Street in the Theater District, Manhattan, New York City. It originally opened as a Broadway theatre. Like many theaters in NYC, it has served many functions since its opening in 1938. Located in the basement of the Paramount Hotel, it began as Billy Rose's Diamond Horseshoe nightclub where the 1945 film Diamond Horseshoe was filmed, and later spent time as a burlesque theater before becoming a legitimate Broadway theatre under the names Century Theatre, Mayfair Theatre, and Stairway Theatre. As a Broadway theater, it is most well known for the Tony Award winning original Broadway production transfer of On Golden Pond in 1979. After becoming a private venue through the 1980s and remaining mostly closed through the 1990s and 2000s, it reemerged in 2013 after a 20-million-dollar renovation as a theater hosting the immersive production Queen of the Night. It is currently run as a live music performance venue showcasing audio and visual technology by Sony.

The Music Box Theatre is a Broadway theater at 239 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1921, the Music Box Theatre was designed by C. Howard Crane in a Palladian-inspired style and was constructed for Irving Berlin and Sam H. Harris. It has 1,025 seats across two levels and is operated by The Shubert Organization. Both the facade and the auditorium interior are New York City landmarks. The facade is made of limestone and is symmetrically arranged, with both Palladian and neo-Georgian motifs. At ground level, the eastern portion of the facade contains the theater's entrance, with a marquee over it, while the stage door is to the west. A double-height central colonnade at the second and third floors conceals a fire-escape staircase; it is flanked by windows in the outer bays. The auditorium contains Adam style detailing, a large balcony, and two outwardly curved box seats within ornate archways. The theater was also designed with a comparatively small lobby, a lounge in the basement, and mezzanine-level offices. Harris proposed the Music Box Theatre in 1919 specifically to host his productions with Berlin, and the Shubert family gained an ownership stake shortly after the Music Box opened. The theater initially hosted the partners' Music Box Revue nearly exclusively, presenting its first play, Cradle Snatchers, in 1925. Many of the Music Box's early productions were hits with several hundred performances. There were multiple productions by Moss Hart and George S. Kaufman in the 1930s, including Once in a Lifetime and The Man Who Came to Dinner. After Harris died in 1941, Berlin and the Shuberts shared ownership of the theater, and the Music Box largely showed dramas rather than musicals. The theater hosted several plays by William Inge in the 1950s. Though the length of production runs declined in later years, the Music Box has remained in theatrical use since its opening. The Shuberts acquired the Berlin estate's ownership stake in 2007.

George Abbott Way is a section of West 45th Street west of Times Square between Seventh and Eighth Avenues in New York City, named for Broadway producer and director George Abbott. It is just east of Restaurant Row.

The Paramount Hotel (formerly the Century-Paramount Hotel) is a hotel in the Theater District of Midtown Manhattan in New York City, United States. Designed by architect Thomas W. Lamb, the hotel is at 235 West 46th Street, between Eighth Avenue and Broadway. The Paramount Hotel is owned by RFR Realty and contains 597 rooms. The hotel building, designed in a Renaissance style, is a New York City designated landmark. The hotel is 19 stories tall and is "H"-shaped in arrangement, with light courts to the west and east. The north and south faces of the hotel contain numerous setbacks. The facade is generally made of brick, stone, and terracotta; most of the decorative detail is concentrated on the south facade, along 46th Street. The hotel building contains a double-height colonnade at street level, as well as several terraces above each of the setbacks. The building has a double-height hip roof flanked by mansard roofs. The basement contains an event venue named Sony Hall, which has historically been used as a nightclub and theater. The double-height lobby's design dates to a 1990 renovation by Philippe Starck. Isidore Zimmer, Samuel Resnick, and Frank Locker developed the hotel from 1927 to 1928. The property went into foreclosure shortly after its completion, and Chase National Bank took over in the 1930s. The Paramount became popular after Billy Rose's Diamond Horseshoe (now Sony Hall) opened in the basement in 1938. When the Diamond Horseshoe closed in 1951, the hotel began to decline, and the property was sold multiple times over the next few decades. Philip Pilevsky and Arthur G. Cohen acquired the hotel in 1986, and Ian Schrager operated it for the next two decades. Starck renovated the hotel from 1988 to 1990, and several renovations have taken place since then. The hotel was sold in 2004 to Sol Melia Hotels and Resorts and Hard Rock Cafe, then in 2007 to Walton Street Capital. In 2011, the hotel was sold to Aby Rosen's RFR Holding.

The Lunt-Fontanne Theatre, originally the Globe Theatre, is a Broadway theater at 205 West 46th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1910, the Lunt-Fontanne Theatre was designed by Carrère and Hastings in the Beaux-Arts style for Charles Dillingham. The theater is named after theatrical couple Alfred Lunt and Lynn Fontanne; its original name was inspired by that of the Globe Theatre, London's Shakespearean playhouse. The current configuration of the interior, dating to 1958, has about 1,500 seats across two levels and is operated by the Nederlander Organization. The facade is a New York City landmark. The theater's only surviving facade is on 46th Street and was once the carriage entrance. The ground level contains the theater's entrance on the east, as well as exits from the auditorium and stage house. On the upper stories, the facade contains a five-bay-wide central pavilion with arches, flanked by simpler pavilions on either side. Another entrance on Broadway, with an ornate lobby, was demolished in 1958. The auditorium originally contained three levels and box seating prior to its reconfiguration. The tiled roof and the auditorium's ceiling were designed with retractable sections, which are no longer in use. The Globe Theatre opened on January 10, 1910. Most of the Globe's early shows were revues and musicals, including several productions by Dillingham. The Globe was converted into a movie house operated by the Brandt chain in the 1930s. City Playhouses Inc., a partnership between developers Robert W. Dowling and William Zeckendorf, bought it in 1957. After the firm Roche and Roche gut-renovated the venue, it was renamed and reopened on May 5, 1958. City Playhouses sold the theater to producers Cy Feuer and Ernest H. Martin in 1960, and it was then sold to developer Stanley Stahl in 1965. The Nederlanders have operated the theater since 1973.

The Booth Theatre is a Broadway theater at 222 West 45th Street (George Abbott Way) in the Theater District of Midtown Manhattan in New York City. Opened in 1913, the theater was designed by Henry Beaumont Herts in the Italian Renaissance style and was built for the Shubert brothers. The venue was originally operated by Winthrop Ames, who named it for 19th-century American actor Edwin Booth. It has 800 seats across two levels and is operated by The Shubert Organization. The facade and parts of the interior are New York City landmarks. The Booth's facade is made of brick and terracotta, with sgraffito decorations designed in stucco. Three arches face north onto 45th Street, and a curved corner faces east toward Broadway. To the east, the Shubert Alley facade includes doors to the lobby and the stage house. The auditorium contains an orchestra level, one balcony, box seats, and a coved ceiling. The walls are decorated with wooden paneling with windows above, an unusual design for Broadway theaters, and there is an elliptical proscenium arch at the front of the auditorium. The stage house to the south is shared with the Shubert Theatre, and a gift shop occupies some of the former dressing rooms. The Shubert brothers developed the Booth and Shubert theaters as their first venues on the block. It opened on October 16, 1913, with Arnold Bennett's play The Great Adventure. Ames leased the theater and showed many of his own productions until 1932, when the Shuberts took over. Many of the Booth's initial productions had short runs, particularly in the 1930s, but longer runs began to predominate by the 1940s. Long-running productions have included Luv, Butterflies Are Free, That Championship Season, For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf, and The Elephant Man.

The New York Marriott Marquis is a Marriott hotel on Times Square, in the Theater District of Midtown Manhattan in New York City. Designed by architect John C. Portman Jr., the hotel is at 1535 Broadway, between 45th and 46th Streets. With 1,966 rooms and 101,000 sq ft (9,400 m2) of meeting space, it is one of the largest hotels in the city. The hotel has two wings, one on 45th Street and one on 46th Street, connected by a podium at ground level. The first two stories contain retail space, while the Marquis Theatre was built within the building's third floor. The hotel's atrium lobby is at the eighth floor and also includes meeting space and restaurants. Thirty-six stories of guestrooms rise above the lobby, overlooking it. The top three stories contain the View, one of New York City's highest restaurants. An architectural feature of the hotel is its concrete elevator core, which consists of a minaret-shaped structure with twelve glass elevator cabs on the exterior. Real estate agent Peter Sharp acquired the site in the 1960s with plans to build an office building on the site. The hotel was first announced in 1972 and official plans were released in 1973, but the hotel was postponed after the New York City fiscal crisis in 1975. The hotel was restarted in the late 1970s under mayor Ed Koch. There was extensive controversy over the destruction of five old theaters on the site, and various lawsuits and protests delayed the start of construction until 1982. By the time construction began, Westin had been replaced with Marriott. The hotel opened on September 3, 1985, and has undergone several renovations and modifications since then. By the late 1990s, the hotel was one of the most profitable in the Marriott chain. Marriott bought out Portman's minority ownership stake in 1993 and acquired the underlying site in 2013.

The Gerald Schoenfeld Theatre, formerly the Plymouth Theatre, is a Broadway theater at 236 West 45th Street in the Theater District of Midtown Manhattan in New York City. Opened in 1917, the theater was designed by Herbert J. Krapp and was built for the Shubert brothers. The Schoenfeld Theatre is named for Gerald Schoenfeld, longtime president of the Shubert Organization, which operates the theater. It has 1,079 seats across two levels. Both the facade and the auditorium interior are New York City landmarks. The neoclassical facade is simple in design and is similar to that of the Broadhurst Theatre, which was developed concurrently. The Schoenfeld's facade is made of buff-colored brick and terracotta and is divided into two sections: a stage house to the west and the theater's entrance to the east. The entrance facade is topped by fire-escape galleries and contains a curved corner facing east toward Broadway. The auditorium contains an orchestra level, a large balcony, a small technical gallery, a mostly flat ceiling, and a sounding board. The space is decorated in the Adam style with plasterwork designs. Near the front of the auditorium, flanking the elliptical proscenium arch, are box seats at balcony level. The Shubert brothers developed the Broadhurst and Plymouth theaters following the success of the Booth and Shubert theaters directly to the east. The Plymouth Theatre was leased to Arthur Hopkins and opened on October 10, 1917, with the comedy A Successful Calamity. The Shuberts retained ownership of the theater and took over after Hopkins's death in 1950. The theater has hosted not only musicals but also revues, comedies, and dramas throughout its history. It was renamed for Gerald Schoenfeld in 2005.

The Edison Theatre was a Broadway theatre located in the Hotel Edison at 240 West 47th Street in Midtown Manhattan. Originally opening in 1931 as the hotel's ballroom, it became the Arena Theatre on May 31, 1950, with a revival of George Kelly's The Show Off. The following year it was returned to the hotel's ballroom and remained as such until the early 1970s, when it was re-converted to a theatre. Its most notable production was Oh! Calcutta!, which opened on September 24, 1976, and ran for 13 years, with a total of 5,959 performances. Other shows staged here included Don't Bother Me, I Can't Cope, Me and Bessie, Sizwe Banzi is Dead, The Island, and Love Letters. The theatre closed on February 24, 1991. Its final production was Those Were the Days, a musical revue celebrating Klezmer, featuring Bruce Adler, who was nominated for a Tony Award as Best Featured Actor in a Musical. In 2008, Maria DiDia, the Edison Theater General Manager, returned the property to the owners of the Edison Hotel, who promptly removed the theater seats and turned it back into its original art deco ballroom configuration.

Hotel Edison is a historic hotel building at 228 West 47th Street in Midtown Manhattan, New York City, and is part of the Triumph Hotels collection which is owned by Shimmie Horn and Gerald Barad. It was constructed in 1931. Thomas Edison turned on the lights when it opened. It accommodated 1,000 guests on 26 floors and offered three restaurants. It attempted to mimic the telephone number PEnnsylvania 6-5000 of the Hotel Pennsylvania by using the telephone exchange name CIrcle 6-5000. Herbert J. Krapp was the architect, and Milton J. Kramer was the original owner. The hotel's ballroom was used as the Broadway theatres Arena Theatre in 1950 and as the Edison Theatre from 1972 until 1991, when it was converted back into a ballroom. In the early 1950s, "Glorious" Gloria Parker and her orchestra hosted an evening broadcast on WOR from the Hotel Edison. Parker would open the show with the glass harp (or musical glasses) and feature the popular Latin sound on her marimba with her orchestra. Henry Jerome was a band leader at the hotel when he heard from Bill Randle about a trio. This led the signing of Dorsey Burnette, Johnny Burnette and Paul Burlison to a management contract. Jerome got Johnny a daytime job as an elevator operator at the hotel and moved The Rock and Roll Trio in the hotel from the YMCA. He secured a contract for the trio with GAC (General Artists Corporation) and with the Coral division of Decca Records. The hallway walking scene preceding Luca Brasi's murder in the 1972 film The Godfather was filmed in the hotel. It was the penthouse in Woody Allen's 1994 film Bullets over Broadway. Neil Simon's 2001 play 45 Seconds from Broadway is set in the hotel's cafe. Michael Keaton is seen drinking at the hotel's bar, the Rum House, in the 2014 film Birdman.