Mitte

Tiergarten (German: [ˈtiːɐ̯ˌɡaʁtn̩] (listen), literally Animal Garden, historically for Deer Garden) is a locality within the borough of Mitte, in central Berlin (Germany). Notable for the great and homonymous urban park, before German reunification, it was a part of West Berlin. Until Berlin's 2001 administrative reform, Tiergarten was also the name of a borough (Bezirk), consisting of the current locality (Ortsteil) of Tiergarten (formerly called Tiergarten-Süd) plus Hansaviertel and Moabit. A new system of road and rail tunnels runs under the park towards Berlin's main station in nearby Moabit.

The Carillon in Berlin-Tiergarten is located in a freestanding 42-metre-tall (138 ft) bell tower next to the House of World Cultures (Haus der Kulturen der Welt), near the Chancellery in the northeastern part of Berlin's central Tiergarten park. It contains a large, manually played concert carillon, comprising 68 bells weighing a total of 48 tonnes (106,000 lb) connected to a keyboard spanning 5 and a half fully chromatic octaves; the largest bell weighs 7.8 tonnes (17,000 lb). The carillonneur sits in a playing cabin in the middle of the bells and plays with his fists and feet on a baton-and-pedal keyboard. The purely mechanical action makes it possible to play all dynamic gradations, from very soft to very loud. The carillon was given to the city by Daimler-Benz AG under CEO Edzard Reuter in 1987 on the occasion of Berlin's 750th birthday. It was cast by Royal Dutch foundry Eijsbouts according to the specifications of carillonneur Jeffrey Bossin. It is one of the largest instruments of its kind in Europe and approximately the fourth largest (by number of bells) in the world. Berlin carillonneur Jeffrey Bossin plays concerts on the carillon every Sunday at 3:00 p.m. from the beginning of May until the end of September and on the more important national holidays (2:00 p.m. in December); the programs include music written for the carillon and arrangements of classical works and popular songs. Tours of the carillon tower, including a unique view of Berlin and its government buildings, are offered at the end of the concerts. The carillonneur guides groups through the tower and (in English and German) answers questions, explains the special features of the instrument, and recounts the history of the carillon in Berlin from its beginnings under the first king of Prussia to the reunification of Germany. He demonstrates the instrument's playing technique and plays a carillon piece for his guests.

The Haus der Kulturen der Welt (HKW), in English House of the World's Cultures, in Berlin is Germany's national center for the presentation and discussion of international contemporary arts, with a special focus on non-European cultures and societies. It presents art exhibitions, theater and dance performances, concerts, author readings, films and academic conferences on Visual Art and culture. It is one of the institutions which, due to their national and international standing and the quality of their work, receive funding from the federal government as so-called "lighthouses of culture", from the Federal Minister of State for Culture and the Media as well as from the Federal Foreign Office. As a venue and collaboration partner, HKW has hosted festivals such as the transmediale, curatorial platforms, biennials such as the Berlin Documentary Forum, and mentorship programs such as Forecast. Since 2013, its interdisciplinary elaboration on the Anthropocene discourse has included conferences, exhibitions, and other artistic formats performed together with philosophers, scientists, and arstists, such as Bruno Latour and Hans Joachim Schellnhuber.

The Institut für Sexualwissenschaft was an early private sexology research institute in Germany from 1919 to 1933. The name is variously translated as Institute of Sex Research, Institute of Sexology, Institute for Sexology or Institute for the Science of Sexuality. The Institute was a non-profit foundation situated in Tiergarten, Berlin. It was the first sexology research center in the world.It was headed by Magnus Hirschfeld, who since 1897 had run the Wissenschaftlich-humanitäres Komitee ('Scientific-Humanitarian Committee'), which campaigned on progressive and rational grounds for LGBT rights and tolerance. The Committee published the long-running journal Jahrbuch für sexuelle Zwischenstufen. Hirschfeld built a unique library at the institute on gender, same-sex love and eroticism.The institute pioneered research and treatment for various matters regarding gender and sexuality, including gay, transgender, and intersex topics. In addition, it offered various other services to the general public: this included treatment for alcoholism, gynecological examinations, marital and sex counseling, treatment for venereal diseases, and access to contraceptive treatment. It offered education on many of these matters to both health professionals and laypersons.The Nazi book burnings in Berlin included the archives of the institute. After the Nazis gained control of Germany in the 1930s, the institute and its libraries were destroyed as part of a Nazi government censorship program by youth brigades, who burned its books and documents in the street.

Amazone zu Pferde ("Amazon on horseback") is an outdoor 1895 bronze equestrian statue by Prussian sculptor Louis Tuaillon, installed in Tiergarten in Berlin, Germany. The name of the artwork refers to the Amazon warriors, a nation of "all women" warriors of Iranian origin (related to Scythians and Sarmatians), who inhabited the regions around the Black Sea and Eurasian steppes from the 2nd millennium BC, until the start of the Early Middle Ages.

The Federal Chancellery (German: Bundeskanzleramt) in Berlin is the official seat and residence of the chancellor of Germany as well as their executive office, the German Chancellery. As part of the move of the German Federal Government from Bonn to Berlin, the office moved into the new building planned by the architects Axel Schultes and Charlotte Frank. The building, which is the largest government headquarters in the world, is part of the "Federal Belt" (German: Band des Bundes) in the Spreebogen, Willy-Brandt-Straße 1, 10557 Berlin.

The Kroll Opera House (German: Krolloper, Kroll-Oper) in Berlin, Germany, was in the Tiergarten district on the western edge of the Königsplatz square (today Platz der Republik), facing the Reichstag building. It was built in 1844 as an entertainment venue for the restaurant owner Joseph Kroll, and redeveloped as an opera house in 1851. It also served as the assembly hall of the Reichstag from 1933 to 1942. Severely damaged by the bombing of Berlin in World War II and the Battle of Berlin, it was demolished in 1951.

The German Chancellery (German: Bundeskanzleramt, pronounced [bʊndəsˈkant͡slɐˌʔamt] (listen), more faithfully translated as Federal Chancellery or Office of the Federal Chancellor) is an agency serving the executive office of the chancellor of Germany, the head of the federal government, currently Olaf Scholz. The Chancellery's primary function is to assist the chancellor in coordinating the activities of the federal government. The Head of the Chancellery (Chef des Bundeskanzleramtes) holds the rank of either a Secretary of State (Staatssekretär) or a Federal Minister (Bundesminister), currently held by Wolfgang Schmidt. The headquarters of the German Chancellery is at the Federal Chancellery building in Berlin, which is the largest government headquarters in the world.

The Beethoven–Haydn–Mozart Memorial (German: Komponistendenkmal) is an outdoor memorial of 1904 to the classical composers Ludwig van Beethoven, Joseph Haydn and Wolfgang Amadeus Mozart, designed by Rudolf and Wolfgang Siemering and located in Tiergarten, Berlin, Germany. The monument was commissioned by Kaiser Wilhelm II. It suffered considerable damage during World War II and was only fully restored in 2005–2007.

The Siegesallee (German: [ˈziːɡəs.aˌleː], Victory Avenue) was a broad boulevard in Berlin, Germany. In 1895, Kaiser Wilhelm II ordered and financed the expansion of an existing avenue, to be adorned with a variety of marble statues. Work was completed in 1901. About 750m in length, it ran northwards through the Tiergarten park from Kemperplatz (a road junction on the southern edge of the park near Potsdamer Platz), to the former site of the Victory Column at the Königsplatz, close to the Reichstag. Along its length the Siegesallee cut across the Charlottenburger Chaussee (today's Straße des 17. Juni, the main avenue that runs east–west through the park and leads to the Brandenburg Gate). The marble monuments and the neobaroque ensemble were ridiculed even by its contemporaries. Berlin folklore dubbed the Kaiser Denkmalwilly (Monument Billy) for his excessive historicism. Moves to have the statues demolished were thwarted after the end of the monarchy in 1919. The Siegessäule and the figures were moved by the Nazi government to the Großer Stern in 1939 to allow for larger military parades. Some of the monuments were lost in the aftermath of the Second World War. The allied forces (the area later belonged to the British sector) had the avenue erased and the area replanted. In a symbolic act, the Soviet War Memorial (Tiergarten) was deliberately built in its path immediately after the end of the war. The remaining figures were repaired in the Spandau Citadel and some form part of the permanent exhibition Enthüllt – Berlin und seine Denkmäler which opened in April 2016. The avenue was reconstructed as a footpath in 2006.

The Soviet War Memorial is one of several war memorials in Berlin, the capital city of Germany, erected by the Soviet Union to commemorate its war dead, particularly the 80,000 soldiers of the Soviet Armed Forces who died during the Battle of Berlin in April and May 1945.The memorial is located in the Großer Tiergarten, a large public park to the west of the city centre, on the north side of the east-west Straße des 17. Juni (17 June Street) in the Tiergarten locality.

The German Colonial Museum (German: Deutsches Kolonialmuseum; 1899 - 1915) was a museum in the Berlin district of Moabit that existed from 1899 to 1915. The museum aimed to inform the German public about the German colonies overseas. Its collection consisted of more than 70,000 artifacts, and it attracted a significant number of visitors, with around 481,259 visitors between 1899 and 1911. The museum's exhibits covered various aspects of the colonies, including their missionary work, trade, literature, history, culture, and everyday life. There was also a particular focus on promoting colonial products for the German domestic market. In addition to its main function as a museum, the Deutsches Kolonialmuseum also played a propagandistic role in promoting German colonialism. The museum was designed by colonial enthusiasts and aimed to legitimise and glorify German colonial expansion. Although the German Colonial Museum was closed in 1915, its legacy can still be seen in the collections of the German Historical Museum (German: Deutsches Historisches Museum). Furthermore, in Bremen, there exists a museum that was originally named Deutsches Kolonialmuseum but was renamed German Oversea museum (German: Deutsches Überseemuseum) after World War II.