German Chancellery

The Federal Chancellery (German: Bundeskanzleramt) in Berlin is the official seat and residence of the chancellor of Germany as well as their executive office, the German Chancellery. As part of the move of the German Federal Government from Bonn to Berlin, the office moved into the new building planned by the architects Axel Schultes and Charlotte Frank. The building, which is the largest government headquarters in the world, is part of the "Federal Belt" (German: Band des Bundes) in the Spreebogen, Willy-Brandt-Straße 1, 10557 Berlin.

The New Royal Opera House in Berlin was a project of the Prussian government and Kaiser Wilhelm II to build a new opera house in Berlin, which was prevented by the First World War and the financial shortage of the Weimar Republic. It was one of the most protracted and convoluted building projects of the imperial era. In 1924, the critic and journalist Paul Westheim described it as the "most grotesque architectural comedy of all time".

The Kroll Opera House (German: Krolloper, Kroll-Oper) in Berlin, Germany, was in the Tiergarten district on the western edge of the Königsplatz square (today Platz der Republik), facing the Reichstag building. It was built in 1844 as an entertainment venue for the restaurant owner Joseph Kroll, and redeveloped as an opera house in 1851. It also served as the assembly hall of the Reichstag from 1933 to 1942. Severely damaged by the bombing of Berlin in World War II and the Battle of Berlin, it was demolished in 1951.

The German Colonial Museum (German: Deutsches Kolonialmuseum; 1899 - 1915) was a museum in the Berlin district of Moabit that existed from 1899 to 1915. The museum aimed to inform the German public about the German colonies overseas. Its collection consisted of more than 70,000 artifacts, and it attracted a significant number of visitors, with around 481,259 visitors between 1899 and 1911. The museum's exhibits covered various aspects of the colonies, including their missionary work, trade, literature, history, culture, and everyday life. There was also a particular focus on promoting colonial products for the German domestic market. In addition to its main function as a museum, the Deutsches Kolonialmuseum also played a propagandistic role in promoting German colonialism. The museum was designed by colonial enthusiasts and aimed to legitimise and glorify German colonial expansion. Although the German Colonial Museum was closed in 1915, its legacy can still be seen in the collections of the German Historical Museum (German: Deutsches Historisches Museum). Furthermore, in Bremen, there exists a museum that was originally named Deutsches Kolonialmuseum but was renamed German Oversea museum (German: Deutsches Überseemuseum) after World War II.

Berlin's Federal Ribbon (German: Band des Bundes) is an architectural ensemble that runs across the government district north of the Reichstag building across the Spreebogen on the edge of the Spreebogenpark. The concept was designed by the architects Axel Schultes and Charlotte Frank.

The Volkshalle ("People's Hall"), also called Große Halle ("Great Hall") or Ruhmeshalle ("Hall of Glory"), was a proposal for a monumental, domed building to be built in a reconstituted Berlin (renamed as Germania) in Nazi Germany. The project was conceived by Adolf Hitler and designed by his architect Albert Speer. No part of the building was ever constructed. The word Volk had a particular resonance in Nazi thinking. The term völkisch movement, which can be translated to English as "the people's movement" or "the folkish movement", derives from Volk but also implies a particularly racial undertone. Before the First World War, völkisch thought had developed an attitude to the arts as the German Volk; that is, from an organically linked Aryan or Nordic community (Volksgemeinschaft), racially unpolluted and with its roots in the German soil of the Heimat (homeland).

Gustav Heinemann Bridge (German: Gustav-Heinemann-Brücke) is a bridge connecting Berlin-Moabit and Tiergarten in Berlin, Germany.

The Carillon in Berlin-Tiergarten is located in a freestanding 42-metre-tall (138 ft) bell tower next to the House of World Cultures (Haus der Kulturen der Welt), near the Chancellery in the northeastern part of Berlin's central Tiergarten park. It contains a large, manually played concert carillon, comprising 68 bells weighing a total of 48 tonnes (106,000 lb) connected to a keyboard spanning 5 and a half fully chromatic octaves; the largest bell weighs 7.8 tonnes (17,000 lb). The carillonneur sits in a playing cabin in the middle of the bells and plays with his fists and feet on a baton-and-pedal keyboard. The purely mechanical action makes it possible to play all dynamic gradations, from very soft to very loud. The carillon was given to the city by Daimler-Benz AG under CEO Edzard Reuter in 1987 on the occasion of Berlin's 750th birthday. It was cast by Royal Dutch foundry Eijsbouts according to the specifications of carillonneur Jeffrey Bossin. It is one of the largest instruments of its kind in Europe and approximately the fourth largest (by number of bells) in the world. Berlin carillonneur Jeffrey Bossin plays concerts on the carillon every Sunday at 3:00 p.m. from the beginning of May until the end of September and on the more important national holidays (2:00 p.m. in December); the programs include music written for the carillon and arrangements of classical works and popular songs. Tours of the carillon tower, including a unique view of Berlin and its government buildings, are offered at the end of the concerts. The carillonneur guides groups through the tower and (in English and German) answers questions, explains the special features of the instrument, and recounts the history of the carillon in Berlin from its beginnings under the first king of Prussia to the reunification of Germany. He demonstrates the instrument's playing technique and plays a carillon piece for his guests.

Platz der Republik (German: [ˈplats deːɐ̯ ʁepuˈbliːk], Republic Square) is a square in Berlin, Germany. It is located in the Tiergarten (borough Mitte), directly in front (west) of the Reichstag building. The square has an area of about 36,900 square meters and is almost completely covered by grass but is decorated with some hedges and a few trees. Before 1926 and between 1933 and 1948 it was called Königsplatz (German: [ˈkøːnɪçsˌplats], King's Square). The Victory Column stood here before it was moved to its present location in 1939.

Spreebogenpark is a park in Tiergarten, Berlin, Germany.

Bundestag is a Berlin U-Bahn station located on the line. The name of this station was changed in April 2006 from Reichstag to Bundestag to better reflect the physical location of the station and the function of nearby buildings.

The Haus der Kulturen der Welt (HKW), in English House of the World's Cultures, in Berlin is Germany's national center for the presentation and discussion of international contemporary arts, with a special focus on non-European cultures and societies. It presents art exhibitions, theater and dance performances, concerts, author readings, films and academic conferences on Visual Art and culture. It is one of the institutions which, due to their national and international standing and the quality of their work, receive funding from the federal government as so-called "lighthouses of culture", from the Federal Minister of State for Culture and the Media as well as from the Federal Foreign Office. As a venue and collaboration partner, HKW has hosted festivals such as the transmediale, curatorial platforms, biennials such as the Berlin Documentary Forum, and mentorship programs such as Forecast. Since 2013, its interdisciplinary elaboration on the Anthropocene discourse has included conferences, exhibitions, and other artistic formats performed together with philosophers, scientists, and arstists, such as Bruno Latour and Hans Joachim Schellnhuber.