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Atlas (statue)

1937 establishments in New York City1937 sculpturesArt Deco sculptures and memorialsBronze sculptures in ManhattanBuildings and structures completed in 1937
Nude sculptures in New York (state)Outdoor sculptures in ManhattanRockefeller CenterSculptures of classical mythologyStatues in New York City
New York City, May 2014 033
New York City, May 2014 033

Atlas is a bronze statue in Rockefeller Center, within the International Building's courtyard, in Midtown Manhattan in New York City. It is across Fifth Avenue from St. Patrick's Cathedral. The sculpture depicts the ancient Greek Titan Atlas holding the heavens on his shoulders.Atlas was created by the sculptor Lee Lawrie with the help of Rene Paul Chambellan and was installed in 1937. The sculpture is in the Art Deco style of Rockefeller Center. The figure of Atlas in the sculpture is 15 feet (4.6 m) tall, while the entire statue is 45 feet (14 m) tall. It weighs 7 short tons (6,400 kg), and is the largest sculpture at Rockefeller Center.Atlas is depicted carrying the celestial vault on his shoulders. The north-south axis of the armillary sphere on his shoulders points towards the North Star's position relative to New York City. The statue stands on one muscular leg atop a small stone pedestal, whose corner faces Fifth Avenue.

Excerpt from the Wikipedia article Atlas (statue) (License: CC BY-SA 3.0, Authors, Images).

Atlas (statue)
Rockefeller Plaza, New York Manhattan

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N 40.758922222222 ° E -73.977177777778 °
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Rockefeller Center

Rockefeller Plaza 45
10111 New York, Manhattan
New York, United States
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call+12123326868

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rockefellercenter.com

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New York City, May 2014 033
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International Building (Rockefeller Center)
International Building (Rockefeller Center)

The International Building, also known by its addresses 630 Fifth Avenue and 45 Rockefeller Plaza, is a skyscraper at Rockefeller Center in the Midtown Manhattan neighborhood of New York City. Completed in 1935, the 41-story, 512 ft (156 m) building was designed in the Art Deco style by Raymond Hood, Rockefeller Center's lead architect. The main tower is set back from Fifth Avenue and includes two 6-story wings to the east, known as Palazzo d'Italia and International Building North. The wings flank an entrance plaza that contains Lee Lawrie's Atlas statue. The facade is made of limestone, with granite at the base. The wings, patterned around the British Empire Building and La Maison Francaise to the south, contain rooftop gardens. The building's entrances contain ornate decorations by numerous artists. The main entrance on Fifth Avenue leads to a four-story-tall lobby with large marble pillars and escalators. The office space is arranged around the elevator core, with all offices being within 27 feet (8.2 m) of a window. The entire Rockefeller Center complex is a New York City designated landmark and a National Historic Landmark, and the lobby is also a New York City landmark. The International Building was developed as part of the construction of Rockefeller Center, although plans for the building were modified multiple times. A groundbreaking ceremony was hosted in July 1933, after Italian interests leased the southern wing, but Rockefeller Center's managers could not secure a commitment for a specific country in the northern wing. The building's superstructure was constructed in 136 days from September 1934 to May 1935. The Palazzo d'Italia was modified in the 1940s after the start of World War II, and further modifications were made in the late 20th century. Over the years, the International Building has contained a variety of tenants, including numerous consulates.

Vanderbilt Triple Palace
Vanderbilt Triple Palace

The Triple Palace, also known as the William H. Vanderbilt House, was an elaborate mansion at 640 Fifth Avenue between 51st Street and 52nd Street in Midtown Manhattan, New York City. The urban mansion, completed in 1882 to designs by John B. Snook and Charles B. Atwood, was owned by members of the Vanderbilt family. It was composed of two portions: a single-family unit to the south and a two-family unit to the north. William Henry Vanderbilt owned and lived in the southern portion. Two of his daughters, Emily Thorn Vanderbilt and Margaret Louisa Vanderbilt Shepard, along with their respective families, occupied the two residences in the northern portion. The mansion had a brownstone facade as well as a courtyard and portico separating the two sections. William Henry Vanderbilt's portion of the house had elaborate decor, with 58 rooms designed in a different style, as well as a central three-story art gallery with a large skylight. William Henry's section also included an elaborate dining room, library, parlor, and drawing room on the first floor, as well as bedrooms on the second floor for himself, his wife, and his youngest children. Emily's and Margaret's sections of the house were designed in a less lavish style. William Henry Vanderbilt had commissioned the mansion in part to provide space for his paintings, as well as a residence for his two daughters. Upon its completion, the mansion was generally criticized. After William Henry's death in 1885, the house passed on to numerous members of his family. It became known as the home of Henry Clay Frick, who renovated and rented the house from 1905 to 1913, when he built the Henry Clay Frick House, inspired by the Triple Palace and its art collection. Cornelius Vanderbilt III hired Horace Trumbauer to design another renovation for the house in 1916. The northern section of the Vanderbilt house was demolished in 1927, while the southern section was destroyed in 1947; both sections were replaced by high-rise buildings.

La Maison Francaise (Rockefeller Center)
La Maison Francaise (Rockefeller Center)

La Maison Francaise (French: La Maison Française, literally French House), also known by its address 610 Fifth Avenue, is a commercial building at Rockefeller Center in the Midtown Manhattan neighborhood of New York City. Completed in 1933, the six-story structure was designed in the Art Deco style by Raymond Hood, Rockefeller Center's lead architect. La Maison Francaise, along with the nearly identical British Empire Building and the high-rise International Building to the north, comprise a group of retail-and-office structures known as the International Complex. La Maison Francaise and the British Empire Building are separated by Channel Gardens, a planted pedestrian esplanade running west to the complex's Lower Plaza. The facade is made of limestone, with a main entrance along Fifth Avenue and secondary entrances on 49th Street and Channel Gardens. The top of La Maison Francaise contains setbacks, a rooftop garden, and a partial seventh-story penthouse. The building's entrances contain ornate decorations by Lee Lawrie, Alfred Janniot, and Rene Paul Chambellan. The entire Rockefeller Center complex is a New York City designated landmark and a National Historic Landmark. La Maison Francaise and the British Empire Building were developed as part of the construction of Rockefeller Center after a proposal for a single building on the site was scrapped. Work began in February 1932 and French companies agreed to occupy the building the next month. The building was completed in 1933 and initially mainly hosted French companies. Over the years, the building has contained a variety of tenants, including stores and travel companies.

St. Patrick's Cathedral (Midtown Manhattan)
St. Patrick's Cathedral (Midtown Manhattan)

St. Patrick's Cathedral is a Catholic cathedral in the Midtown Manhattan neighborhood of New York City. It is the seat of the Archbishop of New York as well as a parish church. The cathedral occupies a city block bounded by Fifth Avenue, Madison Avenue, 50th Street, and 51st Street, directly across from Rockefeller Center. Designed by James Renwick Jr., it is the largest Gothic Revival Catholic cathedral in North America. The cathedral was constructed starting in 1858 to accommodate the growing Archdiocese of New York and to replace St. Patrick's Old Cathedral. Work was halted in the early 1860s during the American Civil War; the cathedral was completed in 1878 and dedicated on May 25, 1879. The archbishop's house and rectory were added in the early 1880s, both by James Renwick Jr., and the spires were added in 1888. A Lady chapel designed by Charles T. Mathews was constructed from 1901 to 1906. The cathedral was consecrated on October 5, 1910, after all its debt had been paid off. Extensive restorations of the cathedral were conducted several times, including in the 1940s, 1970s, and 2010s. St. Patrick's Cathedral is clad in marble and has several dozen stained glass windows. It measures 332 feet (101 m) long, with a maximum width of 174 feet (53 m) at the transepts. The bronze doors that form the cathedral's main entrance on Fifth Avenue are flanked by towers with spires rising 329.5 feet (100 m). The northern tower contains nineteen bells, and the interior has two pipe organs. Inside is a nave flanked by several chapels; two transepts; a chancel and apse; and a crypt. East of the apse are the rectory, Lady chapel, and archbishop's residence facing Madison Avenue. The cathedral is a New York City designated landmark and is listed on the National Register of Historic Places.

Saks Fifth Avenue flagship store
Saks Fifth Avenue flagship store

The Saks Fifth Avenue flagship store is a department store in Midtown Manhattan, New York City, within the luxury shopping district on Fifth Avenue between 49th and 50th Streets. The original 10-story structure at 611 Fifth Avenue has served as the flagship store of Saks Fifth Avenue since its completion in 1924. The store also occupies part of 623 Fifth Avenue, a 36-story tower completed in 1990. The original Saks Fifth Avenue Building was designed by Starrett & van Vleck in the classical style. It contains a facade made of Indiana limestone, brick, and cast-stone, with chamfered corners on Fifth Avenue at 49th and 50th Streets. Saks Fifth Avenue was the first department store on Fifth Avenue to comply with the 1916 Zoning Resolution, with setbacks on its upper floors. The tower addition at 623 Fifth Avenue was designed by Lee Harris Pomeroy Associates and Abramovitz Kingsland Schiff. The tower is partially designed in the style of the original structure. The Saks Fifth Avenue Building was planned in the early 20th century by Horace Saks, head of Saks & Company, which had a flagship store at Herald Square. The building was constructed from 1922 to 1924 as "Saks-Fifth Avenue", a joint venture between Saks and his cousin Bernard Gimbel. Saks Fifth Avenue later became a department store chain in its own right, and the Fifth Avenue store became a flagship location. The original building was designated a New York City Landmark in 1984 to allow the development of the 623 Fifth Avenue tower annex. Over the years, the store has undergone numerous modifications.

British Empire Building
British Empire Building

The British Empire Building, also known by its address 620 Fifth Avenue, is a commercial building at Rockefeller Center in the Midtown Manhattan neighborhood of New York City. Completed in 1933, the six-story structure was designed in the Art Deco style by Raymond Hood, Rockefeller Center's lead architect. The British Empire Building, along with the nearly identical La Maison Francaise to the south and the high-rise International Building to the north, comprise a group of retail-and-office structures known as the International Complex. La Maison Francaise and the British Empire Building are separated by Channel Gardens, a planted pedestrian esplanade running west to the complex's Lower Plaza. The facade is made of limestone, with a main entrance along Fifth Avenue and secondary entrances on 50th Street and Channel Gardens. The top of the British Empire Building contains setbacks, a rooftop garden, and a partial seventh-story penthouse. The building's entrances contain ornate decorations by Lee Lawrie, Carl Paul Jennewein, and Rene Paul Chambellan. The entire Rockefeller Center complex is a New York City designated landmark and a National Historic Landmark. La Maison Francaise and the British Empire Building were developed as part of the construction of Rockefeller Center after a proposal for a single building on the site was scrapped. After the British government signed a lease for the building in January 1932, work began the next month with a groundbreaking ceremony in July 1932. The building was completed in 1933 and initially mainly hosted British companies. Over the years, the building has contained a variety of tenants, including stores and travel companies.

Olympic Tower
Olympic Tower

Olympic Tower is a 51-story, 620 ft-tall (190 m) building at 641 and 645 Fifth Avenue, between 51st and 52nd Streets, in the Midtown Manhattan neighborhood of New York City. Designed by Skidmore, Owings & Merrill (SOM), the mixed-use development contains condominium apartments, office space, and retail shops. The tower is named after Olympic Airlines, whose president Aristotle Onassis jointly developed the tower with the Arlen Realty and Development Corporation between 1971 and 1974. It was the first skyscraper to be constructed within a special zoning district to encourage retail and mixed-use development along Fifth Avenue. The building's glass facade is designed to reflect St. Patrick's Cathedral immediately to the south. The superstructure is made of steel on the lower stories and cast concrete on the upper stories. The first two stories contain a public atrium, Olympic Place, which connects the 51st and 52nd Street facades. The next 19 stories contain office space while the top 30 stories contain 230 condominium apartments. Upon Olympic Tower's completion, architectural writers such as Ada Louise Huxtable and Christopher Gray criticized its design. Construction of Olympic Tower dates to the late 1960s, when Best & Co. sought to build an office tower above their store at Fifth Avenue and 51st Street. Morris Lapidus was initially hired for the project, but the plans were changed after the zoning district was created. When the building was completed, wealthy non-American buyers purchased most of its residential units. Crown Acquisitions bought Olympic Tower from its original owners in the 2010s.