Santa Maria del Suffragio, Rome

San Biagio della Pagnotta or San Biagio degli Armeni is a church in Rome, in the Ponte district, on via Giulia, near Palazzo Sacchetti. It is dedicated to Saint Blaise and is the national church of the Armenian community in Rome.

The Oratorio del Gonfalone or Oratory of the Banner is a building in Central Rome which once housed a Catholic fraternity. Since about 1960 it has served as a concert venue for the Roman Polyphonic Choir.

The Carceri Nuove ([ˈkartʃeri ˈnwɔːve]; "New Jails") was a prison built in the mid-17th century at the instigation of Pope Innocent X and his ideals of humanity and clemency. The New Jails were to replace other prisons throughout the city. This jail remained in operation until the construction of the judicial prison of Regina Coeli in Trastevere at the turn of the 20th century. The building, in 2020, housed the Direzione Nazionale Antimafia e Antiterrorismo (English: National Anti-Mafia and Counter-Terrorism Directorate).

Palazzo Sacchetti (formerly Palazzo Ricci) is a palazzo in Rome, important for historical and artistic reasons. The building was designed and owned by Antonio da Sangallo the Younger and completed by Nanni di Baccio Bigio or his son Annibale Lippi. After Sangallo, the palace belonged among others to the Ricci, Ceoli and Sacchetti, important families of the Roman nobility. Among the artworks that decorate the interior, the cycle of frescoes depicting the Storie di David by Francesco Salviati represents an important work of Mannerism. The palace also housed hundreds of paintings that would become the nucleus of the Pinacoteca Capitolina. Palazzo Sacchetti is widely considered the most important palace in Via Giulia.

Santa Lucia del Gonfalone is a church in the diocese of Rome, Italy. It is located on Via dei Banchi Vecchi just one block south of Corso Vittorio Emanuele. The former site of the Archconfraternity of the Gonfalone, the Claretian Missionaries have their provincial headquarters here. The church was made a cardinalate deaconry by Pope John Paul II on 21 October 2003.

San Filippo Neri is a deconsecrated church in Rome, important for historical and artistic reasons. The church, facing the Via Giulia, was built during the Baroque age. San Filippo was supposed to be demolished together with the surrounding neighborhood in the late 1930s, but due to the onset of WWII the demolition was halted. Abandoned and desecrated after the war, it has been restored in 2000, but maintains a secular usage and is not accessible.

The Monument to Nicola Spedalieri is a memorial statue to an 18th-century priest and political theorist (140–1795); the statue was installed in 1903 at the Piazza Forza Cesarini along the Corso Vittorio Emanuele II in central Rome, Italy. Spedalieri and his ideas, and thus the monument, have been variously disputed or celebrated by different factions. Spedalieri's most famous work, De' diritti dell'Uomo (1791), had a mixed reception. Written as a critique of the Declaration of the Rights of Man and of the Citizen approved by the French National Assembly in 1789, Spedalieri supports the idea of natural rights of man, and opposes a tyrannical law imposed by rulers claiming a divine anointment. However, he claims that the selfish desires of human nature need to be tempered by religious authority, specifically Roman Catholic morality. The anti-absolutist ideas in his writings stirred opposition from ruling authorities battling the rising Jacobin and republican forces. These notions led liberal forces of the 19th century to honor him as the origin of an Italian enlightenment about the rights of citizens. By the late 19th century, Rome, the new capital of the Italian Kingdom, was seeking to memorialize the past in ways that celebrated their political beliefs, but also the struggles for an Italian identity. The Corso had been widened and flanking areas embellished with a number of memorials to both recent heroes of the Italian independence, but also to historical opponents of the forces hindering an Italian identity, for example, Giordano Bruno's monument at Campo di Fiori. Spedalieri was an awkward figure to defend by Liberals, since he had also been supported and supportive in his day of the Papacy. This monument was first proposed in 1882 by the lawyer Giuseppe Cimbali, a native from the same town in Sicily where Spedalieri was born. In 1893 a committee was established to supervise a contest to erect a monument by the centennial of Spedialeri's death. None of the proposals received by 1894 were approved. A second round of proposals the next year led to the selection of the design by Sicilia sculptor Mario Rutelli. The site and inauguration of the monument were controversial, and the monument was first unveiled, without ceremony, in Piazza Vidoni (alongside the church of Sant'Andrea della Valle) in the middle of the night of 23 November 1903. In 1951, because of the busy location, the statue was moved to the present Piazza, where it replaced the Monument to Terenzio Mamiani, which was then moved about four blocks north to a park at the intersection of the Corso and Via Acciaioli. Paradoxically Mamiani had written scholarly reassessments of Spedialeri's works that kept the latter's influence current.The monument is a bronze statue on a pedestal. Spedalieri stands with this opus of Diritti dell'uomo in his left hand. His vestments are not ecclesiastical. Below, on the pedestal is a wreath with the Trinacria, a symbol of Sicily, surrounded by palm leaves. The 1903 inscription reads that the new Italy memorializes Spedalieri.

The Collegio Ghislieri was a building in Rome, seat of the eponymous charitable institution, important for architectural and historical reasons. The College was founded in 1656 by Giuseppe Ghislieri and was meant to host 24 boys of the decayed pontifical nobility for free during high school. Placed under the protection of the duke Salviati, the college was closed in 1928. The building which hosted the college, possibly work of Carlo Maderno, was demolished in the 1930s. Its façade on Via Giulia and some decorations have survived, incorporated in the structure of the Liceo classico Virgilio, built on the same site between 1936 and 1939 after a design by Marcello Piacentini.

The Monument to Terenzio Mamiani della Rovere is a memorial statue to an 18th-century patriot and statesman, located alongside the Corso Vittorio Emanuele II at a small piazza along Via degli Acciaioli. Mamiani (1799–1885) was in life a liberal Catholic, and posthumously acknowledged as having been a free-mason: his service as both minister in the Papal States and under the Kingdom of Sardinia, later Senator in the Kingdom of Italy bridged contentious or warring factions. The City Council of Rome approved the construction of the statue, at a cost of 10,000 lire, on 25 May 1885, four days after his death. In 1889, it was decided to place the statue in the Piazza Sforza Cesarini, some four blocks southeast of the present position, alongside the Corso. The design of a monument by Mauro Benini was chosen by a committee led by the sculptor and council-member Ettore Ferrari. The ultimate cost was over 20,000 lire and paid out in various installments: 3000 lire paid for the initial design paid to Benini 4000 lire paid for a clay-plaster model 5000 lire paid for completion of the statue 7000 lire paid for the completion of the monument in situ 1000 lire for complete assemblyThe statue was inaugurated on 2 March 1893, in a ceremony attended by Terenzio's widow, Angela Mamiani della Rovere. During his life, Terenzio had published a work examining and praising of Nicola Spedalieri's opus Il Diritti dell'Uomo. Thus perhaps it is ironic that by 1927, another council in Rome decided to move Spedalieri's statue and monument from a busy street-piazza lot between the Palazzo Vidoni and Sant'Andrea della Valle, and place it in Piazza Sforza Cesarini, dislocating Terenzio to his present spot along Via degli Acciaioli. The statue in Carrara marble depicts the elder gaunt Terenzio, seated but alert and leaning forward, with a quill pen in his right hand, and a book in his left hand.

Campo Marzio (Italian pronunciation: [ˈkampo ˈmartsjo]) is the 4th rione of Rome, identified by the initials R. IV. It belongs to the Municipio I and covers a smaller section of the area of the ancient Campus Martius. The logo of this rione is a silver crescent on a blue background.

Santo Spirito dei Napoletani is a Roman Catholic church on via Giulia, in the Regola rione of Rome. It was the national church of the Kingdom of the Two Sicilies and is now the regional church for Campania.

The Bust of Antonio Cepparelli is a sculptural portrait bust by the Italian artist Gian Lorenzo Bernini. It was executed around 1622. It is in the museum of the church of San Giovanni dei Fiorentini in Rome.