Santo Spirito dei Napoletani

The Collegio Ghislieri was a building in Rome, seat of the eponymous charitable institution, important for architectural and historical reasons. The College was founded in 1656 by Giuseppe Ghislieri and was meant to host 24 boys of the decayed pontifical nobility for free during high school. Placed under the protection of the duke Salviati, the college was closed in 1928. The building which hosted the college, possibly work of Carlo Maderno, was demolished in the 1930s. Its façade on Via Giulia and some decorations have survived, incorporated in the structure of the Liceo classico Virgilio, built on the same site between 1936 and 1939 after a design by Marcello Piacentini.

Sant'Eligio degli Orefici is a church in Rome, Italy. It is located in the rione Regola, near via Giulia, on a corner of the via of the same name that ends below the Lungotevere dei Tebaldi, a few blocks northwest of the Palazzo Farnese. Initially designed by Raphael for the Guild of Goldsmiths when they split off from the Guild of Ironworkers in 1509 and dedicated to their patron saint Eligius, it was completed by Baldassarre Peruzzi and Bastiano da Sangallo. Besides his work on St Peter's Basilica, this is the only church in Rome that, although partially, can definitely be attributed to Raphael. Its cupola is attributed to Baldassare Peruzzi and the interior is also by Raphael, in a Bramante-like style, though the present façade is early 17th century and by Flaminio Ponzio.

San Filippo Neri is a deconsecrated church in Rome, important for historical and artistic reasons. The church, facing the Via Giulia, was built during the Baroque age. San Filippo was supposed to be demolished together with the surrounding neighborhood in the late 1930s, but due to the onset of WWII the demolition was halted. Abandoned and desecrated after the war, it has been restored in 2000, but maintains a secular usage and is not accessible.

The Carceri Nuove ([ˈkartʃeri ˈnwɔːve]; "New Jails") was a prison built in the mid-17th century at the instigation of Pope Innocent X and his ideals of humanity and clemency. The New Jails were to replace other prisons throughout the city. This jail remained in operation until the construction of the judicial prison of Regina Coeli in Trastevere at the turn of the 20th century. The building, in 2020, housed the Direzione Nazionale Antimafia e Antiterrorismo (English: National Anti-Mafia and Counter-Terrorism Directorate).

Bust of Monsignor Pedro de Foix Montoya is a sculpted portrait by the Italian artist Gianlorenzo Bernini. Executed in 1621 and 1622, it sits within a larger tomb created for Montoya, a Spanish lawyer working in Rome. The tomb was originally in the Spanish national church in Rome, San Giacomo degli Spagnuoli, but was moved in the nineteenth century when the church fell out of Spanish possession. The monument now sits in the refectory attached to the Roman church of Santa Maria di Monserrato. The architecture for the tomb was undertaken by Orazio Turriani.

The Spanish National Church of Santiago and Montserrat, known as Church of Holy Mary in Monserrat of the Spaniards (Italian: Santa Maria in Monserrato degli Spagnoli, Spanish: Santa María de Montserrat de los Españoles, Latin: S. Mariae Hispanorum in Monte Serrato) is a Roman Catholic titulus church and National Church in Rome of Spain, dedicated to the Virgin of Montserrat. It is located in the Rione Regola, at the intersection of alleway of Via della Barchetta and the narrow Via di Monserrato, with the facade on the latter street, about three blocks northwest of the Palazzo Farnese. The last Cardinal Priest of the Titulus S. Mariae Hispanorum in Monte Serrato was Carlos Amigo Vallejo.

Santa Caterina da Siena is a church in Rome dedicated to Catherine of Siena. It is sited on via Giulia in the Regola district.

Santa Lucia del Gonfalone is a church in the diocese of Rome, Italy. It is located on Via dei Banchi Vecchi just one block south of Corso Vittorio Emanuele. The former site of the Archconfraternity of the Gonfalone, the Claretian Missionaries have their provincial headquarters here. The church was made a cardinalate deaconry by Pope John Paul II on 21 October 2003.

Lungotevere dei Tebaldi is the stretch of lungotevere which links piazza San Vincenzo Pallotti to ponte Giuseppe Mazzini, in Roma, in rione Regola.This lungotevere takes its name from the Roman family of the Tebaldi, extinct in 1745; it was instituted with law of 20 July 1887.

The Oratorio del Gonfalone or Oratory of the Banner is a building in Central Rome which once housed a Catholic fraternity. Since about 1960 it has served as a concert venue for the Roman Polyphonic Choir.

The Monument to Nicola Spedalieri is a memorial statue to an 18th-century priest and political theorist (140–1795); the statue was installed in 1903 at the Piazza Forza Cesarini along the Corso Vittorio Emanuele II in central Rome, Italy. Spedalieri and his ideas, and thus the monument, have been variously disputed or celebrated by different factions. Spedalieri's most famous work, De' diritti dell'Uomo (1791), had a mixed reception. Written as a critique of the Declaration of the Rights of Man and of the Citizen approved by the French National Assembly in 1789, Spedalieri supports the idea of natural rights of man, and opposes a tyrannical law imposed by rulers claiming a divine anointment. However, he claims that the selfish desires of human nature need to be tempered by religious authority, specifically Roman Catholic morality. The anti-absolutist ideas in his writings stirred opposition from ruling authorities battling the rising Jacobin and republican forces. These notions led liberal forces of the 19th century to honor him as the origin of an Italian enlightenment about the rights of citizens. By the late 19th century, Rome, the new capital of the Italian Kingdom, was seeking to memorialize the past in ways that celebrated their political beliefs, but also the struggles for an Italian identity. The Corso had been widened and flanking areas embellished with a number of memorials to both recent heroes of the Italian independence, but also to historical opponents of the forces hindering an Italian identity, for example, Giordano Bruno's monument at Campo di Fiori. Spedalieri was an awkward figure to defend by Liberals, since he had also been supported and supportive in his day of the Papacy. This monument was first proposed in 1882 by the lawyer Giuseppe Cimbali, a native from the same town in Sicily where Spedalieri was born. In 1893 a committee was established to supervise a contest to erect a monument by the centennial of Spedialeri's death. None of the proposals received by 1894 were approved. A second round of proposals the next year led to the selection of the design by Sicilia sculptor Mario Rutelli. The site and inauguration of the monument were controversial, and the monument was first unveiled, without ceremony, in Piazza Vidoni (alongside the church of Sant'Andrea della Valle) in the middle of the night of 23 November 1903. In 1951, because of the busy location, the statue was moved to the present Piazza, where it replaced the Monument to Terenzio Mamiani, which was then moved about four blocks north to a park at the intersection of the Corso and Via Acciaioli. Paradoxically Mamiani had written scholarly reassessments of Spedialeri's works that kept the latter's influence current.The monument is a bronze statue on a pedestal. Spedalieri stands with this opus of Diritti dell'uomo in his left hand. His vestments are not ecclesiastical. Below, on the pedestal is a wreath with the Trinacria, a symbol of Sicily, surrounded by palm leaves. The 1903 inscription reads that the new Italy memorializes Spedalieri.

The Monument to Pietro Metastasio is a memorial statue dedicated to the Roman poet and dramatist Pietro Metastasio (1698 – 1782); it is located along the Corso Vittorio Emanuele, at the piazza before the church of Santa Maria in Vallicella (Piazza di Chiesa Nuova), in central Rome, Italy. In 1873, a committee of artists, led by Francesco Podesti, then director of the Academy of St Luke, decided to erect a statue to Metastasio, initially to be completed by the centenary of his death. A contest for a design was promulgated with an award of 25,000 Lira, paid in increments until completion. The contest was won in 1882 by the sculptor Emilio Gallori, but the monument was installed first in Piazza San Silvestro in Capite on 21 April 1886. In the early 20th century, with the widening and embellishment of the Corso Vittorio Emanuele II, the statue was moved to its present location, which was close to the birth-house of Metastasio, located in via dei Cappellari #30. In addition, some of Metastasio's sacred works had been first presented at the adjacent Oratory of Filippo Neri. Metastasio himself was buried in Vienna, where he lived the last four decades of his life. The marble statue rises on a high pedestal. Metastasio stands beside a short column stacked with books. In his right hand he holds a writing quill, and on his right a pamphlet. He looks down towards the piazza. The base is ornamented with the symbols of the melodramatic arts: a mask and a lyre. The rear has a shield with the lupa, symbol of Rome.