Bust of Antonio Cepparelli

The Basilica of San Giovanni dei Fiorentini ("Saint John of the Florentines") is a minor basilica and a titular church in the Ponte rione of Rome, Italy. Dedicated to St. John the Baptist, the protector of Florence, the new church for the Florentine community in Rome was started in the 16th century and completed in the early 18th, and is the national church of Florence in Rome. It was lavishly decorated with art over the 16th and 17th centuries, with most commissions going to Florentine artists.

The Monument to Terenzio Mamiani della Rovere is a memorial statue to an 18th-century patriot and statesman, located alongside the Corso Vittorio Emanuele II at a small piazza along Via degli Acciaioli. Mamiani (1799–1885) was in life a liberal Catholic, and posthumously acknowledged as having been a free-mason: his service as both minister in the Papal States and under the Kingdom of Sardinia, later Senator in the Kingdom of Italy bridged contentious or warring factions. The City Council of Rome approved the construction of the statue, at a cost of 10,000 lire, on 25 May 1885, four days after his death. In 1889, it was decided to place the statue in the Piazza Sforza Cesarini, some four blocks southeast of the present position, alongside the Corso. The design of a monument by Mauro Benini was chosen by a committee led by the sculptor and council-member Ettore Ferrari. The ultimate cost was over 20,000 lire and paid out in various installments: 3000 lire paid for the initial design paid to Benini 4000 lire paid for a clay-plaster model 5000 lire paid for completion of the statue 7000 lire paid for the completion of the monument in situ 1000 lire for complete assemblyThe statue was inaugurated on 2 March 1893, in a ceremony attended by Terenzio's widow, Angela Mamiani della Rovere. During his life, Terenzio had published a work examining and praising of Nicola Spedalieri's opus Il Diritti dell'Uomo. Thus perhaps it is ironic that by 1927, another council in Rome decided to move Spedalieri's statue and monument from a busy street-piazza lot between the Palazzo Vidoni and Sant'Andrea della Valle, and place it in Piazza Sforza Cesarini, dislocating Terenzio to his present spot along Via degli Acciaioli. The statue in Carrara marble depicts the elder gaunt Terenzio, seated but alert and leaning forward, with a quill pen in his right hand, and a book in his left hand.

Palazzo Sacchetti (formerly Palazzo Ricci) is a palazzo in Rome, important for historical and artistic reasons. The building was designed and owned by Antonio da Sangallo the Younger and completed by Nanni di Baccio Bigio or his son Annibale Lippi. After Sangallo, the palace belonged among others to the Ricci, Ceoli and Sacchetti, important families of the Roman nobility. Among the artworks that decorate the interior, the cycle of frescoes depicting the Storie di David by Francesco Salviati represents an important work of Mannerism. The palace also housed hundreds of paintings that would become the nucleus of the Pinacoteca Capitolina. Palazzo Sacchetti is widely considered the most important palace in Via Giulia.

The Pons Neronianus or Bridge of Nero was an ancient bridge in Rome built during the reign of the emperors Caligula or Nero to connect the western part of the Campus Martius with the Ager Vaticanus ("Vatican Fields"), where the Imperial Family owned land along the Via Cornelia.

Ponte Vittorio Emanuele II is a bridge in Rome constructed to designs of 1886 by the architect Ennio De Rossi. Construction was delayed, and it was not inaugurated until 1911. The bridge across the Tiber connects the historic centre of Rome (Corso Vittorio Emanuele, whose axis the bridge extends, and piazza Paoli at the bridgehead) with the rione Borgo and the Vatican City, close what is left of the ancient Pons Neronianus. The bridge commemorating Vittorio Emanuele II of Italy is carried in three arches spanning a distance of 108 metres. It is decorated at the ends with high socles carrying colossal bronze winged Victories and over each of the piers with massive allegorical travertine sculptural groups.

Campo Marzio (Italian pronunciation: [ˈkampo ˈmartsjo]) is the 4th rione of Rome, identified by the initials R. IV. It belongs to the Municipio I and covers a smaller section of the area of the ancient Campus Martius. The logo of this rione is a silver crescent on a blue background.

Ponte Principe Amedeo Savoia Aosta, also known as Ponte Principe or Ponte PASA after its acronym, is a bridge that links Lungotevere dei Sangallo to Piazza Della Rovere in Rome (Italy), in the Rioni Ponte, Trastevere and Borgo.

San Biagio della Pagnotta or San Biagio degli Armeni is a church in Rome, in the Ponte district, on via Giulia, near Palazzo Sacchetti. It is dedicated to Saint Blaise and is the national church of the Armenian community in Rome.

Santi Celso e Giuliano is a minor basilica and papal chapel of the Diocese of Rome in the care of the Institute of Christ the King Sovereign Priest. It has held its basilica status by custom and practice since ancient times. The church is located on Vicolo del Curato number 12, just off Via del Banco di Santo Spirito, the road leading to Ponte Sant'Angelo.

The Porta Aurelia-Sancti Petri was one of the gates of the Aurelian walls in Rome (Italy). It was originally called the Porta Cornelia. The Porta Cornelia was immediately west of the bridgehead of the Pons Aelius, the current Ponte Sant'Angelo. This is where the Via Cornelia began, from which the gate took its name. In the first centuries AD this was not an important road, but that changed with the rise of Christianity. Constantine the Great had Old St. Peter's Basilica built in the 4th century, over the Roman and Christian necropolis on Via Cornelia. Between 270 and 280 the great Aurelian Walls were built around Rome. The Vatican Hill was only sparsely populated and remained outside the wall. The Basilica and this northern entrance to Rome, however, had to be able to be defended, and between 401 and 403 the Emperor Honorius had the Mausoleum of Hadrian converted into the Castel Sant'Angelo. The Porta Cornelia was built into the defensive walls of the Castle and gave access to the Vatican from the city. The gate was demolished after the Middle Ages. It is no longer known what exactly it looked like. The gate was also known as Porta Aurelia Sancti-Petri because the important Via Aurelia could also be reached by this gate and Via Cornelia. However, there was already a Porta Aurelia on the Janiculum (today's Porta San Pancrazio} and the addition of Sancti Petri ("at St. Peter's") is therefore intended to distinguish between the two gates.

Santa Maria del Suffragio is a 17th-century church in the center Rome, Italy. It lies on the via Giulia, in the rione Ponte. In 1592, the Confraternita del Suffragio ("Fraternity of those who succor the suffering") was a purgatorial society established adjacent to the church of Saint Biagio della Pagnotta; their goal was to pray for the spirits of the dead and dying. Two years later, the group received a charter of approval from Pope Clement VIII. In 1620, it was elevated to Arciconfraternita by Pope Paul V. Having outgrown their premises, the group acquired in 1607, part of an unfinished site that originally had been destined to be the Bramante-designed Palace of the Courts. In 1662, the architect Carlo Rainaldi designed the church, which was completed by 1669, with interior decorations continuing till 1685. The interior has frescoes by Cesare Mariani (Coronation of the Virgin). The third chapel on the right has a Birth of Mary and an Adoration of the Magi by Giuseppe Chiari. The third chapel on the left once had the Passion of Christ frescoed on the walls by Lanfranco. The frescoes with the Eternal Father in Gloria and the Assumption in the choir are by Giovanni Battista Beinaschi.

Palazzo Salviati (formerly Adimari) is a palace in Rome (Italy), Via della Lungara 82-83.