place

Santi Pietro e Paolo dei Greci

16th-century Eastern Orthodox church buildingsCathedrals in ItalyChurches in NaplesEstablishments in the Kingdom of NaplesGreek Orthodox cathedrals in Europe
Greek Orthodox churches in ItalyInfobox religious building with unknown affiliationInstances of Lang-el using second unnamed parameterReligious buildings and structures completed in 1544
Facciata pietro
Facciata pietro

Santi Pietro e Paolo dei Greci (Greek: Άγιοι Πέτρος και Παύλος των Ελλήνων, romanized: Ágioi Pétros kai Pávlos ton Ellínon, lit. 'Saints Peter and Paul of the Greeks') is a church at the Campania, the historic center of Naples, in Via San Tommaso d'Aquino 51. It was the center of the Scuola dei Greci in Naples and the Confraternity of the Greeks in Naples. Around this period there was a similar church in Venice called San Giorgio dei Greci. There was also a Greek Brotherhood of Venice. A prominent member of the Greek Brotherhood was famous painter Belisario Corenzio. The church was initially dedicated to the Twelve Apostles. They began building the church at the request of one of the descendants of the Byzantine Empire Thomas Asen Palaiologos. The church currently belongs to the Greek State.

Excerpt from the Wikipedia article Santi Pietro e Paolo dei Greci (License: CC BY-SA 3.0, Authors, Images).

Santi Pietro e Paolo dei Greci
Via dei Greci, Naples Municipalità 2

Geographical coordinates (GPS) Address External links Nearby Places
placeShow on map

Wikipedia: Santi Pietro e Paolo dei GreciContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 40.8417 ° E 14.2508 °
placeShow on map

Address

Chiesa dei Santi Pietro e Paolo dei Greci

Via dei Greci
80133 Naples, Municipalità 2
Campania, Italy
mapOpen on Google Maps

linkWikiData (Q1256454)
linkOpenStreetMap (248321665)

Facciata pietro
Facciata pietro
Share experience

Nearby Places

Palazzo della Casa del Mutilato, Naples
Palazzo della Casa del Mutilato, Naples

The Palazzo della Casa del Mutilato (Palace of the House of the Mutilated) is a building, located on via Guantai Nuovi and via Diaz, in piazza Matteotti in Naples, Italy. It is an example of the Fascist architecture constructed during the rule of Benito Mussolini, just like the large convex-facade of the central post office building (Palazzo delle Poste) across the street. The Casa del Mutilato building was constructed from 1938 to 1940 for the Associazione Nazionale fra Mutilati ed Invalidi di Guerra (National Association of Soldiers Mutilated and Invalid from War). It was inaugurated after the start of the second world war. The building design was commissioned from Camillo Guerra. The predilection of the word Mutilato as opposed to invalidi (invalid) or feriti (wounded) or offeso (injured) is not lacking of connotation. It is true that amputation or unrepairable injuries were more common during the first world war than our present conflicts, and thus the residual observations of the wounded included "mutilated" individuals, however, there was a fascist attachment to Gabrielle D'Annunzio historical assessment of the results of the 1919 Paris Peace Conference for Italy as a Vittoria Mutilata (Mutilated victory), and that this idea fueled the rise of nationalism. Thus the term "mutilato" would have had more positive resonance to the followers of fascism. Multiple such Casa del Mutilato were established in Italy to service the thousands of wounded soldiers. The exterior is modern and stern in its predominance of stone. The entrance at the corner has a frame of stone panels, sculpted by Vico Consorti and Giuseppe Pellegrini. The atrium has a monumental entry staircase surmounted by a statue of Victory. The interior still contains decorations that recall the fascist party. Similar office buildings were built during the Mussolini era in Milan and Ravenna.

Santa Maria Incoronata, Naples
Santa Maria Incoronata, Naples

Santa Maria dell'Incoronata is an ancient church on Via Medina in Naples, Italy. It is located just south of San Giorgio dei Genovesi and across the street from the Church of Pietà dei Turchini. The church was built in the 14th century in Gotico Angioiano style as part of urban project around the Castel Nuovo, the royal palace of Charles II of Anjou. The church was founded in 1364, not as tradition holds, in memory of the coronation of Joanna I of Naples and her second marriage to Louis, Prince of Taranto, but to hold a precious relic, a spine from the thorny crown of Christ, which the queen had requested from Charles V of France, and whose portrait is kept in the entrance. The edification of the Palace chapel or cappella palatina outside of the Castle, was completed in a difficult moment for the Queen, after the death of her husband in 1362. In 1403 Ladislaus of Naples ordered the painting of a cycle of Saint Ladislaus' legend in the church (finished 1414). There the Hungarian king is depicted receiving the royal crown, also fighting against the pagans, and receiving the crown of Croatia. Originally a small hospital was constructed attached to the church, and the entire complex was under the jurisdiction of the Carthusian Monastery of San Martino, till the end of the 16th century. The church was reconsecrated in the 18th century, after years of disuse, and restored over the centuries. However the interior has been stripped on most of its former Baroque decoration.

San Giacomo degli Spagnoli, Naples
San Giacomo degli Spagnoli, Naples

San Giacomo degli Spagnoli is a basilica church in Piazza Municipio in central Naples, Italy. The Renaissance church was enveloped in 1812 by the Palazzo San Giacomo built by King Ferdinand I of Bourbon when he built a central block of offices for the ministries of his government adjacent to the fortress of the Castel Nuovo. The Palazzo San Giacomo is now the municipio or city hall of Naples. Another church of San Giacomo degli Spagnoli is found in Rome. The original church was commissioned in 1540 by the Spanish viceroy Don Pedro Álvarez de Toledo, Marquis of Villafranca and associated with the adjacent hospital for the poor. The church was dedicated to St James, the patron saint of Spain, and designed by Ferdinando Manlio. The construction of the Palazzo San Giacomo did away with the facade, but retained the internal layout of three naves and a tall central ceiling. The interior still retains a number of monumental tombs, including for the viceroy Don Pedro de Toledo, his wife and son, sculpted in 1570 by Giovanni da Nola. Near the entrance are two sculptures by Francesco Cassano. In addition the tomb of Ferdinando Maiorca and his wife Porzia Coniglia in the apse was completed by Michelangelo Naccherino. The tomb of Alfonso Basurto, was carved by Annibale Caccavello and Giovanni Domenico D'Auria. The church was elevated to the status of basilica in 1911 but then suffered damage during the bombing of World War II. It is now rarely opened to the public.