San Giacomo degli Spagnoli, Naples

The Palazzo San Giacomo, known as the Municipio (city hall) is a Neoclassical style palace in central Naples, Italy. It stands before the fortress of the Maschio Angioino, stradling the zones of Porto and San Ferdinando. It houses the mayor and the offices of the municipality of Naples. The entire office complex spans from largo de Castello to Via Toledo, along via di San Giacomo. In 1816, King Ferdinand I of the Two Sicilies commissioned the construction of a centralized building to house the various ministries of the government. The area for this palace was chosen, and the buildings therein were either demolished or incorporated including the monastery and church of the Concezione (once known as Santa Maria Fior delle Vergini), the Hospital of San Giacomo, and the offices of the Bank of San Giacomo. The church of San Giacomo degli Spagnoli was incorporated into the palace.The architects were Vincenzo Buonocore, Antonio De Simone, and Stefano Gasse. Work was only completed in 1825. In the atrium are two statues of Kings Ruggiero the Norman and Frederick of Swabia. The statues of the Bourbon Kings, Ferdinand I and Francesco I of the Two Sicilies, that once stood in niches here, were substituted by allegorical figures. The entry way also has a head from a bust which has been assigned to the mythical representative of Naples, the siren Parthenope.

The Palace of the Bank of Italy is a twentieth century monumental building in central Naples, Italy located in Via Cervantes.

Santi Pietro e Paolo dei Greci (Greek: Άγιοι Πέτρος και Παύλος των Ελλήνων, romanized: Ágioi Pétros kai Pávlos ton Ellínon, lit. 'Saints Peter and Paul of the Greeks') is a church at the Campania, the historic center of Naples, in Via San Tommaso d'Aquino 51. It was the center of the Scuola dei Greci in Naples and the Confraternity of the Greeks in Naples. Around this period there was a similar church in Venice called San Giorgio dei Greci. There was also a Greek Brotherhood of Venice. A prominent member of the Greek Brotherhood was famous painter Belisario Corenzio. The church was initially dedicated to the Twelve Apostles. They began building the church at the request of one of the descendants of the Byzantine Empire Thomas Asen Palaiologos. The church currently belongs to the Greek State.

The Palazzo Zevallos Stigliano is a Baroque palace located on Via Toledo number 185 in the quartiere San Ferdinando of central Naples, Italy. It is also called the Palazzo Zevallos or Palazzo Colonna di Stigliano, and since 2014 serves as a museum of artworks, mainly spanning the 17th through the early 20th centuries, sponsored by the Cultural Project of the bank Intesa Sanpaolo. This museum is linked to the Museum or Gallerie di Piazza Scala in Milan and the Museum at Palazzo Leoni Montanari in Vicenza, also owned by the Bank.

Santa Brigida is a church located on Via Santa Brigida in central Naples, Italy. The church is a few doors down from one of the entrances to the Galleria Umberto I.

Toledo is a station on Line 1 of the Naples Metro, named after nearby Via Toledo. It won the 2013 LEAF Award as "Public building of the year".The station was opened on 17 April 2012 on the earlier completed section to Università.

Galleria Umberto I is a public shopping gallery in Naples, southern Italy. It is located directly across from the San Carlo opera house. It was built between 1887–1890, and was the cornerstone in the decades-long rebuilding of Naples—called the risanamento (lit. "making healthy again")—that lasted until World War I. It was designed in the Stile Umbertino by Emanuele Rocco, who employed modern architectural elements reminiscent of the Galleria Vittorio Emanuele II in Milan. The Galleria was named after Umberto I, King of Italy at the time of construction. It was meant to combine businesses, shops, cafés and social life—public space—with private space in the apartments on the third floor.The Galleria is a high and spacious cross-shaped structure, surmounted by a glass dome braced by 16 metal ribs. Of the four iron and glass-vaulted wings, one fronts on via Toledo (via Roma), still the main downtown thoroughfare, and another opens onto the San Carlo Theatre. It has returned to being an active center of Neapolitan civic life after years of decay. The building is part of the UNESCO listing of the Historic Centre of Naples as a World Heritage Site.The Galleria Umberto is the setting for The Gallery (1947) by the American writer John Horne Burns (1916–1953) based on his experiences as an American soldier in Naples shortly after the liberation of the city.

San Giorgio dei Genovesi (or San Giorgio alla Commedia Vecchia) is a church on Via Medina in the Center of Naples, Italy. It is adjacent and just north of the Church of the Santa Maria Incoronata, two doors south from the Palazzo d’Aquino di Caramanico, and across the street from the Church of the Pietà dei Turchini. The church was designed in the early 17th century based on designs by Bartolomeo Picchiatti. The original name derives from its attachment to the Genoese community in Naples. The interior is a Latin Cross plan with abundant stucco decoration and a cupola. The interior has a Caravaggesque painting of St Anthony resurrects a dead man by Battistello Caracciolo. The third chapel on right has frescoes (1770) by Giacomo Cestaro and a painting depicting St George slays the Dragon by Andrea da Salerno. The altar has a marble relief of Sant'Agostino of the 17th century Tuscan school. The facade of the church is simple. The alternate name indicates the church was built at the site of the Neapolitan Commedia dell'arte Theater of the Commedia Vecchia.

Santa Maria dell'Incoronata is an ancient church on Via Medina in Naples, Italy. It is located just south of San Giorgio dei Genovesi and across the street from the Church of Pietà dei Turchini. The church was built in the 14th century in Gotico Angioiano style as part of urban project around the Castel Nuovo, the royal palace of Charles II of Anjou. The church was founded in 1364, not as tradition holds, in memory of the coronation of Joanna I of Naples and her second marriage to Louis, Prince of Taranto, but to hold a precious relic, a spine from the thorny crown of Christ, which the queen had requested from Charles V of France, and whose portrait is kept in the entrance. The edification of the Palace chapel or cappella palatina outside of the Castle, was completed in a difficult moment for the Queen, after the death of her husband in 1362. In 1403 Ladislaus of Naples ordered the painting of a cycle of Saint Ladislaus' legend in the church (finished 1414). There the Hungarian king is depicted receiving the royal crown, also fighting against the pagans, and receiving the crown of Croatia. Originally a small hospital was constructed attached to the church, and the entire complex was under the jurisdiction of the Carthusian Monastery of San Martino, till the end of the 16th century. The church was reconsecrated in the 18th century, after years of disuse, and restored over the centuries. However the interior has been stripped on most of its former Baroque decoration.

The Palazzo della Casa del Mutilato (Palace of the House of the Mutilated) is a building, located on via Guantai Nuovi and via Diaz, in piazza Matteotti in Naples, Italy. It is an example of the Fascist architecture constructed during the rule of Benito Mussolini, just like the large convex-facade of the central post office building (Palazzo delle Poste) across the street. The Casa del Mutilato building was constructed from 1938 to 1940 for the Associazione Nazionale fra Mutilati ed Invalidi di Guerra (National Association of Soldiers Mutilated and Invalid from War). It was inaugurated after the start of the second world war. The building design was commissioned from Camillo Guerra. The predilection of the word Mutilato as opposed to invalidi (invalid) or feriti (wounded) or offeso (injured) is not lacking of connotation. It is true that amputation or unrepairable injuries were more common during the first world war than our present conflicts, and thus the residual observations of the wounded included "mutilated" individuals, however, there was a fascist attachment to Gabrielle D'Annunzio historical assessment of the results of the 1919 Paris Peace Conference for Italy as a Vittoria Mutilata (Mutilated victory), and that this idea fueled the rise of nationalism. Thus the term "mutilato" would have had more positive resonance to the followers of fascism. Multiple such Casa del Mutilato were established in Italy to service the thousands of wounded soldiers. The exterior is modern and stern in its predominance of stone. The entrance at the corner has a frame of stone panels, sculpted by Vico Consorti and Giuseppe Pellegrini. The atrium has a monumental entry staircase surmounted by a statue of Victory. The interior still contains decorations that recall the fascist party. Similar office buildings were built during the Mussolini era in Milan and Ravenna.

Palazzo Barbaja is a palace located on via Toledo of the quartiere San Ferdinando of Naples, Italy. The palace was the home of Domenico Barbaja, a famous theater impresario of 19th century Naples. In the years 1815–1822, Gioacchino Rossini was his guest at times. Rossini had a contract with the Teatro del Fondo to write the music for the libretto of Francesco Berio Salsa to Otello. Berio also lived nearby. Because of his dilatory progress, Rossini was almost imprisoned in his room until he finished the music. The building dates back to 16th century and was remodeled in the second half of the 18th century in a sober neoclassical style. The ground floor and the mezzanine are covered in ashlar blocks. The first two floors above the ground are marked by giant Ionic pilasters.

The Museo del Corallo is a small private museum of coral jewellery in Naples, in Campania in southern Italy. It also holds some cameos and jewellery in ivory and tortoiseshell. The works date from 1805 to 1950.: 224