Toledo (Naples Metro)

Santa Maria delle Grazie is a Roman Catholic church located on Via Toledo, near its intersection with Via Diaz Armando, in central Naples, Italy.

The Palazzo Buono is a palace in Naples, located on via Toledo in the Montecalvario district. It was first commissioned in the 17th century by the De Curtis family and designed by Bartolomeo Picchiatti. It later housed the Monte dei Poveri Vergognosi bank and during the ten years of French occupation it became the tribunal of commerce. After the French departed, it was bought by the Buono family, who in 1826 took on Gaetano Genovese to rebuild it in the neoclassical style. It was later acquired by the Bocconi brothers, who turned it into a department store before selling it in 1921 to the Società Magazzini Milanesi, which became La Rinascente. In 2008 La Rinascente shut down and the palace remained closed until 2011, when it became an H&M store.

Santi Pietro e Paolo dei Greci (Greek: Άγιοι Πέτρος και Παύλος των Ελλήνων, romanized: Ágioi Pétros kai Pávlos ton Ellínon, lit. 'Saints Peter and Paul of the Greeks') is a church at the Campania, the historic center of Naples, in Via San Tommaso d'Aquino 51. It was the center of the Scuola dei Greci in Naples and the Confraternity of the Greeks in Naples. Around this period there was a similar church in Venice called San Giorgio dei Greci. There was also a Greek Brotherhood of Venice. A prominent member of the Greek Brotherhood was famous painter Belisario Corenzio. The church was initially dedicated to the Twelve Apostles. They began building the church at the request of one of the descendants of the Byzantine Empire Thomas Asen Palaiologos. The church currently belongs to the Greek State.

The Palazzo della Casa del Mutilato (Palace of the House of the Mutilated) is a building, located on via Guantai Nuovi and via Diaz, in piazza Matteotti in Naples, Italy. It is an example of the Fascist architecture constructed during the rule of Benito Mussolini, just like the large convex-facade of the central post office building (Palazzo delle Poste) across the street. The Casa del Mutilato building was constructed from 1938 to 1940 for the Associazione Nazionale fra Mutilati ed Invalidi di Guerra (National Association of Soldiers Mutilated and Invalid from War). It was inaugurated after the start of the second world war. The building design was commissioned from Camillo Guerra. The predilection of the word Mutilato as opposed to invalidi (invalid) or feriti (wounded) or offeso (injured) is not lacking of connotation. It is true that amputation or unrepairable injuries were more common during the first world war than our present conflicts, and thus the residual observations of the wounded included "mutilated" individuals, however, there was a fascist attachment to Gabrielle D'Annunzio historical assessment of the results of the 1919 Paris Peace Conference for Italy as a Vittoria Mutilata (Mutilated victory), and that this idea fueled the rise of nationalism. Thus the term "mutilato" would have had more positive resonance to the followers of fascism. Multiple such Casa del Mutilato were established in Italy to service the thousands of wounded soldiers. The exterior is modern and stern in its predominance of stone. The entrance at the corner has a frame of stone panels, sculpted by Vico Consorti and Giuseppe Pellegrini. The atrium has a monumental entry staircase surmounted by a statue of Victory. The interior still contains decorations that recall the fascist party. Similar office buildings were built during the Mussolini era in Milan and Ravenna.

San Giacomo degli Spagnoli is a basilica church in Piazza Municipio in central Naples, Italy. The Renaissance church was enveloped in 1812 by the Palazzo San Giacomo built by King Ferdinand I of Bourbon when he built a central block of offices for the ministries of his government adjacent to the fortress of the Castel Nuovo. The Palazzo San Giacomo is now the municipio or city hall of Naples. Another church of San Giacomo degli Spagnoli is found in Rome. The original church was commissioned in 1540 by the Spanish viceroy Don Pedro Álvarez de Toledo, Marquis of Villafranca and associated with the adjacent hospital for the poor. The church was dedicated to St James, the patron saint of Spain, and designed by Ferdinando Manlio. The construction of the Palazzo San Giacomo did away with the facade, but retained the internal layout of three naves and a tall central ceiling. The interior still retains a number of monumental tombs, including for the viceroy Don Pedro de Toledo, his wife and son, sculpted in 1570 by Giovanni da Nola. Near the entrance are two sculptures by Francesco Cassano. In addition the tomb of Ferdinando Maiorca and his wife Porzia Coniglia in the apse was completed by Michelangelo Naccherino. The tomb of Alfonso Basurto, was carved by Annibale Caccavello and Giovanni Domenico D'Auria. The church was elevated to the status of basilica in 1911 but then suffered damage during the bombing of World War II. It is now rarely opened to the public.

Santa Maria della Carità (also called La Giorgia) is a church located on Piazza Carità in Naples, Italy.

The Palazzo San Giacomo, known as the Municipio (city hall) is a Neoclassical style palace in central Naples, Italy. It stands before the fortress of the Maschio Angioino, stradling the zones of Porto and San Ferdinando. It houses the mayor and the offices of the municipality of Naples. The entire office complex spans from largo de Castello to Via Toledo, along via di San Giacomo. In 1816, King Ferdinand I of the Two Sicilies commissioned the construction of a centralized building to house the various ministries of the government. The area for this palace was chosen, and the buildings therein were either demolished or incorporated including the monastery and church of the Concezione (once known as Santa Maria Fior delle Vergini), the Hospital of San Giacomo, and the offices of the Bank of San Giacomo. The church of San Giacomo degli Spagnoli was incorporated into the palace.The architects were Vincenzo Buonocore, Antonio De Simone, and Stefano Gasse. Work was only completed in 1825. In the atrium are two statues of Kings Ruggiero the Norman and Frederick of Swabia. The statues of the Bourbon Kings, Ferdinand I and Francesco I of the Two Sicilies, that once stood in niches here, were substituted by allegorical figures. The entry way also has a head from a bust which has been assigned to the mythical representative of Naples, the siren Parthenope.

The Palace of the Bank of Italy is a twentieth century monumental building in central Naples, Italy located in Via Cervantes.

The Palazzo delle Poste (Italian: "Post Office Palace") is located in Piazza Matteotti in central Naples. It is an example of architecture completed during the fascist government of Benito Mussolini. Another such example is the nearby Palazzo della Casa del Mutilato and the adjacent Palazzo della Questura (Police Headquarters) on via Medina. Just north and across the street on via Monteoliveto is the 16th-century Palazzo Orsini di Gravina. To make way for the building, houses from the rione of San Giuseppe-Carità were demolished in 1930. Construction began in 1928 under Costanzo Ciano, head of the Ministry of Communications; when finally completed in 1936, it was inaugurated by the then minister Antonio Stefano Benni. The design was by the Bolognese architect Giuseppe Vaccaro, and was influenced by the Rationalist style of Italian architecture promoted by Marcello Piacentini. The architect Gino Franzi modified and completed the final building. The design incorporated the adjacent cloister of Monteoliveto into the complex. On October 7, 1943, a few days after the Four Days of Naples, the Palazzo delle Poste suffered a violent explosion, leaving many people dead or wounded. It is thought that the building had been mined with timed fuses by the retreating German army.The attic now has a museum in honor of Vincenzo Tucci, a journalist for Il Mattino. In the lobby, which rises nearly the full height of the building, there is a sculpture dedicated to the "fallen" by Arturo Martini.

San Giorgio dei Genovesi (or San Giorgio alla Commedia Vecchia) is a church on Via Medina in the Center of Naples, Italy. It is adjacent and just north of the Church of the Santa Maria Incoronata, two doors south from the Palazzo d’Aquino di Caramanico, and across the street from the Church of the Pietà dei Turchini. The church was designed in the early 17th century based on designs by Bartolomeo Picchiatti. The original name derives from its attachment to the Genoese community in Naples. The interior is a Latin Cross plan with abundant stucco decoration and a cupola. The interior has a Caravaggesque painting of St Anthony resurrects a dead man by Battistello Caracciolo. The third chapel on right has frescoes (1770) by Giacomo Cestaro and a painting depicting St George slays the Dragon by Andrea da Salerno. The altar has a marble relief of Sant'Agostino of the 17th century Tuscan school. The facade of the church is simple. The alternate name indicates the church was built at the site of the Neapolitan Commedia dell'arte Theater of the Commedia Vecchia.

Sant'Anna dei Lombardi, (Italian: St. Anne of the Lombards), and also known as Santa Maria di Monte Oliveto, is an ancient church and convent located in piazza Monteoliveto in central Naples, Italy. Across Monteoliveto street from the Fountain in the square is the Renaissance palace of Orsini di Gravina.

The Palazzo della Questura (Police Headquarters) of Naples, Italy, is a building located on Via Medina and Via Armando Diaz. ALong Via Medina, it is located adjacent to the tall modern NH Ambassador hotel, and two doors north from the Baroque Palazzo Giordano. North of the Questura is the contemporary, and equally imposing, Palazzo delle Poste. The building is an example of Fascist architecture, built in 1935-1938 to be the new headquarters of the police. Work ceased in February, 1939, due to inability to obtain iron building materials, due to the re-arming of the country, and international embargoes, and inauguration delayed till 1940. The style is severe and monumental, imposing an unharmonious and somewhat bullying facade relative to older nearby buildings. The words QVESTVRA recall Latin script popular with fascists, seeking to associate a resurgent Italy with Roman past. Flanking the portal, there was originally two reliefs depicting the Kingdom of Italy and the fascist eagle. Both were replaced by the symbol of the Italian Republic, the broken wheel. There are still symbols such as fasces and eagles that remain as part of the integral decoration.