Ted Weiss Federal Building

287 Broadway is a historical building on the corner of Broadway at Reade Street in the Tribeca neighborhood of Lower Manhattan, New York City. Designed by John B. Snook in 1871 using cast-iron in mixed Italianate and French Second Empire style, it was completed in 1872 for the Stephen Storm estate. The landmark, which “graphically illustrates the transformation of lower Broadway in the 19th century from a residential boulevard into the city’s commercial center”, was leaning approximately 0.66 feet (0.20 m) by 2008.

Washington Hall (1809-1844) was a red brick building designed by John McComb Jr. located at the southeast corner of Broadway and Reade Street. It was built from 1809 to 1812 on the site of the African Burial Ground in what is now the Civic Center of Lower Manhattan in New York City. During its history, it served as a hotel, banquet hall, and restaurant at various times. It was originally owned by Dutch-American merchant John Gerard Coster. It served as an early meeting place and headquarters for the Washington Benevolent Society, a semi-secret association that was an electoral arm of the Federalist Party. On September 20, 1824, it was the site of a banquet for the Marquis de Lafayette as part of his 1824-1825 tour of the United States. In May 1826, Samuel Akerly gave an address here concerning the education of the students at the New York Institution for the Deaf and Dumb, which also served as a fundraiser for the school.In 1835, it was the location of the first meeting of the Saint Nicholas Society, which was founded by Washington Irving.Washington Hall became less prominent during the mid-19th century, as the oyster bar in its basement became more important than the hotel itself. The hotel burned down in July 1844 and Coster, the owner died the following month, at which point his heirs sold the property to A.T. Stewart. Stewart, in turn, would replace the ruins of Washington Hall with the original section of the A.T. Stewart Dry Goods Store, which, as of 2023, still stands to this day.

African Burial Ground National Monument is a monument at Duane Street and African Burial Ground Way (Elk Street) in the Civic Center section of Lower Manhattan, New York City. Its main building is the Ted Weiss Federal Building at 290 Broadway. The site contains the remains of more than 419 Africans buried during the late 17th and 18th centuries in a portion of what was the largest colonial-era cemetery for people of African descent, some free, most enslaved. Historians estimate there may have been as many as 10,000–20,000 burials in what was called the Negroes Burial Ground in the 1700s. The five to six acre site's excavation and study was called "the most important historic urban archaeological project in the United States." The Burial Ground site is New York's earliest known African-American cemetery; studies show an estimated 15,000 African American people were buried here.The discovery highlighted the forgotten history of enslaved Africans in colonial and federal New York City, who were integral to its development. By the American Revolutionary War, they constituted nearly a quarter of the population in the city. New York had the second-largest number of enslaved Africans in the nation after Charleston, South Carolina. Scholars and African-American civic activists joined to publicize the importance of the site and lobby for its preservation. The site was designated a National Historic Landmark in 1993 and a national monument in 2006 by President George W. Bush. In 2003 Congress appropriated funds for a memorial at the site and directed redesign of the federal courthouse to allow for this. A design competition attracted more than 60 proposals. The memorial was dedicated in 2007 to commemorate the role of Africans and African Americans in colonial and federal New York City, and in United States history. Several pieces of public art were also commissioned for the site. A visitor center opened in 2010 to provide interpretation of the site and African-American history in New York.

The Mutual Reserve Building, also known as the Langdon Building and 305 Broadway, is an office building at Broadway and Duane Street in the Tribeca neighborhood of Manhattan in New York City. The 13-story building, constructed between 1892 and 1894, was designed by William H. Hume and built by Richard Deeves, with Frederick H. Kindl as chief structural engineer. It is just east of the Civic Center of Manhattan, and carries the addresses 305–309 Broadway and 91–99 Duane Street. The Mutual Reserve Building was designed in a variant of the Romanesque Revival style inspired by the work of Henry Hobson Richardson. The building's articulation consists of three horizontal sections similar to the components of a column, namely a base, shaft, and capital. The facade is clad with granite and limestone, and includes arcades on its lower and upper stories, piers made of rusticated stone blocks, and decorative foliate motifs. The structure was one of the first in New York City to use a cage-like steel frame structure, an early version of the skyscraper. The Mutual Reserve Building was originally named for its main tenant, the Mutual Reserve Fund Life Association, and owned by the family of shipping magnate William Fletcher Weld. After the Mutual Reserve Association went bankrupt in 1909, 305 Broadway was renamed the Langdon Building, after the son of the owner. The Weld family sold the building in 1920, and through the rest of the century, the building's main tenants were in the publishing and paper industries, and it also served as the New York City Landmarks Preservation Commission's first long-term headquarters from 1967 to 1980. The Mutual Reserve Building is one of several extant life-insurance buildings on the southernmost section of Broadway, and was designated a New York City landmark in 2011.

Hall des Lumieres or Hall des Lumières is a digital art and event space located in the former Emigrant Savings Bank Building at 49 Chambers Street in the Civic Center neighborhood of Lower Manhattan in New York City. Rather than a series of traveling digital art shows, each exhibit in the space was created to fit the building's architecture.It opened in September 2022 with a show on Gustav Klimt, whose works date to the same era as the building in which it is housed. Subsequent exhibits included Chagall, Paris – New York, Kandinsky, The Odyssey of Abstraction, Hip Hop 'Til Infinity, Infinite Horizons and Destination Cosmos: The Immersive Space Experience in partnership with NASA.

49 Chambers, formerly known as the Emigrant Industrial Savings Bank Building and 51 Chambers Street, is a residential building at 49–51 Chambers Street in the Civic Center neighborhood of Manhattan in New York City. It was built between 1909 and 1912 and was designed by Raymond F. Almirall in the Beaux-Arts style. The building occupies a slightly irregular lot bounded by Chambers Street to the south, Elk Street to the east, and Reade Street to the north. 49 Chambers was the largest bank building in the United States upon its completion. It was the first skyscraper to use the "H" layout, which provided light and air to more parts of the building. The basement through second floor fill the entire lot, while the third through fifteenth floors contain the "H" layout and are designed to resemble a pair of towers. The facade is made largely of Indiana Limestone, as well as some brick and granite. Inside, the first and second floors constitute a former banking hall, used as an event space. The upper floors were used as offices before being converted to 99 residential condominiums. The current building is the third built by the Emigrant Savings Bank on the same site; the bank had previously erected structures in 1858 and 1885–1887. 49 Chambers' banking hall was occupied by the bank until 1969, while office tenants occupied the upper floors. The building was subsequently owned by the government of New York City until 2013, and it was converted to condominiums in 2017. 49 Chambers was added to the National Register of Historic Places in 1982, and both the exterior and the first floor interior were designated New York City landmarks in 1985.

The Lang School is a private, nonprofit, K-12 school for gifted and twice exceptional (2e) students located in New York City's Financial District. It was the first K-12 school to specialize in educating twice-exceptional (2e) students, though it later came to include (and currently does accept) a wider range of gifted students.

291 Broadway, also known as the East River Savings Bank Building, is a 19-story high-rise building located at 291 Broadway and Reade Street in the TriBeCa neighborhood of Lower Manhattan, New York City. Designed by the architecture firm Clinton and Russell, the building originally housed the former East River Savings Bank. It served as the YMCA national headquarters from 1949 to 1980, and also housed the YMCA Historical Library during this time. The YMCA sold the building in 1980 when it decided to move the YMCA National Council to Chicago.The building's design is inspired by Beaux-Arts architecture and the Historism style, and contains a light stone facade. Around the base of the building, carved columns and medallions add character, along with stone fencing along the roof.

280 Broadway – also known as the A.T. Stewart Dry Goods Store, the Marble Palace, and the Sun Building – is a historic building located between Chambers and Reade Streets in the Civic Center district of Manhattan, New York City. Built in 1845-1846, it was the first commercial building in the Italianate style in New York City, and is considered the site of one of the nation's first department stores. 280 Broadway was designed by John B. Snook of Joseph Trench & Company, with later additions by other architects. It was built for the A. T. Stewart Company, which opened New York's first department store in it. It later housed the original New York Sun newspaper (1833–1950) and is now the central offices for the New York City Department of Buildings.The building was declared a National Historic Landmark in 1965, and was designated a New York City landmark in 1986.

319 Broadway, also known as the Metropolitan Life Insurance Company Home Office, is a five-story office building on the corner of Broadway and Thomas Street in the Tribeca neighborhood of Manhattan, New York City. It is a cast-iron building in the Italianate architecture style, built in 1869–70 and designed by D. & J. Jardine. It is the lone survivor of a pair of buildings at 317 and 319 which were known as the "Thomas Twins". The cast iron for these mirror-twin buildings was provided by Daniel D. Badger's Architectural Iron Works. The building was designated a New York City landmark on August 29, 1989.

The Broadway–Chambers Building is an 18-story office building at 277 Broadway, on the northwest corner with Chambers Street, in the Civic Center and Tribeca neighborhoods of Manhattan in New York City. Completed by 1900 to designs by architect Cass Gilbert, the Broadway–Chambers Building was the first of several that Gilbert designed in the city. The Broadway–Chambers Building is designed in the Beaux-Arts style. The building's articulation consists of three horizontal sections similar to the components of a column, namely a base, shaft, and capital. Different materials are used in each horizontal section: granite on the base, brick on the shaft, and architectural terracotta on the capital. The Broadway–Chambers Building's design also incorporates one of Gilbert's trademarks, the extensive use of architectural sculpture on the cornice of the arcade at the top of the building, which includes the heads of lions and women. The building was constructed between 1899 and 1900. Several companies collaborated to create an exhibit about the construction of the building at the Paris Exposition of 1900. The Broadway–Chambers Building was made a New York City designated landmark in 1992.

The Broadway Theatre (September 27, 1847 – April 2, 1859), called the Old Broadway Theatre since its demise, was at 326–30 Broadway, between Pearl and Anthony (now Worth) Streets in Lower Manhattan, New York City. With over 4000 seats, it was the largest theater ever built in New York when it opened. During its brief existence, many prominent performers of the era appeared on its stage. It presented plays, opera, ballet, hippodrama, and circus performances in a space that was reconfigured several times. The operators always struggled to make money, however, and after twelve years the Broadway Theatre was replaced by a more profitable building, for the textile trade.