African Burial Ground National Monument

The Surrogate's Courthouse (also the Hall of Records and 31 Chambers Street) is a historic building at the northwest corner of Chambers and Centre Streets in the Civic Center of Manhattan in New York City. Completed in 1907, it was designed in the Beaux Arts style. John Rochester Thomas created the original plans while Arthur J. Horgan and Vincent J. Slattery oversaw the building's completion. The building faces City Hall Park and the Tweed Courthouse to the south and the Manhattan Municipal Building to the east. The Surrogate's Courthouse is a seven-story, steel-framed structure with a granite facade and elaborate marble interiors. The fireproof frame was designed to safely accommodate the city's paper records. The exterior is decorated with 54 sculptures by Philip Martiny and Henry Kirke Bush-Brown, as well as a three-story Corinthian order colonnade on Chambers and Reade Streets. The basement houses the New York City Municipal Archives. The fifth floor contains the New York Surrogate's Court for New York County, which handles probate and estate proceedings for the New York State Unified Court System. The Hall of Records building had been planned since the late 19th century to replace an outdated building in City Hall Park; plans for the current building were approved in 1897. Construction took place between 1899 and 1907, having been subject to several delays because of controversies over funding, sculptures, and Horgan and Slattery's involvement after Thomas's death in 1901. Renamed the Surrogate's Courthouse in 1962, the building has undergone few alterations over the years. The Surrogate's Courthouse is listed on the National Register of Historic Places as a National Historic Landmark, and its facade and interior are both New York City designated landmarks.

The Ted Weiss Federal Building, also known as the Foley Square Federal Building, is a 34-story United States Federal Building located at 290 Broadway in Foley Square in the Civic Center district of Lower Manhattan, New York City. The building, which is adjacent to the African Burial Ground National Monument's Outdoor Memorial, was opened in 1995. The building is named for Ted Weiss (1927–1992), who had been a Democratic member of the United States House of Representatives from New York. The building houses offices of the Internal Revenue Service, Environmental Protection Agency, and the General Accounting Office. Additionally, the National Park Service manages a Visitor Center to the African Burial Ground National Monument.The visitor center has bathrooms, water fountains, exhibits, a 20-minute park movie and a bookstore/giftshop. Exhibits examine topics including: archeology, colonial enslavement, and civic engagement.

The New York City Municipal Archives (NYCMA) is a division of the New York City Department of Records and Information Services, located in the Surrogate's Courthouse in Manhattan. Founded in 1950, the Municipal Archives preserves and makes accessible records created by the government of New York City (including the mayor's office, city agencies, the City Council, the Comptroller, borough presidents and the Public Advocate). The collections include manuscripts, sound recordings, film and tape footage, maps, blueprints, photographs and digital media.

Hall des Lumieres or Hall des Lumières is a digital art and event space located in the former Emigrant Savings Bank Building at 49 Chambers Street in the Civic Center neighborhood of Lower Manhattan in New York City. Rather than a series of traveling digital art shows, each exhibit in the space was created to fit the building's architecture.It opened in September 2022 with a show on Gustav Klimt, whose works date to the same era as the building in which it is housed. Subsequent exhibits included Chagall, Paris – New York, Kandinsky, The Odyssey of Abstraction, Hip Hop 'Til Infinity, Infinite Horizons and Destination Cosmos: The Immersive Space Experience in partnership with NASA.

The United States Court of International Trade (case citations: Int'l Trade or Intl. Trade) is a U.S. federal court that adjudicates civil actions arising out of U.S. customs and international trade laws. Seated in New York City, it exercises broad jurisdiction over most trade-related matters, and is permitted to hear and decide cases anywhere in the country, as well as abroad.The court originated with the Customs Administrative Act of 1890, which established the Board of General Appraisers as a quasi-judicial entity of the U.S. Treasury Department tasked with hearing disputes primarily concerning tariffs and import duties. In 1926, Congress replaced the Board with the United States Customs Court, an administrative tribunal with greater judicial functions, which in 1930 was made independent of the Treasury Department. In 1956, the U.S. Customs Court was reconstituted by Congress as an Article III tribunal, giving it the status and privileges of a federal court. The Customs Courts Act of 1980 established the U.S. Court of International Trade in its current form, granting it jurisdiction over all trade matters and conferring its judges with life tenure.The court's subject matter jurisdiction is limited to particular questions in international trade and customs law, though it may also decide any civil action against the U.S. government, its officers, or its agencies arising out of any law connected to international trade. As an Article III tribunal, the U.S. Court of International Trade can decide controversies in both law and equity, and is thus allowed to grant relief in virtually all means available, including money judgments, writs of mandamus, and preliminary or permanent injunctions. Led by a chief judge, the court is composed of nine judges who are appointed by the U.S. President and confirmed by the Senate. No more than five judges can be of the same political party. Cases are typically heard by just one judge, and the court operates on procedures and protocols drawn heavily from the Federal Rules of Civil Procedure.

The Jacob K. Javits Federal Office Building at 26 Federal Plaza on Foley Square in the Civic Center neighborhood of Manhattan, New York City houses many federal government agencies. At over 41 stories, it is the tallest federal building in the United States. It was built in 1963–69 and was designed by Alfred Easton Poor and Kahn & Jacobs, with Eggers & Higgins as associate architects. A western addition, first announced on "inadvertently acquired land" in 1965, was built in 1975–77 and was designed by Kahn & Jacobs, The Eggers Partnership and Poor & Swanke. The building is named for Jacob K. Javits, who served as a United States Senator from New York for 24 years, from 1957 to 1981. The building falls under the jurisdiction of the United States Federal Protective Service for any and all law enforcement and protection issues. To the east of the main building is the James L. Watson Court of International Trade Building.

49 Chambers, formerly known as the Emigrant Industrial Savings Bank Building and 51 Chambers Street, is a residential building at 49–51 Chambers Street in the Civic Center neighborhood of Manhattan in New York City. It was built between 1909 and 1912 and was designed by Raymond F. Almirall in the Beaux-Arts style. The building occupies a slightly irregular lot bounded by Chambers Street to the south, Elk Street to the east, and Reade Street to the north. 49 Chambers was the largest bank building in the United States upon its completion. It was the first skyscraper to use the "H" layout, which provided light and air to more parts of the building. The basement through second floor fill the entire lot, while the third through fifteenth floors contain the "H" layout and are designed to resemble a pair of towers. The facade is made largely of Indiana Limestone, as well as some brick and granite. Inside, the first and second floors constitute a former banking hall, used as an event space. The upper floors were used as offices before being converted to 99 residential condominiums. The current building is the third built by the Emigrant Savings Bank on the same site; the bank had previously erected structures in 1858 and 1885–1887. 49 Chambers' banking hall was occupied by the bank until 1969, while office tenants occupied the upper floors. The building was subsequently owned by the government of New York City until 2013, and it was converted to condominiums in 2017. 49 Chambers was added to the National Register of Historic Places in 1982, and both the exterior and the first floor interior were designated New York City landmarks in 1985.

Tilted Arc was a controversial public art installation by Richard Serra, displayed in Foley Federal Plaza in Manhattan from 1981 to 1989. The art work consisted of a 120-foot-long, 12-foot-high solid, unfinished plate of rust-covered COR-TEN steel. Advocates characterized it as an important work by a well-known artist that transformed the space and advanced the concept of sculpture, whereas critics focused on its perceived ugliness and saw it as ruining the site. Following an acrimonious public debate, the sculpture was removed in 1989 as the result of a federal lawsuit and has never been publicly displayed since, in accordance with the artist's wishes.

287 Broadway is a historical building on the corner of Broadway at Reade Street in the Tribeca neighborhood of Lower Manhattan, New York City. Designed by John B. Snook in 1871 using cast-iron in mixed Italianate and French Second Empire style, it was completed in 1872 for the Stephen Storm estate. The landmark, which “graphically illustrates the transformation of lower Broadway in the 19th century from a residential boulevard into the city’s commercial center”, was leaning approximately 0.66 feet (0.20 m) by 2008.

The Rotunda was a building that stood in City Hall Park in Lower Manhattan, New York City, from 1818 to 1870.

The Broadway Theatre (September 27, 1847 – April 2, 1859), called the Old Broadway Theatre since its demise, was at 326–30 Broadway, between Pearl and Anthony (now Worth) Streets in Lower Manhattan, New York City. With over 4000 seats, it was the largest theater ever built in New York when it opened. During its brief existence, many prominent performers of the era appeared on its stage. It presented plays, opera, ballet, hippodrama, and circus performances in a space that was reconfigured several times. The operators always struggled to make money, however, and after twelve years the Broadway Theatre was replaced by a more profitable building, for the textile trade.

Washington Hall (1809-1844) was a red brick building designed by John McComb Jr. located at the southeast corner of Broadway and Reade Street. It was built from 1809 to 1812 on the site of the African Burial Ground in what is now the Civic Center of Lower Manhattan in New York City. During its history, it served as a hotel, banquet hall, and restaurant at various times. It was originally owned by Dutch-American merchant John Gerard Coster. It served as an early meeting place and headquarters for the Washington Benevolent Society, a semi-secret association that was an electoral arm of the Federalist Party. On September 20, 1824, it was the site of a banquet for the Marquis de Lafayette as part of his 1824-1825 tour of the United States. In May 1826, Samuel Akerly gave an address here concerning the education of the students at the New York Institution for the Deaf and Dumb, which also served as a fundraiser for the school.In 1835, it was the location of the first meeting of the Saint Nicholas Society, which was founded by Washington Irving.Washington Hall became less prominent during the mid-19th century, as the oyster bar in its basement became more important than the hotel itself. The hotel burned down in July 1844 and Coster, the owner died the following month, at which point his heirs sold the property to A.T. Stewart. Stewart, in turn, would replace the ruins of Washington Hall with the original section of the A.T. Stewart Dry Goods Store, which, as of 2023, still stands to this day.