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Museo nazionale degli strumenti musicali

Italian museum stubsMuseums in RomeMusic museums in ItalyMusical instrument museums in ItalyNational museums of Italy
Museo degli strumenti musicali a Roma
Museo degli strumenti musicali a Roma

The National Museum of Musical Instruments is situated in the Palazzina Samoggia in Rome. The museum, owned by the MIBACT since December 2014 is one of 43 museums pertaining to the Polo museale del Lazio. The museum had 9,164 visitors in 2015.

Excerpt from the Wikipedia article Museo nazionale degli strumenti musicali (License: CC BY-SA 3.0, Authors, Images).

Museo nazionale degli strumenti musicali
Piazza di Santa Croce in Gerusalemme, Rome Municipio Roma I

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N 41.8889 ° E 12.5147 °
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Santa Croce in Gerusalemme

Piazza di Santa Croce in Gerusalemme
00182 Rome, Municipio Roma I
Lazio, Italy
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Museo degli strumenti musicali a Roma
Museo degli strumenti musicali a Roma
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Tomb of Eurysaces the Baker
Tomb of Eurysaces the Baker

The tomb of Marcus Vergilius Eurysaces the baker is one of the largest and best-preserved freedman funerary monuments in Rome. Its sculpted frieze is a classic example of the "plebeian style" in Roman sculpture. Eurysaces built the tomb for himself and perhaps also his wife Atistia around the end of the Republic (ca. 50–20 BC). Located in a prominent position just outside today's Porta Maggiore, the tomb was transformed by its incorporation into the Aurelian Wall; a tower subsequently erected by Honorius covered the tomb, the remains of which were exposed upon its removal by Gregory XVI in 1838. What is particularly significant about this extravagant tomb is that it was built by a freedman, a former slave. Three sides of the slightly trapezoidal structure remain largely intact. All have the same form, with over a plain lower storey, now mostly below ground level but exposed, a storey consisting of pairs of engaged columns between flat slabs, all crammed together with no space in between. The effect is far from the classical orders; at the corners the slabs turn to pilasters rising at the top level to unorthodox capitals combining scrolls at the sides with plant forms in the centre. There are unusual circular openings in the topmost storey, now thought to represent kneading-basins or grain-measuring vessels. Below a cornice is the frieze, with continuous scenes in relief showing the operation of the bakery where Eurysaces made what was evidently a considerable fortune. Reconstructions imagine a gently rising roof above this, now lost.

Temple of Minerva Medica (nymphaeum)
Temple of Minerva Medica (nymphaeum)

The Temple of Minerva Medica is a ruined nymphaeum of Imperial Rome which dates to the 4th century. It is located between the Via Labicana and Aurelian Walls and just inside the line of the Anio Vetus. Once part of the Horti Liciniani on the Esquiline Hill, it now faces the modern Via Giolitti. It was once thought to be the temple to Minerva Medica ("Minerva the Doctor") mentioned by Cicero and other sources. The decagonal structure in opus latericium is relatively well preserved, though the full dome collapsed in 1828. It is surrounded on three sides with other chambers added at a later date. There is no mention of it in ancient literature or inscriptions. The structure represents a transition in Roman secular architecture between the octagonal dining room of the Domus Aurea and the dome of the Pantheon, and the architecture of nearby Byzantine churches. The diameter of the hall was about 24 meters, and the height was 33 meters — important from the structural point of view, especially for the ribs in the dome. In the interior, there are nine niches besides the entrance; and above these are ten corresponding round-arched windows. Both the interior and exterior walls were once covered with marble.In Flavio Biondo's 15th-century Roma Instaurata, these ruins are called Le Galluzze, a name of uncertain meaning that had been applied earlier to some ruins near the basilica of Santa Croce in Gerusalemme. Its misidentification as the Republican-era temple dates to the 17th century, based on the incorrect impression that the Athena Giustiniani had been found there.