San Basilio agli Orti Sallustiani

The Teatro delle Quattro Fontane ('Theatre of the Four Fountains'), also known as the Teatro Barberini, was an opera theatre in Rome, Italy, designed (in part) by Gian Lorenzo Bernini and built in 1632 by the Barberini family. From 1632 to 1637 it was located in a large room inside the Palazzo Barberini at the Quattro Fontane. In 1639, it was moved to a new, free-standing building, northeast of the palace and adjacent to the garden. By 1830, the theatre had closed, and the building was used for other purposes. It was demolished in 1932.

Via Vittorio Veneto (Italian pronunciation: [ˈviːa vitˈtɔːrjo ˈvɛːneto]), colloquially called Via Veneto, is one of the most famous, elegant, and expensive streets of Rome, Italy. The street is named after the Battle of Vittorio Veneto (1918), a decisive Italian victory of World War I. Federico Fellini's classic 1960 film La Dolce Vita was mostly centered on the Via Veneto area.

The Capuchin Crypt is a small space comprising several tiny chapels located beneath the church of Santa Maria della Concezione dei Cappuccini on the Via Veneto near Piazza Barberini in Rome, Italy. It contains the skeletal remains of 3,700 bodies believed to be Capuchin friars buried by their order. The Catholic order insists that the display is not meant to be macabre, but a silent reminder of the swift passage of life on Earth and our own mortality.

Santa Maria della Concezione dei Cappuccini (Our Lady of the Conception of the Capuchins) is a Roman Catholic church located at Via Vittorio Veneto, 27, just north of the Piazza Barberini, in Rome, Italy. It was designed by architect Felice Antonio Casoni (1559-1634) and architect Michele da Bergamo (?-1641). Pope Urban VIII blessed its first stone on October 4, 1626, after which his Capuchin brother Cardinal Antonio Marcello Barberini began constructing it. Its first mass was held on September 8, 1630 and its construction was completed in 1631. It comprises a small nave and 10 side chapels.

Not be confused with the church of San Nicolò da Tolentino in Venice, the Basilica di San Nicola in the town of Tolentino in the province of Macerata, or the Oratorio di San Nicola da Tolentino in Vicenza.San Nicola da Tolentino agli Orti Sallustiani (Italian: Saint Nicholas of Tolentino in the Gardens of Sallust) is a church in Rome. It is referred to in both Melchiori's and Venuti's guides as San Niccolò di Tolentino, and in the latter it adds the suffix a Capo le Case. It is one of the two Roman national churches of Armenia. The church was built for the Discalced Augustinians in 1599, and originally dedicated to the 13th century Augustinian monk, Saint Nicholas of Tolentino (also called San Niccolò or Nicolò da Tolentino).

Fontana delle Api (Fountain of the Bees) is a fountain located in the Piazza Barberini in Rome where the Via Veneto enters the piazza. It was sculpted by Gian Lorenzo Bernini and completed in April 1644.

The Italian Numismatic Institute (Istituto italiano di numismatica) is an Italian body for the study of numismatics, based in Palazzo Barberini at 13 via Quattro Fontane.

The Palazzo Barberini (English: Barberini Palace) is a 17th-century palace in Rome, facing the Piazza Barberini in Rione Trevi. Today, it houses the Galleria Nazionale d'Arte Antica, the main national collection of older paintings in Rome.

Judith Beheading Holofernes is a painting of the biblical episode by Caravaggio, painted in c. 1598–1599 or 1602, in which the widow Judith stayed with the Assyrian general Holofernes in his tent after a banquet then decapitated him after he passed out drunk. The painting was rediscovered in 1950 and is part of the collection of the Galleria Nazionale d'Arte Antica in Rome. The exhibition 'Dentro Caravaggio' Palazzo Reale, Milan (Sept 2017-Jan 2018), suggests a date of 1602 on account of the use of light underlying sketches not seen in Caravaggio's early work but characteristic of his later works. The exhibition catalogue (Skira, 2018, p88) also cites biographer artist Giovanni Baglione's account that the work was commissioned by Genoa banker Ottavio Costa. A second painting on the exact same subject (see below) and dated to 1607, attributed by several experts to Caravaggio but still disputed by others, was rediscovered by chance in 2014 and went on sale in June 2019 as "Judith and Holofernes".

Narcissus is a painting by the Italian Baroque master Caravaggio, painted circa 1597–1599. It is housed in the Galleria Nazionale d'Arte Antica in Rome. The painting was originally attributed to Caravaggio by Roberto Longhi in 1916. This is one of only two known Caravaggios on a theme from Classical mythology, although this is due more to the accidents of survival than the artist's oeuvre. Narcissus, according to the poet Ovid in his Metamorphoses, is a handsome youth who falls in love with his own reflection. Unable to tear himself away, he dies of his passion, and even as he crosses the Styx continues to gaze at his reflection (Metamorphoses 3:339–510).The story of Narcissus was often referenced or retold in literature, for example, by Dante (Paradiso 3.18–19) and Petrarch (Canzoniere 45–46). The story was well known in the circles of such collectors in which Caravaggio was moving in this period, such as those of Cardinal Francesco Maria del Monte and the banker Vincenzo Giustiniani. Caravaggio's friend, the poet Giambattista Marino, wrote a description of Narcissus.The story of Narcissus was particularly appealing to artists according to the Renaissance theorist Leon Battista Alberti: "the inventor of painting ... was Narcissus ... What is painting but the act of embracing by means of art the surface of the pool?"Caravaggio painted an adolescent page wearing an elegant brocade doublet, leaning with both hands over the water, as he gazes at this own distorted reflection. The painting conveys an air of brooding melancholy: the figure of Narcissus is locked in a circle with his reflection, surrounded by darkness, so that the only reality is inside this self-regarding loop. The 16th century literary critic Tommaso Stigliani explained the contemporary thinking that the myth of Narcissus "clearly demonstrates the unhappy end of those who love their things too much."

The Galleria Nazionale d'Arte Antica or National Gallery of Ancient Art is an art museum in Rome, Italy. It is the principal national collection of older paintings in Rome – mostly from before 1800; it does not hold any antiquities. It has two sites: the Palazzo Barberini and the Palazzo Corsini.The Palazzo Barberini was designed for Pope Urban VIII, a member of the Barberini family, by the sixteenth-century architect Carlo Maderno on the old location of Villa Sforza. Its central salon ceiling was decorated by Pietro da Cortona with the visual panegyric of the Allegory of Divine Providence and Barberini Power.The Palazzo Corsini, formerly known as Palazzo Riario, is a fifteenth-century palace, rebuilt in the eighteenth century by the architect Ferdinando Fuga for Cardinal Neri Maria Corsini.

The Bust of Antonio Barberini is a portrait sculpture by the Italian artist Gian Lorenzo Bernini. The figure is Cardinal Antonio Barberini, the younger brother of the Pope Urban VIII. It was executed some time in the 1620s.