place

San Nicola da Tolentino agli Orti Sallustiani

Armenian Catholic Church in ItalyArmenian Catholic churchesBaroque architecture in RomeChurches of Rome (rione Trevi)Eastern Catholic church buildings in Italy
National churches in Rome
Facade (Saint Nicolas de Tolentino, Rome)
Facade (Saint Nicolas de Tolentino, Rome)

Not be confused with the church of San Nicolò da Tolentino in Venice, the Basilica di San Nicola in the town of Tolentino in the province of Macerata, or the Oratorio di San Nicola da Tolentino in Vicenza.San Nicola da Tolentino agli Orti Sallustiani (Italian: Saint Nicholas of Tolentino in the Gardens of Sallust) is a church in Rome. It is referred to in both Melchiori's and Venuti's guides as San Niccolò di Tolentino, and in the latter it adds the suffix a Capo le Case. It is one of the two Roman national churches of Armenia. The church was built for the Discalced Augustinians in 1599, and originally dedicated to the 13th century Augustinian monk, Saint Nicholas of Tolentino (also called San Niccolò or Nicolò da Tolentino).

Excerpt from the Wikipedia article San Nicola da Tolentino agli Orti Sallustiani (License: CC BY-SA 3.0, Authors, Images).

San Nicola da Tolentino agli Orti Sallustiani
Salita di San Nicola da Tolentino, Rome Municipio Roma I

Geographical coordinates (GPS) Address Nearby Places
placeShow on map

Wikipedia: San Nicola da Tolentino agli Orti SallustianiContinue reading on Wikipedia

Geographical coordinates (GPS)

Latitude Longitude
N 41.905277777778 ° E 12.491111111111 °
placeShow on map

Address

Pontificio Collegio Armeno a Roma

Salita di San Nicola da Tolentino 17
00187 Rome, Municipio Roma I
Lazio, Italy
mapOpen on Google Maps

Facade (Saint Nicolas de Tolentino, Rome)
Facade (Saint Nicolas de Tolentino, Rome)
Share experience

Nearby Places

Palazzo Margherita
Palazzo Margherita

Palazzo Margherita, formerly Palazzo Piombino, is a palazzo on Via Veneto in Rome. The usual name references Queen Margherita of Savoy, who lived there from 1900 to 1926. In 1885, the Boncompagni-Ludovisi family chose to sell their ancestral family home in response to a severe financial crisis. The Villa Ludovisi and most of its extensive grounds were sold in 1883 to a property developer, the Società Generale Immobiliare, which in 1885 divided the property into luxury building lots. The family retained a small portion of the original estate around the Casino di Villa Boncompagni Ludovisi (Villa Aurora), the only building from the original holdings that was not demolished. However, the Casino was not designed to be the primary family home of a noble family. The Palazzo Piombino was built from 1886 to 1890 by Gaetano Koch for Rodolfo Boncompagni Ludovisi, titular Prince of Piombino, as a new palace for the Boncompagni-Ludovisi family. It occupied one of the new developer lots at a prominent location along the Via Veneto, the new main road that developers had built through the former Villa property. The Boncompagni-Ludovisi family occupied the house for barely a decade before being forced to sell it in 1900 due to further economic difficulties, including some due to the high cost of the new palazzo itself. After the assassination of King Umberto I in Monza in 1900, his son and successor King Victor Emmanuel III purchased the palazzo from the family as a suitable residence for the newly widowed Queen Margherita, who took up residence in the palazzo on Christmas Day, 1900 for the remaining 26 years of her life. She remained active in public life in her roles as queen dowager and queen mother, and the building in which she lived become known as Palazzo Margherita. After her death, the building was divided into offices for the Mussolini government. In 1946, the US government purchased the palazzo from the Italian government, and it now houses the United States Embassy in Italy. The palazzo was extensively renovated between 1949 and 1952 to restore rooms to their earlier appearance, while also modernizing plumbing and heating systems and increasing office space. The palazzo is now protected both by Italian law for cultural heritage and by listing on the U.S. Department of State Register of Culturally Significant Property.

Narcissus (Caravaggio)
Narcissus (Caravaggio)

Narcissus is a painting by the Italian Baroque master Caravaggio, painted circa 1597–1599. It is housed in the Galleria Nazionale d'Arte Antica in Rome. The painting was originally attributed to Caravaggio by Roberto Longhi in 1916. This is one of only two known Caravaggios on a theme from Classical mythology, although this is due more to the accidents of survival than the artist's oeuvre. Narcissus, according to the poet Ovid in his Metamorphoses, is a handsome youth who falls in love with his own reflection. Unable to tear himself away, he dies of his passion, and even as he crosses the Styx continues to gaze at his reflection (Metamorphoses 3:339–510).The story of Narcissus was often referenced or retold in literature, for example, by Dante (Paradiso 3.18–19) and Petrarch (Canzoniere 45–46). The story was well known in the circles of such collectors in which Caravaggio was moving in this period, such as those of Cardinal Francesco Maria del Monte and the banker Vincenzo Giustiniani. Caravaggio's friend, the poet Giambattista Marino, wrote a description of Narcissus.The story of Narcissus was particularly appealing to artists according to the Renaissance theorist Leon Battista Alberti: "the inventor of painting ... was Narcissus ... What is painting but the act of embracing by means of art the surface of the pool?"Caravaggio painted an adolescent page wearing an elegant brocade doublet, leaning with both hands over the water, as he gazes at this own distorted reflection. The painting conveys an air of brooding melancholy: the figure of Narcissus is locked in a circle with his reflection, surrounded by darkness, so that the only reality is inside this self-regarding loop. The 16th century literary critic Tommaso Stigliani explained the contemporary thinking that the myth of Narcissus "clearly demonstrates the unhappy end of those who love their things too much."