Sant'Anastasia al Palatino

The Lupercal (from Latin lupa "female wolf") was a cave at the southwest foot of the Palatine Hill in Rome, located somewhere between the temple of Magna Mater and the Sant'Anastasia al Palatino. In the legend of the founding of Rome, Romulus and Remus were found there by the she-wolf who suckled them until they were rescued by the shepherd Faustulus. Luperci, the priests of Faunus, celebrated certain ceremonies of the Lupercalia at the cave, from the earliest days of the City until at least 494 AD.

The Temple of Apollo Palatinus ('Palatine Apollo') was a temple on the Palatine Hill of ancient Rome, which was first dedicated by Augustus to his patron god Apollo. It was only the second temple in Rome dedicated to the god, after the Temple of Apollo Sosianus. It was sited next to the Temple of Cybele. Prior to excavations in 1956, these remains were thought to belong to the Temple of Jupiter Victor.

The Arch of Octavius (Latin: Arcus Octavii) was a triumphal arch on the Palatine Hill in Rome. It formed part of the sanctuary of Apollo adjoining Augustus's residence. It formed one of the entrances to the Area Apollinis, on the south side, turned towards the Murcia valley. It was built at the same time as the rest of the sanctuary, around 28 BC. According to Pliny the Elder, Augustus also built the arch in honour of his father Gaius Octavius. It was decorated with statues of Apollo and Artemis by the Greek sculptor Lysias. It supported an aedicule ornamented with columns and bearing a statue dedicated to Gaius Octavius. This configuration seems to be unique in Rome.

The Temple of Juno Sospita ("Savior") was an ancient Roman temple on the Palatine Hill in Rome, possibly dating from as early as 338 BC.It was probably a term for a small shrine adjoining the Temple of the Magna Mater (recorded by Ovid), parts of which remain in Augustan-era opus reticulatum, although most of the remains belong to a Hadrianic restoration. A minority interpretation is that 'Temple of Juno Sospita' was another term for the Temple of the Magna Mater's auguraculum. If still in use by the 4th-and 5th century, it would have been closed during the persecution of pagans in the late Roman Empire.

The Temple of Cybele or Temple of Magna Mater was Rome's first and most important temple to the Magna Mater ("Great Mother"), who was known to the Greeks as Cybele. It was built to house a particular image or form of the goddess, a meteoric stone brought from Greek Asia Minor to Rome in 204 BC at the behest of an oracle and temporarily housed in the goddess of Victory's Palatine temple. The new temple was dedicated on 11 April 191 BC, and Magna Mater's first Megalesia festival was held on the temple's proscenium.The temple was sited on the high western slope of the Palatine, overlooking the valley of the Circus Maximus and facing the temple of Ceres on the slopes of the Aventine. It was accessible via a long upward flight of steps from the flattened area or proscenium below, where the goddess's festival games and plays were staged. The goddess's altar was visible both from the proscenium and the temple's interior. The original temple burned down in 111 BC, and was restored by one Metellus, possibly Gaius Caecilius Metellus Caprarius. It burned on a further two occasions in the early Imperial era, and was restored each time by Augustus; his second rebuilding was probably the more sumptuous of the two.The temple was 33.18 metres deep, and its frontage 17.10 metres wide, accessed by steps of the same width. It was built in the prostyle hexastyle of the Corinthian order. The whole was supported by a massively walled, stucco-faced podium of irregular, thickly mortared tufa and peperino. A coin of Faustina the Elder is thought to show the same temple, with curved roof and a flight of steps. At the top of the steps is a statue of Cybele enthroned, with a turreted crown and lion attendants. This is consistent with a colossal, fragmentary statue of the goddess, found within the temple precincts. The goddess' meteoric stone may have been kept on a pedestal within the temple cella; or incorporated into the face of a statue and set on a pediment. The temple pediment is shown on the Ara Pietatis relief, which represents Magna Mater in aniconic mode; her empty throne and crown are flanked by two figures of Attis reclining on tympanons; and by two lions who eat from bowls, as if tamed by the goddess' unseen presence.The temple remained in use until the late 4th century. It was destroyed in 394 AD, on the orders of Emperor Theodosius I during the Persecution of pagans in the late Roman Empire.

The Temple of Victory (Latin: templum Victoriae) is a temple on the Palatine Hill in Rome. It was dedicated to the Roman goddess of Victory. It is traditionally ascribed to Evander, but was actually built by Lucius Postumius Megellus out of fines he levied during his aedileship and dedicated by him on 1 August when consul in 294 BC. This temple was used to house Cybele's sacred stone between 204 BC and 191 BC, while her own nearby temple was still being built and Cato the Elder afterwards built a shrine of Victoria Virgo next to the temple of Victory. If still in use by the 4th-century, it would have been closed during the persecution of pagans in the late Roman Empire. It was in the Temple of Victory that the spoils of war from Roman victories were eventually deposited. Some of its notable contents came from the spoils of Titus from the Temple of Jerusalem which remained deposited in the Temple of Victory until it was looted by the Vandals in the 5th century and subsequently taken to Africa. The golden roof of the temple was also removed by the barbarians during their pillage of Rome. There is no record of any restoration of this temple and its exact site is still uncertain. See CJ 1920, 297, where Chase states that Boni identified this temple with foundations found near the arch of Titus. It was doubtless on the Clivus Victoriae, and remains of two dedicatory inscriptions. found about 50 metres west of the present church of San Teodoro, may indicate its position.

The Domus Transitoria was Roman emperor Nero's (r. 54 – 68) first palace damaged or destroyed by the Great Fire of Rome in 64 AD, and then extended by his Domus Aurea (or Golden House).

San Giorgio in Velabro is a church in Rome, Italy, dedicated to St. George. The church is located next to the Arch of Janus in the rione of Ripa in the ancient Roman Velabrum. According to the founding legend of Rome, the church was built where Roman history began: it is near here that the mythical she-wolf found the mythical babies, Romulus and Remus. The façade of the church encroaches upon and incorporates the ancient Arcus Argentariorum. San Giorgio in Velabro is the station church for the first Thursday in Lent.

The Arcus Argentariorum (Latin: Arch of the Money-Changers; in Italian: Arco degli Argentari), is an ancient Roman arch that was partly incorporated in the seventh century into the western wall of the nearby church of San Giorgio al Velabro in Rome, Italy.

The Arch of Janus is the only quadrifrons triumphal arch preserved in Rome. It was set up at a crossroads at the northeastern limit of the Forum Boarium, close to the Velabrum, over the Cloaca Maxima drain that went from the Forum to the River Tiber. It was built in the early 4th century CE, using spolia, i.e. material from earlier buildings, including bricks, together with pottery shards, and was covered with white marble, also from earlier buildings. The exact significance of the arch is poorly understood: it is thought to have been a boundary marker rather than a triumphal arch. An alternative view is that it was built to provide shelter for the traders at the Forum Boarium cattle market. Some researchers believe it was dedicated to Constantine I or Constantius II and was known as the Arch of the deified Constantine. It is 16 meters high and 12 meters wide. Each pier of the arch has two rows of three niches. It seems logical that statues would have filled these 48 niches but none has been identified. The stone at the apex of the central arch on the north side is thought to depict Minerva, although others believe it may be Palladium. Its current name probably dates from the Renaissance or later, and was not used to describe it in classical antiquity. The name is derived from the structure's four-fronted, four-arched configuration. The ancient Roman god Janus (Ianus Quadrifons), was sometimes depicted with four faces and there are Janus-related structures mentioned in historic descriptions of ancient Rome. In the Middle Ages, the Frangipane family transformed the building into a fortress, and so it survived intact until 1830. Then, the attic and top were torn down because they were erroneously believed to not belong to the original structure. However, there is a staircase within the north-west pier which would have given access to this top floor. Iron pins originally held together the marble blocks but were removed in the Middle Ages, leading to the monument's present pock-marked look. Fragments of the dedicatory inscription are still preserved inside the nearby church of San Giorgio in Velabro. The arch has not been accessible to the public since the explosion of a bomb in front of San Giorgio in Velabro, on the night of 27 July 1993. It is the one monument of the Forum Boarium that remains unrestored. The Arch of Malborghetto, just outside Rome, also includes the remnants of a former Roman quadrifons arch.

Campitelli is the 10th rione of Rome, identified by the initials R. X, and is located in the Municipio I. Its emblem consists of a black dragon's head on a white background. This symbol comes from the legend that Pope Silvester I threw out a dragon staying in the Forum Romanum.

The Palace of Domitian was built as Roman emperor Domitian's official residence in 81–92 AD and was used as such by subsequent emperors. Its remains sit atop and dominate the Palatine Hill in Rome, alongside other palaces. The Palace is a massive structure separated today into three areas, in part following the way business matters and private life were separated so they could be conducted in parallel. The modern names used for these parts are: the Domus Flavia the Domus Augustana the garden or "stadium".It has not been fully exposed as parts lie under more recent buildings. The palace was one of Domitian's many architectural projects, renovation of the Circus Maximus, renovation of the Pantheon, and three temples deifying his family members: the temple of Vespasian and Titus, the Porticus Diuorum, and the Temple of the gens Flavia.