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Palace of Domitian

Ancient palaces in RomeDomitianPalatine Hill
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The Palace of Domitian was built as Roman emperor Domitian's official residence in 81–92 AD and was used as such by subsequent emperors. Its remains sit atop and dominate the Palatine Hill in Rome, alongside other palaces. The Palace is a massive structure separated today into three areas, in part following the way business matters and private life were separated so they could be conducted in parallel. The modern names used for these parts are: the Domus Flavia the Domus Augustana the garden or "stadium".It has not been fully exposed as parts lie under more recent buildings. The palace was one of Domitian's many architectural projects, renovation of the Circus Maximus, renovation of the Pantheon, and three temples deifying his family members: the temple of Vespasian and Titus, the Porticus Diuorum, and the Temple of the gens Flavia.

Excerpt from the Wikipedia article Palace of Domitian (License: CC BY-SA 3.0, Authors, Images).

Palace of Domitian
Criptoportico Neroniano, Rome Municipio Roma I

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N 41.888761111111 ° E 12.486411111111 °
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Domus Flavia

Criptoportico Neroniano
00184 Rome, Municipio Roma I
Lazio, Italy
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Temple of Victory

The Temple of Victory (Latin: templum Victoriae) is a temple on the Palatine Hill in Rome. It was dedicated to the Roman goddess of Victory. It is traditionally ascribed to Evander, but was actually built by Lucius Postumius Megellus out of fines he levied during his aedileship and dedicated by him on 1 August when consul in 294 BC. This temple was used to house Cybele's sacred stone between 204 BC and 191 BC, while her own nearby temple was still being built and Cato the Elder afterwards built a shrine of Victoria Virgo next to the temple of Victory. If still in use by the 4th-century, it would have been closed during the persecution of pagans in the late Roman Empire. It was in the Temple of Victory that the spoils of war from Roman victories were eventually deposited. Some of its notable contents came from the spoils of Titus from the Temple of Jerusalem which remained deposited in the Temple of Victory until it was looted by the Vandals in the 5th century and subsequently taken to Africa. The golden roof of the temple was also removed by the barbarians during their pillage of Rome. There is no record of any restoration of this temple and its exact site is still uncertain. See CJ 1920, 297, where Chase states that Boni identified this temple with foundations found near the arch of Titus. It was doubtless on the Clivus Victoriae, and remains of two dedicatory inscriptions. found about 50 metres west of the present church of San Teodoro, may indicate its position.

Farnese Gardens
Farnese Gardens

The Farnese Gardens (Italian: Orti Farnesiani sul Palatino), or "Gardens of Farnese upon the Palatine", are a garden in Rome, central Italy, created in 1550 on the northern portion of Palatine Hill, by Cardinal Alessandro Farnese. They were the first private botanical gardens in Europe; the first botanical gardens of any kind in Europe were started by Italian universities in the mid-16th century, only a short time before. Alessandro Farnese was appointed Cardinal Deacon of the Roman Catholic Church in 1534 at the age of 14, by Paul III, his grandfather, who had been elected to the papacy two months previously. He is remembered for being an antiquarian who assembled the greatest collection of Roman sculpture assembled in private hands since antiquity, the famous Farnese Collection. In 1550, when Farnese acquired a northern portion of Palatine Hill (historically the oldest of Rome's seven hills) he had ruins from a Roman palace of Tiberius at the northwest end of the hill top filled in, and converted to a summer home. The site overlooks the Roman Forum and is near the Arch of Titus. The garden was divided into the classic style of quadrants with a well or a fountain at its centre, deriving from the design of the Roman peristilium palaces of the area, as re-created by the noted architect Vignola. The villa's design was first attributed to Michelangelo but later to Vignola and Rainaldi. The gardens were arranged in terraces. Steps from terrace to terrace ran past the Ninfeo della Piogga (a nymphaeum) to end in the Teatro del Fontanone. Aviaries were situated in the center Casina, which boasted frescoes. Walking paths at the base of the Domus Tiberiana included underground passages and ancient sculptures. Though little of the Farnese Gardens survives today, some remnant structures may be seen. The gardens became popular again in the 18th and 19th centuries as Grand Tour travelers visited Rome. From the name of these gardens is derived the name of the plant Acacia farnesiana and from its floral essence, the important biochemical farnesol.