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Temple of Victory

3rd-century BC religious buildings and structuresRoman temples by deityTemples on the PalatineVictory

The Temple of Victory (Latin: templum Victoriae) is a temple on the Palatine Hill in Rome. It was dedicated to the Roman goddess of Victory. It is traditionally ascribed to Evander, but was actually built by Lucius Postumius Megellus out of fines he levied during his aedileship and dedicated by him on 1 August when consul in 294 BC. This temple was used to house Cybele's sacred stone between 204 BC and 191 BC, while her own nearby temple was still being built and Cato the Elder afterwards built a shrine of Victoria Virgo next to the temple of Victory. If still in use by the 4th-century, it would have been closed during the persecution of pagans in the late Roman Empire. It was in the Temple of Victory that the spoils of war from Roman victories were eventually deposited. Some of its notable contents came from the spoils of Titus from the Temple of Jerusalem which remained deposited in the Temple of Victory until it was looted by the Vandals in the 5th century and subsequently taken to Africa. The golden roof of the temple was also removed by the barbarians during their pillage of Rome. There is no record of any restoration of this temple and its exact site is still uncertain. See CJ 1920, 297, where Chase states that Boni identified this temple with foundations found near the arch of Titus. It was doubtless on the Clivus Victoriae, and remains of two dedicatory inscriptions. found about 50 metres west of the present church of San Teodoro, may indicate its position.

Excerpt from the Wikipedia article Temple of Victory (License: CC BY-SA 3.0, Authors).

Temple of Victory
Clivus Victoriae, Rome Municipio Roma I

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N 41.889444 ° E 12.485111 °
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Clivus Victoriae
00184 Rome, Municipio Roma I
Lazio, Italy
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Temple of Cybele (Palatine)
Temple of Cybele (Palatine)

The Temple of Cybele or Temple of Magna Mater was Rome's first and most important temple to the Magna Mater ("Great Mother"), who was known to the Greeks as Cybele. It was built to house a particular image or form of the goddess, a meteoric stone brought from Greek Asia Minor to Rome in 204 BC at the behest of an oracle and temporarily housed in the goddess of Victory's Palatine temple. The new temple was dedicated on 11 April 191 BC, and Magna Mater's first Megalesia festival was held on the temple's proscenium.The temple was sited on the high western slope of the Palatine, overlooking the valley of the Circus Maximus and facing the temple of Ceres on the slopes of the Aventine. It was accessible via a long upward flight of steps from the flattened area or proscenium below, where the goddess's festival games and plays were staged. The goddess's altar was visible both from the proscenium and the temple's interior. The original temple burned down in 111 BC, and was restored by one Metellus, possibly Gaius Caecilius Metellus Caprarius. It burned on a further two occasions in the early Imperial era, and was restored each time by Augustus; his second rebuilding was probably the more sumptuous of the two.The temple was 33.18 metres deep, and its frontage 17.10 metres wide, accessed by steps of the same width. It was built in the prostyle hexastyle of the Corinthian order. The whole was supported by a massively walled, stucco-faced podium of irregular, thickly mortared tufa and peperino. A coin of Faustina the Elder is thought to show the same temple, with curved roof and a flight of steps. At the top of the steps is a statue of Cybele enthroned, with a turreted crown and lion attendants. This is consistent with a colossal, fragmentary statue of the goddess, found within the temple precincts. The goddess' meteoric stone may have been kept on a pedestal within the temple cella; or incorporated into the face of a statue and set on a pediment. The temple pediment is shown on the Ara Pietatis relief, which represents Magna Mater in aniconic mode; her empty throne and crown are flanked by two figures of Attis reclining on tympanons; and by two lions who eat from bowls, as if tamed by the goddess' unseen presence.The temple remained in use until the late 4th century. It was destroyed in 394 AD, on the orders of Emperor Theodosius I during the Persecution of pagans in the late Roman Empire.

Farnese Gardens
Farnese Gardens

The Farnese Gardens (Italian: Orti Farnesiani sul Palatino), or "Gardens of Farnese upon the Palatine", are a garden in Rome, central Italy, created in 1550 on the northern portion of Palatine Hill, by Cardinal Alessandro Farnese. They were the first private botanical gardens in Europe; the first botanical gardens of any kind in Europe were started by Italian universities in the mid-16th century, only a short time before. Alessandro Farnese was appointed Cardinal Deacon of the Roman Catholic Church in 1534 at the age of 14, by Paul III, his grandfather, who had been elected to the papacy two months previously. He is remembered for being an antiquarian who assembled the greatest collection of Roman sculpture assembled in private hands since antiquity, the famous Farnese Collection. In 1550, when Farnese acquired a northern portion of Palatine Hill (historically the oldest of Rome's seven hills) he had ruins from a Roman palace of Tiberius at the northwest end of the hill top filled in, and converted to a summer home. The site overlooks the Roman Forum and is near the Arch of Titus. The garden was divided into the classic style of quadrants with a well or a fountain at its centre, deriving from the design of the Roman peristilium palaces of the area, as re-created by the noted architect Vignola. The villa's design was first attributed to Michelangelo but later to Vignola and Rainaldi. The gardens were arranged in terraces. Steps from terrace to terrace ran past the Ninfeo della Piogga (a nymphaeum) to end in the Teatro del Fontanone. Aviaries were situated in the center Casina, which boasted frescoes. Walking paths at the base of the Domus Tiberiana included underground passages and ancient sculptures. Though little of the Farnese Gardens survives today, some remnant structures may be seen. The gardens became popular again in the 18th and 19th centuries as Grand Tour travelers visited Rome. From the name of these gardens is derived the name of the plant Acacia farnesiana and from its floral essence, the important biochemical farnesol.