Ca' da Mosto

The Palazzo Michiel Dalle Colonne is a Baroque style palace located on the northern bank of the Grand Canal in the sestiere of Cannaregio in Venice, Italy. It is one building south of the junction of Rio del Santissimi Apostoli with Grand Canal, next to the Palazzo Michiel del Brusà and across the Canal from the Rialto Mercato and the Campo della Pescaria. The palace is also referred to as Palazzo Michiel Dalle Colonne a Santa Sofia.

The Palazzo Civran is a Neoclassical style palace, located between the Campiello del Remer and the smaller Palazzo Perducci on the Grand Canal in the sestiere of Cannaregio in Venice, Italy. There is a separate Palazzo Civran Grimani on the Canal.

The Chiesa dei Santi Apostoli di Cristo (Church of the Holy Apostles of Christ), commonly called San Apostoli, is a 7th-century Roman Catholic church located in the Cannaregio sestiere of the Italian city of Venice. It is one of the oldest churches in the city and has undergone numerous changes since its foundation. The present building is the result of a major reconstruction project which was undertaken in 1575. The church is notable particularly for the Cornaro Chapel, an important example of Early Renaissance architecture, added by Mauro Codussi during the 1490s. The chapel is the burial place of several members of the powerful Cornaro family (Venetian: Corner), including Catherine Cornaro, Queen of Cyprus and Armenia. The church houses several works of art including pieces by Giambattista Tiepolo and Paolo Veronese.

Il Gobbo di Rialto (the Hunchback of the Rialto) is a marble statue of a hunchback found opposite the Church of San Giacomo di Rialto at the end of the Rialto in Venice. Sculpted by Pietro da Salò in the 16th century, the statue takes the form of a crouching, naked hunchback supporting a small flight of steps.

San Giacomo di Rialto is a church in the sestiere of San Polo, Venice, northern Italy. The addition of Rialto to the name distinguishes this church from its namesake San Giacomo dell'Orio found in the sestiere of Santa Croce, on the same side of the Grand Canal. It has a large 15th-century clock above the entrance, a useful item in the Venetian business district but regarded as a standing joke for its inaccuracy. The Gothic portico is one of the few surviving examples in Venice. It has a Latin cross plan with a central dome. Inside, the Veneto-Byzantine capitals on the six columns of ancient Greek marble date from the 11th century.

The Palazzo Ruzzini is 19th-century, neoclassic-style palace located between the Rio adjacent to the Fontego dei Tedeschi and the Casa Perducci and Palazzo Civran on the Grand Canal, in the Sestiere of Cannaregio, in the city of Venice, Italy. The central part of the facade is decorated with a trifora and quadrifora.

Palazzo dei Camerlenghi is a Renaissance palazzo in Venice, northern Italy, located in the sestiere (quarter) of San Polo. It faces the Canal Grande, adjacent to the Rialto Bridge.

Palazzo dei Dieci Savi is a palace on the Canal Grande, Venice, northern Italy. It is included in the sestiere (quarter) of San Polo, and is not far from the Rialto Bridge, on the opposite side from the Palazzo dei Camerlenghi. It was built in the first half of the 16th century, under design of Antonio Abbondi. It was the seat of the Dieci Savi alle Decime, the magistrates in charge of the finances of the Republic of Venice, maintaining this function until the end of the latter in 1797. Until 2014 it housed the city's water officers (Magistrato alle Acque).

San Giovanni Grisostomo (English: Saint John Chrysostom) is a small church in the sestiere or neighborhood of Cannaregio, Venice. The church was founded in 1080, destroyed by fire in 1475, then rebuilt starting in 1497 by Mauro Codussi and his son, Domenico. Construction was completed in 1525. The bell tower dates from the late 16th century. The interior is based on a Greek cross design. Behind the façade are hung two canvasses, formerly organ doors, by Giovanni Mansueti depicting Saints Onuphrius, Agatha, Andrew and John Chrysostom. Onuphrius was the co-titular patron saint who was revered by the confraternity of the Tentori (dyers of fabrics, covers, and sheets). In 1516, a relic of the saint, his finger, was donated to this church. The chapel on the right has the painting Saints Christopher, Jerome and Louis of Toulouse (1513) by Giovanni Bellini. On the left rear the chapel of the Rosary or Madonna della Grazie has an altarpiece of Saints John Chrysostom, John the Baptist, John the Evangelist, Theodore, Mary Magdalene, Lucy and Catherine by Sebastiano del Piombo, commissioned by Caterina Contarini. On the wall of the apse is a series of canvases on the life of Saint John Chrysostom and Christ. On the high altar is a relief of the Deposition from the Cross. To the left is the chapel built for Giacomo Bernabò, with sculptural design by Codussi. The marble altarpiece of the Coronation of the Virgin (1500–1502) was completed by Tullio Lombardo. Ceiling: God the Father, fresco by Giuseppe Diamantini.

The Fondaco dei Tedeschi (Venetian: Fòntego dei Todeschi, in literal English, "warehouse of the Germans") is a historic building in Venice, northern Italy, situated on the Grand Canal near the Rialto Bridge. It was the headquarters and restricted living quarters of the city's German (Tedeschi) merchants.

The Rialto is a central area of Venice, Italy, in the sestiere of San Polo. It is, and has been for many centuries, the financial and commercial heart of the city. Rialto is known for its prominent markets as well as for the monumental Rialto Bridge across the Grand Canal.

Santa Sofia is a church located in the sestiere (neighborhood) of Cannaregio in Venice, Italy. It should be distinguished from the palazzo Ca' d'Oro on the Grand Canal is also called the Palazzo Santa Sofia. A wooden church of Sant Sofia in Venice is documented in chronicles from 886 The church dates to initial patronage in the 11th century by the patrician family of the Gussoni. Construction began in 1020. It appears to have survived the great fire of 1105 in Venice. Major reconstruction took place from 1507 to 1534. The architect of a late-1600s reconstruction was Antonio Gaspari. With the construction of the Strada Nova in Venice in the 1800s, the church's length was diminished. Under Napoleonic rule, the rites in the church were suppressed. The church was converted into a warehouse, and the contents were dispersed. Fontana recounts how in 1836 the church was " redeem(ed) from the Israelites into whose hands it had fallen, and cleared of the debris. " In 1836, the church was re-consecrated for Roman Catholic services. Presently, the ground floor of the facade and bell tower of the church are screened behind a screen of buildings. The interior is less decorated than in the past. Originally a Last Supper by Paolo Veronese was located on the door leading to the Sacristy. Across from this canvas was a Birth of the Virgin by Titian. The main chapel had an altarpiece of Christ preaching to the Masses by Francesco da Ponte. Above the door, called that of St Peter, was a Crucifixion by Tintoretto. In the pulpit was a canvas by Domenico Tintoretto, depicting, the Marriage of the Virgin. On the organ covers were paintings of Adoration of the Shepherds attributed to Francesco and Leandro Bassano; these works are now attributed to Palma the Elder and are now in the Gallerie dell'Accademia of Venice. Other works included altarpieces by Gentile da Fabriano, Lionardo Corona, and Baldassare d'Anna. A Madonna and saints was painted by Giovanni Segala. The altarpiece of San Lorenzo Giustiniani was painted by Angelo Trevisani. A Baptism of Christ was painted by Daniele Heinz (Daniel Ens), brother of Joseph Ens.In the reduced size of the church after 1836 were housed a Madonna and Saints by Giovanni Battista Maganza; a St Anthony of Padua by Girolamo Brusaferro, a Christ in the Temple and an Adoration of the Magi by Leandro Bassano. In the small chapel beside the main door is a painting by Jacopo Palma the Elder. It also had an altarpieces by Pietro Moro. Likely most of these paintings were not originally in this church, nor have they been retained. Presently in this church are two paintings by Bassano's school: at the side of the presbytery, and a Baptism of Christ, now attributed to Girolamo Heinz, is now on the main altar. Four statues of saints, attributed to Antonio Rizzo, were relocated from the church of the Servi.