San Lio, Venice

Santa Maria della Fava, also originally known as Santa Maria della Consolazione, is an ancient Roman Catholic church in the sestiere of Castello in Venice, Italy. The suffix of della Fava (of the bean) attributed to the church, bridge and piazza has a number of attributed derivations. One explanation is that this area in Venice was used for the commerce of beans or the home of pastry shops for bean cake. A more colorful legend, perhaps for consumption of tourists, is that a man smuggling salt and beans was apprehended at the site, but when he kneeled before a local icon of the Madonna painted on a wall of Ca' Dolce, the salt from his bag disappeared, and thus he escaped imprisonment. The church then was built to house the miraculous icon. Finally, the church may have been endowed by the Fava family from Ferrara. The original church at the site was completed by 1500. While by 1662, it was under the jurisdiction of the Procuratoria of St Mark, it later was under the order of Saint Phillip Neri. The reconstructed, but unfinished, church we see today was designed by Antonio Gaspari in 1711, while the apse and presbytery (1750) were completed by Giorgio Massari. The interior of the church has a famous altarpiece of Saint Anne, Young Mary, and Saint Gioacchino, (1732) by Tiepolo. It also houses a Virgin with St Phillip Neri by Piazzetta. A series of statues of Saints and Evangelists were carved by Giuseppe Bernardi. Flanking the altar, which was designed by Massari are two angels by Giovanni Maria Morlaiter.

Ponte dei Bareteri is a bridge in Venice, Italy. It is named after manufacturers of caps (barète in Venetian dialect) which were common in the area. The original bridge was wood, replaced by stone in 1508. Both balustrades were restored between 2006 and 2007.

Campo San Bartolomeo is a city square in Venice, Italy.

The Chiesa di San Giuliano (St Julian), commonly called San Zulian in the Venetian dialect, is a church in Venice. San Zulian is in the parish of San Salvador. It is situated on the Merceria, the main shopping street of the city. Originally a structure from the 9th century; it underwent a number of reconstructions, including likely after the 1105 fire of the neighborhood. The façade was constructed in 1553-1554 by Jacopo Sansovino, and completed after his death in 1570 by Alessandro Vittoria. The flattened classical temple façade was paid for by the scholar Tommaso Rangone, whose bronze seated portrait appears above the door. In his hands, the physician Rangone holds sarsaparilla and guaiacum, two plants which he used to treat syphilis and yellow fever. The reliefs also depict a map of the world as was known at his death. As befitting his broad-ranging interests in classic texts, the flanking inscriptions are in Latin (center), Greek (right) and Hebrew (left) text. The interior was also designed by Sansovino, and the church consecrated in 1580.

Santa Maria dei Miracoli is a church in the sestiere of Cannaregio, in Venice, Italy.

Santa Croce degli Armeni or Holy Cross Armenian Church is a church in Venice, on Calle dei Armeni, near St Mark's Basilica. It is the national church of the Armenian community in Venice.

San Giovanni Grisostomo (English: Saint John Chrysostom) is a small church in the sestiere or neighborhood of Cannaregio, Venice. The church was founded in 1080, destroyed by fire in 1475, then rebuilt starting in 1497 by Mauro Codussi and his son, Domenico. Construction was completed in 1525. The bell tower dates from the late 16th century. The interior is based on a Greek cross design. Behind the façade are hung two canvasses, formerly organ doors, by Giovanni Mansueti depicting Saints Onuphrius, Agatha, Andrew and John Chrysostom. Onuphrius was the co-titular patron saint who was revered by the confraternity of the Tentori (dyers of fabrics, covers, and sheets). In 1516, a relic of the saint, his finger, was donated to this church. The chapel on the right has the painting Saints Christopher, Jerome and Louis of Toulouse (1513) by Giovanni Bellini. On the left rear the chapel of the Rosary or Madonna della Grazie has an altarpiece of Saints John Chrysostom, John the Baptist, John the Evangelist, Theodore, Mary Magdalene, Lucy and Catherine by Sebastiano del Piombo, commissioned by Caterina Contarini. On the wall of the apse is a series of canvases on the life of Saint John Chrysostom and Christ. On the high altar is a relief of the Deposition from the Cross. To the left is the chapel built for Giacomo Bernabò, with sculptural design by Codussi. The marble altarpiece of the Coronation of the Virgin (1500–1502) was completed by Tullio Lombardo. Ceiling: God the Father, fresco by Giuseppe Diamantini.

San Bartolomeo (Saint Bartholomew) is a church in Venice, Italy. It is near the Rialto Bridge in the sestiere (district) of San Marco.

Campo Santa Maria Formosa is a city square in the Castello district of Venice, Italy.

The Chiesa di San Salvatore (of the Holy Savior) is a church in Venice, northern Italy. Known in Venetian as San Salvador, is located on the Campo San Salvador, along the Merceria, the main shopping street of Venice. The church was first consecrated in 1177 by Pope Alexander III shortly after his reconciliation with Emperor Frederick Barbarossa at nearby San Marco. The present church, however, was begun in around 1508 by Giorgio Spavento and continued after his death the following year by Tullio Lombardo, Vincenzo Scamozzi and possibly Jacopo Sansovino. They built a large hall church, formed from three Greek crosses placed end to end. Each has a dome with a lantern to let light into the cavernous interior. The facade was added in 1663 by Giuseppe Sardi. Adjoining the church is the former monastery, now the offices of the telephone company, which still contain Sansovino's magnificent cloisters. San Salvador is the parish church of a parish in the Vicariate of San Marco-Castello. Other churches in the parish are San Bartolomeo and San Zulian. San Salvador is a small, but still-active religious, cultural and social centre.Below the left column on the facade there is a cannonball embedded in the base of the column. It derived from a bombardment in 1849 by Austrian forces in the port of Marghera, of the independent republic which had been proclaimed by Daniele Manin.

The Fondaco dei Tedeschi (Venetian: Fòntego dei Todeschi, in literal English, "warehouse of the Germans") is a historic building in Venice, northern Italy, situated on the Grand Canal near the Rialto Bridge. It was the headquarters and restricted living quarters of the city's German (Tedeschi) merchants.

The Palazzo Ruzzini is 19th-century, neoclassic-style palace located between the Rio adjacent to the Fontego dei Tedeschi and the Casa Perducci and Palazzo Civran on the Grand Canal, in the Sestiere of Cannaregio, in the city of Venice, Italy. The central part of the facade is decorated with a trifora and quadrifora.