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Art in General

1981 establishments in the United StatesArt galleries established in 1981Art museums and galleries in ManhattanContemporary art galleries in the United StatesCulture of New York City
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Art in General was a non-profit contemporary art exhibition space known for its vibrant and ground-breaking projects as a formidable and longstanding New York City alternative space, focused on giving meaningful resources and opportunities to artists early on in their careers. Founded in 1981 by artists Martin Weinstein and Teresa Liszka and originally located in the General Hardware building in New York City — hence the organization's name, Art in General — the institution produced and presented distinctive programs and exhibitions featuring new work by local and international artists.[1] Since its first exhibition in 1982, Art in General provided spaces for artists to display unconventional work and exchange ideas with their peers for almost 40 years, making it one of the longest-standing artist-founded non-profit artist organizations in New York City. Art in General organized exhibitions; commissions new art projects; hosted national and international artist residency programs; and facilitated regular free public programs with renowned artists, critics and curators. More than 2,000 artists exhibited their work at Art in General in a wide range of disciplines—painting, sculpture, drawing, photography, installation art, audio, video art, performance art and new media art.

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Art in General
Walker Street, New York Manhattan

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N 40.718097222222 ° E -74.001844444444 °
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Walker Street 81
10013 New York, Manhattan
New York, United States
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254–260 Canal Street
254–260 Canal Street

254–260 Canal Street, also known as the Bruce Building, is a building on the corner of Lafayette Street in the Chinatown neighborhood of Manhattan, New York City. It was constructed in 1856–57 and designed in the Italian Renaissance revival style. The cast-iron elements of the facade may have been provided by James Bogardus, a pioneer in the use of cast iron in architecture. The building was constructed for George Bruce, a prosperous printer and inventor of new technologies in the printing industry, which was then one of New York's leading industries. It was converted to offices in 1987 by architect Jack L. Gordon.The use of cast-iron columns in the large, five-story tall building allowed for the installation of large windows that improved manufacturing conditions and efficiency. The lot had become available because a lumber mill standing on the site had recently been destroyed by fire, making fire-retardant cast-iron construction attractive. The mildly Italianate style of the building, makes it a particularly handsome example of nineteenth century industrial architecture. It has been called "Beautiful!" and "an important early example of cast-iron architecture in New York City". If the cast iron did in fact come from Bogardus' iron works, the building would be "the largest and most important of his extant works."The building was designated a New York City landmark in 1985, and was added to the National Register of Historic Places in 2006.