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Firehouse, Engine Company 31

1895 establishments in New York (state)Defunct fire stations in New York (state)Fire stations completed in 1895Fire stations in New York CityFire stations on the National Register of Historic Places in New York (state)
Government buildings on the National Register of Historic Places in ManhattanManhattan Registered Historic Place stubsManhattan building and structure stubsNew York City Designated Landmarks in Manhattan
DCTV DN firehouse 800x600
DCTV DN firehouse 800x600

Firehouse, Engine Company 31 is a historic fire station located at 87 Lafayette Street between Walker and White Streets in the Civic Center neighborhood of Manhattan, New York City. It was built in 1895 and designed by architects Napoleon LeBrun & Sons, who built it in the style of chateau in the Loire Valley of France from the early 16th-century.The building was designated a New York City Landmark in 1966 and added to the National Register of Historic Places in 1972. The fire department vacated the building in November 1972, and it is currently occupied by the Downtown Community Television Center (DCTV).

Excerpt from the Wikipedia article Firehouse, Engine Company 31 (License: CC BY-SA 3.0, Authors, Images).

Firehouse, Engine Company 31
White Street, New York Manhattan

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Latitude Longitude
N 40.717222222222 ° E -74.001388888889 °
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Address

White Street 101
10013 New York, Manhattan
New York, United States
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Centre Street (Manhattan)
Centre Street (Manhattan)

Centre Street is a north–south street in the New York City borough of Manhattan, running through the Civic Center, Chinatown, and Little Italy neighborhoods of Lower Manhattan. It connects Park Row to the south with Spring Street to the north, where it merges with Lafayette Street. Centre Street carries northbound traffic north of Reade Street and two-way traffic between Reade Street and the Brooklyn Bridge. As late as 1821, there was no Centre Street. The area was previously occupied by the Collect Pond, a body of fresh water that was the nascent city's primary supply of drinking water, covering approximately 48 acres (190,000 m2) and running as deep as 50 feet (15 m). The pond was located just north of today's Foley Square and just west of modern Chinatown. It had been drained and the new street grid built over it a decade earlier. However, there was no street built between Pearl and Reade Streets. Cross Street (which came over from the nearby area that would several years later be dubbed the "Five Points") ran all the way through to Reade, and a single block ran from Reade to Chambers, and afterwards turned east and ran into Chatham Street (future Park Row). In the previous century, this block, then ending at the Collect Pond, was labeled "Potter's Hill". North of Pearl Street, a separate street occupying the alignment was called "Collect Street". By 1828, it would be renamed Centre Street, but still end at Pearl from the north. As late as 1836, one map would still show this arrangement, but in another the full alignment would be in place.In colloquial usage, "Centre Street" may refer to the several courts or government offices along the street in the vicinity of Foley Square. 1 Centre Street is the Manhattan Municipal Building, 40 Centre Street is the Thurgood Marshall United States Courthouse (home of the United States Court of Appeals for the Second Circuit), 60 and 80 Centre Street are the civil division of the New York County Supreme Court, and 100 Centre Street is the criminal division of the New York County Supreme Court. That courthouse lent its address to a short-lived TV show of the same name. The courthouse is also home to the office of the Manhattan District Attorney, although its entrance is at 1 Hogan Place. 111 Centre Street is the New York City Civil Court. The New York City Department of Health and Mental Hygiene is at 125 Worth Street, at the corner of Centre Street. Farther north, 240 Centre Street was the headquarters of the New York Police Department from 1909 until 1973, although that building is now residential. Additionally, the Museum of Chinese in America is located at 215 Centre Street, in Chinatown.The northbound M1 runs on Centre Street between Grand Street and Lafayette Street. The BMT Nassau Street Line runs under Centre Street south of Kenmare Street, stopping at Canal Street and Chambers Street.

254–260 Canal Street
254–260 Canal Street

254–260 Canal Street, also known as the Bruce Building, is a building on the corner of Lafayette Street in the Chinatown neighborhood of Manhattan, New York City. It was constructed in 1856–57 and designed in the Italian Renaissance revival style. The cast-iron elements of the facade may have been provided by James Bogardus, a pioneer in the use of cast iron in architecture. The building was constructed for George Bruce, a prosperous printer and inventor of new technologies in the printing industry, which was then one of New York's leading industries. It was converted to offices in 1987 by architect Jack L. Gordon.The use of cast-iron columns in the large, five-story tall building allowed for the installation of large windows that improved manufacturing conditions and efficiency. The lot had become available because a lumber mill standing on the site had recently been destroyed by fire, making fire-retardant cast-iron construction attractive. The mildly Italianate style of the building, makes it a particularly handsome example of nineteenth century industrial architecture. It has been called "Beautiful!" and "an important early example of cast-iron architecture in New York City". If the cast iron did in fact come from Bogardus' iron works, the building would be "the largest and most important of his extant works."The building was designated a New York City landmark in 1985, and was added to the National Register of Historic Places in 2006.

Postmasters Gallery

Postmasters is a contemporary art gallery located in Manhattan's Tribeca neighborhood, owned and directed by Magda Sawon and Tamas Banovich. The Postmasters gallery opened in the East Village in December 1984, moved to SoHo in 1989, and relocated to Chelsea in September 1998. In June 2013 Postmasters moved to 54 Franklin Street in Tribeca, taking over a 4,500-square-foot (420 m2) ground-floor space complete with large functional basement.The gallery has a history of exhibiting work in media that is challenging for a commercial art gallery, including the work of several Net.artists and political activists. For example, Maciej Wisniewski's media-rich e-mail software Netomat was exhibited as an artwork at the gallery in 1999 before being exhibited at the Whitney Museum of Art in 2000. The gallery's decision to exhibit software as an art form engages the Marshall McLuhan-coined concept "The medium is the message" by updating it with Wisnieski's belief that the artist's role is to challenge the existing notion of software development and distribution.' And in May 2010, Chatroulette became both medium and subject for artists Eva & Franco Mattes AKA 0100101110101101.ORG.On September 6, 2001, German-born artist Wolfgang Staehle, installed three live-feed video projections in the gallery, one of which was a panoramic view of Lower Manhattan, which would remain on view for the rest of the month. The feed captured the terrorist attacks of September 11th, transforming a fixed image of the city into what the art critic Roberta Smith of The New York Times called "a live history painting." In 2007, Hong Kong-based artist and Internet activist Kenneth Tin-Kin Hung exhibited a video critical of the George W. Bush Administration entitled "Because Washington Is Hollywood for Ugly People".On occasion, Sawon has allowed artists to direct the public's attention to her own role as an art dealer. In 1992 the gallery hosted an exhibition of work by Silvia Kolbowski that featured posters of the gallery itself. In an event called "Ask the Dealer," during the month-long Hashtag Class series at Winkleman Gallery in 2010, Sawon promised to truthfully answer any question asked of her regarding her experience as a gallerist.