Sant'Angelo in Pescheria

The Porticus Octaviae (Portico of Octavia; Italian: Portico di Ottavia) is an ancient structure in Rome. The colonnaded walks of the portico enclosed the temples of Jupiter Stator and Juno Regina, as well as a library. The structure was used as a fish market from the medieval period up to the end of 19th century.

Sant'Ambrogio della Massima (also Sant'Ambrogio alla Massima) is a Roman Catholic church in rione Sant'Angelo, Rome, Italy, that perhaps dates to the 4th century. It was a convent until it became the subject of a Vatican investigation in the 19th century, when it was disbanded and repurposed as a missionary college and later an abbey church. It is said to have been associated with Saint Ambrose.

The Jewish Museum of Rome (Italian: Museo Ebraico di Roma) is situated in the basement of the Great Synagogue of Rome and offers both information on the Jewish presence in Rome since the second century BCE and a large collection of works of art produced by the Jewish community. A visit to the museum includes a guided tour of the Great Synagogue and of the smaller Spanish Synagogue (Italian: Tempio Spagnolo) in the same complex.

Santa Maria in Campitelli or Santa Maria in Portico is a church dedicated to the Virgin Mary on the narrow Piazza di Campitelli in Rione Sant'Angelo, Rome, Italy.

The Temple of Jupiter Stator ("Jupiter the Sustainer") was a temple of Ancient Rome in the southern Campus Martius. It was destroyed in 64 AD in the Great Fire of Rome.The Temple was named after the god Jupiter, in his form of Jupiter Stator (Jupiter the Sustainer). Together with the Temple of Juno Regina (Juno in the form of "Queen Juno") and the enclosing Porticus Metelli (later rebuilt as the Porticus Octaviae), it was built by Quintus Caecilius Metellus Macedonicus after his triumph, in 146 BC. It is referred to as aedes Iovis Metellina and aedes Metelli. It was inside the porticus Metelli, close to the Circus Flaminius, and its exact site is known to have been beneath the church of Santa Maria in Campitelli. The Temple of Juno Regina was just west of it, on the opposite side of the Via della Tribuna di Campitelli. It is not stated in explicitly by Velleius that Metellus built both temples, but that is the natural inference from the passage. He is also said to have been the first to build a temple in Rome entirely of marble, and which probably applies to both structures. In front of the temples Metellus placed Lysippus' equestrian statues of Alexander the Great's generals, and in them were several famous works of art. According to Vitruvius (iii.2.5), the Temple of Jupiter was the work of Hermodorus of Salamis. It was a Hexastyle peripteral building with six columns along the short sides and eleven on the long sides. The space between the columns was equal to that between the columns and the wall of the cella. As there were no inscriptions on the temples and evidently representations of a lizard and a frog among the decorations (σαύρα, βάτραχος), the legend arose that the architects were two Spartans, Saurus and Batrachus and that as the decorations in the temple of Jupiter belonged to that of Juno and vice versa, the statues of the deities had been set up in the wrong cellae by the mistake of the workmen. The idea that an Ionic capital, now in S. Lorenzo fuori le Mura, has anything to do with the temples has generally been abandoned.In 64 AD, the Great Fire of Rome ravaged much of the city, completely devastating three of and partially destroying seven of the city's fourteen districts. The Temple of Jupiter Stator was completely destroyed, along with the House of the Vestals, the Domus Transitoria (Nero's first palace), the Temple of Luna, and much of Rome.

The Great Synagogue of Rome (Italian: Tempio Maggiore di Roma) is the largest synagogue in Rome.

The Albertoni Spinola Palace, with entrances in Campitelli square n. 2, Capizucchi square and vicolo Capizucchi is located in the 10th District (Rione Campitelli). It was projected and executed by Giacomo Della Porta and Girolamo Rainaldi around the end of 16th century and the first years of 17th century. The building is protected by Italian Government and the distinctive feature of Palace consist in two buildings connected to each other but perfectly integrated that have generated the visual effect of the perspective on the Church of Santa Maria in Campitelli.

The Great Synagogue of Rome attack, which was carried out by armed Palestinian terrorists at the entrance to the Great Synagogue of Rome, took place on 9 October 1982 at 11:55 a.m. A 2-year-old toddler, Stefano Gaj Taché, was killed in the attack, while 37 civilians were injured.

Sant'Angelo is the 11th rione of Rome, Italy, located in Municipio I. Often written as rione XI - Sant'Angelo, it has a coat of arms with an angel on a red background, holding a palm branch in its left hand. In another version, the angel holds a sword in its right hand and a scale in its left.Sant'Angelo, the smallest of Rome's rioni, lies along the Tiber river east of Tiber Island. Rioni bordering this district, clockwise from north to south, include Regola, Sant'Eustachio, Pigna, Campitelli, and Ripa. Sant'Angelo's western border is the river. The rione's terrain is low and flat and, until the construction of the Lungotevere, particularly susceptible to flooding from the river. The historical significance of Sant'Angelo is mainly the result of the presence here of the Roman Ghetto.

The Theatre of Marcellus (Latin: Theatrum Marcelli, Italian: Teatro di Marcello) is an ancient open-air theatre in Rome, Italy, built in the closing years of the Roman Republic. At the theatre, locals and visitors alike were able to watch performances of drama and song. Today its ancient edifice in the rione of Sant'Angelo, Rome, once again provides one of the city's many popular spectacles or tourist sites. Space for the theatre was cleared by Julius Caesar, who was murdered before its construction could begin; the theatre was advanced enough by 17 BC that part of the celebration of the ludi saeculares took place within the theatre; it was completed in 13 BC and formally inaugurated in 12 BC by Augustus, named after his nephew Marcus Claudius Marcellus who had died in 23 BC. The theatre was 111 m in diameter and was the largest and most important theatre in Ancient Rome; it could originally hold between 11,000 and 20,000 spectators. A catalogue complied at the end of the 4th century recorded that the theatre's seating capacity was 17,580 persons. It was an impressive example of what was to become one of the most pervasive urban architectural forms of the Roman world. The theatre was built mainly of tuff, and concrete faced with stones in the pattern known as opus reticulatum, completely sheathed in white travertine. However, it is also the earliest dateable building in Rome to make use of fired Roman brick, then a new introduction from the Greek world.The network of arches, corridors, tunnels and ramps that gave access to the interiors of such Roman theatres were normally ornamented with a screen of engaged columns in Greek orders: Doric at the base, Ionic in the middle. It is believed that Corinthian columns were used for the upper level but this is uncertain as the theatre was reconstructed in the Middle Ages, removing the top tier of seating and the columns.Like other Roman theatres in suitable locations, it had openings through which the natural setting could be seen, in this case the Tiber Island to the southwest. The permanent setting, the scaena, also rose to the top of the cavea as in other Roman theatres. The theatre fell out of use in the early 4th century and the structure served as a quarry, e.g., for the Pons Cestius in 370 AD. However, the statues located inside the building were restored by Petronius Maximus in 421 and the remaining structure still housed small residential buildings. In the Early Middle Ages the theatre was used as a fortress of the roman family of Faffo or Fabi (called "from Pescheria") and then at the end of the 11th century (when it was known as templum Marcelli), by Pier Leoni and later his heirs (the Pierleoni). This saved the complex from further destruction. The Savelli held it in the 13th century. Later, in the 16th century, the residence of the Orsini, designed by Baldassare Peruzzi, was built atop the ruins of the ancient theatre. By the 19th century, rises in the street level meant that almost half the ground floor was below it. Now the upper floors are divided into multiple apartments, and its surroundings are used as a venue for small summer concerts; the Portico d'Ottavia lies to the north west leading to the Roman Ghetto and the Tiber to the south west. In the 17th century, the English architect Sir Christopher Wren explicitly acknowledged that his design for the Sheldonian Theatre in Oxford was influenced by Serlio's engraving of the Theatre of Marcellus.

Santa Caterina dei Funari is a church in Rome in Italy, in the rione of Sant'Angelo. The church is mainly known for its façade and its interior with frescoes and paintings.

The temple of Bellona was an ancient Roman temple dedicated to the goddess Bellona and sited next to the Temple of Apollo Sosianus and the Theatre of Marcellus in Rome.