Santa Caterina dei Funari

The Palazzo Mattei di Giove is the most prominent among a group of Mattei houses that forms the insula Mattei in Rome, Italy, a block of buildings of many epochs.To distinguish this section from the others it carries the name of a Mattei fief, Giove. The Mattei owned a number of other palazzi that carried the family name including Palazzo Mattei di Trastevere across the Tiber as well as properties in Umbria, the Palazzo Mattei Paganica.

Theatre of Balbus was an ancient Roman structure in the Campus Martius of Rome. It was built in 13 BC by proconsul Lucius Cornelius Balbus (minor), likely from the spoils of a military campaign by order of Augustus (Cassius Dio 54.18.2; Pliny the Elder, Natural History (Pliny) 36.59-60). Very little is mentioned of the theatre in ancient writings. Its location was debated for decades until pieces of the Forma Urbis were finally pieced together in the 1960s. Excavations of the theatre began in 1981 and are still ongoing, however, the main portion of the crypta finished in 2000. Today what has been excavated can be seen at the Museo Nazionale Romano Crypta Balbi (National Museum of Rome), which is located at Via delle Botteghe Oscure, 31, (corner of Via M. Caetani). The museum is located in what was the crypta or courtyard in the rear of the theater's complex behind the stage. This courtyard was the smallest of all of Rome's major theatres. Here patrons would stroll between acts of a performance and seek refreshment. A catalogue complied at the end of the 4th century recorded that the theatre's seating capacity was 11,510 persons.

Sant'Ambrogio della Massima (also Sant'Ambrogio alla Massima) is a Roman Catholic church in rione Sant'Angelo, Rome, Italy, that perhaps dates to the 4th century. It was a convent until it became the subject of a Vatican investigation in the 19th century, when it was disbanded and repurposed as a missionary college and later an abbey church. It is said to have been associated with Saint Ambrose.

Sant'Angelo is the 11th rione of Rome, Italy, located in Municipio I. Often written as rione XI - Sant'Angelo, it has a coat of arms with an angel on a red background, holding a palm branch in its left hand. In another version, the angel holds a sword in its right hand and a scale in its left.Sant'Angelo, the smallest of Rome's rioni, lies along the Tiber river east of Tiber Island. Rioni bordering this district, clockwise from north to south, include Regola, Sant'Eustachio, Pigna, Campitelli, and Ripa. Sant'Angelo's western border is the river. The rione's terrain is low and flat and, until the construction of the Lungotevere, particularly susceptible to flooding from the river. The historical significance of Sant'Angelo is mainly the result of the presence here of the Roman Ghetto.

The Palazzo Caetani, also known as the Palazzo Mattei Caetani, and once known as the Palazzo of Alessandro Mattei or the Palazzo Mattei alle Botteghe Oscure, is an urban palace located on via delle Botteghe Oscure #32 in the rione Sant'Angelo of Rome, Italy. A palace at the site was initially commissioned from the architect Nanni di Baccio Bigio between 1545 and 1564 by Alessandro Mattei; this structure was purchased in 1776, by the Caetani, and has undergone numerous refurbishments. The building contains a number of tenants, including the Brazilian embassy to the Vatican, but also houses the Fondazione Camillo Caetani, including its library. The interior decoration was begun by Alessandro Mattei, who employed the brothers Taddeo and Federico Zuccari in painting some of the works in the piano nobile. Cristoforo Roncalli painted the palace chapel, and collaborated with Paul Bril, to decorate some of the rooms. The Caetani family employed Antonio Cavallucci in some of the 18th-century decorations.

The Fontana delle Tartarughe (The Turtle Fountain) is a fountain of the late Italian Renaissance, located in Piazza Mattei, in the Sant'Angelo district of Rome, Italy. It was built between 1580 and 1588 by the architect Giacomo della Porta and the sculptor Taddeo Landini. The bronze turtles around the upper basin, usually attributed either to Gian Lorenzo Bernini or Andrea Sacchi, were added in either 1658 or 1659 when the fountain was restored.

Santa Maria in Campitelli or Santa Maria in Portico is a church dedicated to the Virgin Mary on the narrow Piazza di Campitelli in Rione Sant'Angelo, Rome, Italy.

Santo Stanislao dei Polacchi (Saint Stanislaus of the Poles, Polish: Kościół św. Stanisława Biskupa i Męczennika w Rzymie), also known as San Stanislao alle Botteghe Oscure, is a Roman Catholic church in Rome, sited on Via delle Botteghe Oscure in the Sant'Angelo rione. It is the national church of Poland in Rome.

Palazzo Costaguti, also known as Palazzo Patrizi Costaguti, is a mannerist architecture Roman, located at the corner of Piazza Mattei with Via della Reginella, in rione Sant’Angelo in Rome. Large in size, it also runs along Via dei Falegnami and its rear facades are in Piazza Costaguti. Currently used as the seat of the Universitas Telematica Mercatorum.

The Albertoni Spinola Palace, with entrances in Campitelli square n. 2, Capizucchi square and vicolo Capizucchi is located in the 10th District (Rione Campitelli). It was projected and executed by Giacomo Della Porta and Girolamo Rainaldi around the end of 16th century and the first years of 17th century. The building is protected by Italian Government and the distinctive feature of Palace consist in two buildings connected to each other but perfectly integrated that have generated the visual effect of the perspective on the Church of Santa Maria in Campitelli.

Sant'Angelo in Pescheria or in Piscaria is a church in Rome. It dates from the 8th century. "In Pescheria" refers to its location close to the fish market built in the ruins of the ancient Porticus Octaviae. The relics of St. Symphorosa and her seven sons were transferred to the Church of Sant'Angelo in Pescheria at Rome by Pope Stephen II in 752. A sarcophagus was found here in 1610, bearing the inscription: Hic requiescunt corpora SS. Martyrum Simforosae, viri sui Zotici (Getulii) et Filiorum ejus a Stephano Papa translata. This inscription refers to Saint Getulius and Saint Symphorosa, purported to be husband and wife, who had seven sons, who were also martyred. The remains of these saints were transferred to Sant'Angelo by Pope Stephen II in 752.The revolutionary "tribune" Cola di Rienzo was born near Sant'Angelo. He launched his effort to seize control of Rome from the vicinity of the church in 1347. The Roman Ghetto was established nearby in the rione Sant'Angelo in 1555 by order of Pope Paul IV. The Ghetto was abolished in 1870 after the reunification of Italy or Risorgimento, and the Ghetto wall was demolished in 1888. The rione Sant'Angelo, numbered as XI, is named after the church. The inscriptions found in S. Angelo, a valuable source illustrating the history of the Basilica, have been collected and published by Vincenzo Forcella.In the second chapel to the left inside the church are frescoes of the Madonna with Child and Angels attributed to Benozzo Gozzoli (c. 1450). During the late 14th century, Matteo de Baccari dedicated part of his inheritance to the Church of Sant'Angelo in Pescheria in Rome, specifically to the Chapel of St. Cosmo and Damian. The chapel was not operational, but after many years his daughter, Mattea, managed to make the chapel functional. The Church is currently in the possession of the Order of Clerics Regular Minor, which utilizes the attached convent as their Generalate House.

The Temple of Jupiter Stator ("Jupiter the Sustainer") was a temple of Ancient Rome in the southern Campus Martius. It was destroyed in 64 AD in the Great Fire of Rome.The Temple was named after the god Jupiter, in his form of Jupiter Stator (Jupiter the Sustainer). Together with the Temple of Juno Regina (Juno in the form of "Queen Juno") and the enclosing Porticus Metelli (later rebuilt as the Porticus Octaviae), it was built by Quintus Caecilius Metellus Macedonicus after his triumph, in 146 BC. It is referred to as aedes Iovis Metellina and aedes Metelli. It was inside the porticus Metelli, close to the Circus Flaminius, and its exact site is known to have been beneath the church of Santa Maria in Campitelli. The Temple of Juno Regina was just west of it, on the opposite side of the Via della Tribuna di Campitelli. It is not stated in explicitly by Velleius that Metellus built both temples, but that is the natural inference from the passage. He is also said to have been the first to build a temple in Rome entirely of marble, and which probably applies to both structures. In front of the temples Metellus placed Lysippus' equestrian statues of Alexander the Great's generals, and in them were several famous works of art. According to Vitruvius (iii.2.5), the Temple of Jupiter was the work of Hermodorus of Salamis. It was a Hexastyle peripteral building with six columns along the short sides and eleven on the long sides. The space between the columns was equal to that between the columns and the wall of the cella. As there were no inscriptions on the temples and evidently representations of a lizard and a frog among the decorations (σαύρα, βάτραχος), the legend arose that the architects were two Spartans, Saurus and Batrachus and that as the decorations in the temple of Jupiter belonged to that of Juno and vice versa, the statues of the deities had been set up in the wrong cellae by the mistake of the workmen. The idea that an Ionic capital, now in S. Lorenzo fuori le Mura, has anything to do with the temples has generally been abandoned.In 64 AD, the Great Fire of Rome ravaged much of the city, completely devastating three of and partially destroying seven of the city's fourteen districts. The Temple of Jupiter Stator was completely destroyed, along with the House of the Vestals, the Domus Transitoria (Nero's first palace), the Temple of Luna, and much of Rome.