Great Synagogue of Rome

The Great Synagogue of Rome attack, which was carried out by armed Palestinian terrorists at the entrance to the Great Synagogue of Rome, took place on 9 October 1982 at 11:55 a.m. A 2-year-old toddler, Stefano Gaj Taché, was killed in the attack, while 37 civilians were injured.

The Jewish Museum of Rome (Italian: Museo Ebraico di Roma) is situated in the basement of the Great Synagogue of Rome and offers both information on the Jewish presence in Rome since the second century BCE and a large collection of works of art produced by the Jewish community. A visit to the museum includes a guided tour of the Great Synagogue and of the smaller Spanish Synagogue (Italian: Tempio Spagnolo) in the same complex.

The Roman Ghetto or Ghetto of Rome (Italian: Ghetto di Roma) was a Jewish ghetto established in 1555 in the Rione Sant'Angelo, in Rome, Italy, in the area surrounded by present-day Via del Portico d'Ottavia, Lungotevere dei Cenci, Via del Progresso and Via di Santa Maria del Pianto, close to the River Tiber and the Theatre of Marcellus. With the exception of brief periods under Napoleon from 1808 to 1815 and under the Roman Republics of 1798–99 and 1849, the ghetto of Rome was controlled by the papacy until the capture of Rome in 1870.

The Porticus Octaviae (Portico of Octavia; Italian: Portico di Ottavia) is an ancient structure in Rome. The colonnaded walks of the portico enclosed the temples of Jupiter Stator and Juno Regina, as well as a library. The structure was used as a fish market from the medieval period up to the end of 19th century.

The Circus Flaminius was a large, circular area in ancient Rome, located in the southern end of the Campus Martius near the Tiber River. It contained a small race-track used for obscure games, and various other buildings and monuments. It was "built", or sectioned off, by Gaius Flaminius in 221 BC. After Augustus divided the city into 14 administrative regions, the Circus Flaminius gave its name to Regio IX, which encompassed the Circus and all of the Campus Martius west of the Via Lata.

Sant'Angelo in Pescheria or in Piscaria is a church in Rome. It dates from the 8th century. "In Pescheria" refers to its location close to the fish market built in the ruins of the ancient Porticus Octaviae. The relics of St. Symphorosa and her seven sons were transferred to the Church of Sant'Angelo in Pescheria at Rome by Pope Stephen II in 752. A sarcophagus was found here in 1610, bearing the inscription: Hic requiescunt corpora SS. Martyrum Simforosae, viri sui Zotici (Getulii) et Filiorum ejus a Stephano Papa translata. This inscription refers to Saint Getulius and Saint Symphorosa, purported to be husband and wife, who had seven sons, who were also martyred. The remains of these saints were transferred to Sant'Angelo by Pope Stephen II in 752.The revolutionary "tribune" Cola di Rienzo was born near Sant'Angelo. He launched his effort to seize control of Rome from the vicinity of the church in 1347. The Roman Ghetto was established nearby in the rione Sant'Angelo in 1555 by order of Pope Paul IV. The Ghetto was abolished in 1870 after the reunification of Italy or Risorgimento, and the Ghetto wall was demolished in 1888. The rione Sant'Angelo, numbered as XI, is named after the church. The inscriptions found in S. Angelo, a valuable source illustrating the history of the Basilica, have been collected and published by Vincenzo Forcella.In the second chapel to the left inside the church are frescoes of the Madonna with Child and Angels attributed to Benozzo Gozzoli (c. 1450). During the late 14th century, Matteo de Baccari dedicated part of his inheritance to the Church of Sant'Angelo in Pescheria in Rome, specifically to the Chapel of St. Cosmo and Damian. The chapel was not operational, but after many years his daughter, Mattea, managed to make the chapel functional. The Church is currently in the possession of the Order of Clerics Regular Minor, which utilizes the attached convent as their Generalate House.

Lungotevere De' Cenci is the stretch of Lungotevere that connects Ponte Garibaldi to the Ponte Fabricio, in Rome, in the rioni Sant'Angelo and Regola.The lungotevere is named after the family of the Cenci, protagonist of a tragic story of Renaissance Rome. It is located between the Capitoline hill and the Tiber Island; among its main landmarks, there are the modern Synagogue of Rome, to which is attached the museum of the Jewish community of Rome; at the corner of Via del Tempio lies the Villino Astengo, built in 1914 in Art Nouveau style. Its designer was Ezio Garroni, the villino's decorations are by Giuseppe Zina.

The Pons Fabricius (Italian: Ponte Fabricio, "Fabrician Bridge") or Ponte dei Quattro Capi, is the oldest Roman bridge in Rome, Italy, still existing in its original state. Built in 62 BC, it spans half of the Tiber River, from the Campus Martius on the east side to Tiber Island in the middle (the Pons Cestius is west of the island). Quattro Capi ("four heads") refers to the two marble pillars of the two-faced Janus herms on the parapet, which were moved here from the nearby Church of St Gregory (Monte Savello) in the 14th century.

San Gregorio della Divina Pietà is a small Roman Catholic church facing the Piazza Gerusalemme located in Rione Sant'Angelo, in Rome, Italy. It is located near the Great Synagogue of Rome and the former Jewish quarter of Rome. It is sometimes referred to as San Gregorietto due to its small size. In the past, it was also called San Gregorio a Ponte Quattro Capi or Pons Judaeorum due to its proximity to the bridge known now as Pons Fabricius, connecting the sector to the Tiber island.

Sant'Ambrogio della Massima (also Sant'Ambrogio alla Massima) is a Roman Catholic church in rione Sant'Angelo, Rome, Italy, that perhaps dates to the 4th century. It was a convent until it became the subject of a Vatican investigation in the 19th century, when it was disbanded and repurposed as a missionary college and later an abbey church. It is said to have been associated with Saint Ambrose.

The Temple of Mars (Latin: Aedes Martis in Circo) was a temple built on the campus Martius in Rome in the 2nd century BC, near the Circus Flaminius, dedicated to Mars. The consul Decimus Junius Brutus Callaicus vowed a temple to Mars in 138 BC and construction began after 135 BC, financed by booty from his campaign in Hispania. It was designed by Hermodorus of Salamis and was dedicated in 132 BC during Junius' triumph. It was restored in the late Republic, retaining its original plan and features. If still in use by the 4th-century, the temple would have been closed during the persecution of pagans in the late Roman Empire, when the Christian Emperors issued edicts prohibiting non-Christian worship.

The Theatre of Marcellus (Latin: Theatrum Marcelli, Italian: Teatro di Marcello) is an ancient open-air theatre in Rome, Italy, built in the closing years of the Roman Republic. At the theatre, locals and visitors alike were able to watch performances of drama and song. Today its ancient edifice in the rione of Sant'Angelo, Rome, once again provides one of the city's many popular spectacles or tourist sites. Space for the theatre was cleared by Julius Caesar, who was murdered before its construction could begin; the theatre was advanced enough by 17 BC that part of the celebration of the ludi saeculares took place within the theatre; it was completed in 13 BC and formally inaugurated in 12 BC by Augustus, named after his nephew Marcus Claudius Marcellus who had died in 23 BC. The theatre was 111 m in diameter and was the largest and most important theatre in Ancient Rome; it could originally hold between 11,000 and 20,000 spectators. A catalogue complied at the end of the 4th century recorded that the theatre's seating capacity was 17,580 persons. It was an impressive example of what was to become one of the most pervasive urban architectural forms of the Roman world. The theatre was built mainly of tuff, and concrete faced with stones in the pattern known as opus reticulatum, completely sheathed in white travertine. However, it is also the earliest dateable building in Rome to make use of fired Roman brick, then a new introduction from the Greek world.The network of arches, corridors, tunnels and ramps that gave access to the interiors of such Roman theatres were normally ornamented with a screen of engaged columns in Greek orders: Doric at the base, Ionic in the middle. It is believed that Corinthian columns were used for the upper level but this is uncertain as the theatre was reconstructed in the Middle Ages, removing the top tier of seating and the columns.Like other Roman theatres in suitable locations, it had openings through which the natural setting could be seen, in this case the Tiber Island to the southwest. The permanent setting, the scaena, also rose to the top of the cavea as in other Roman theatres. The theatre fell out of use in the early 4th century and the structure served as a quarry, e.g., for the Pons Cestius in 370 AD. However, the statues located inside the building were restored by Petronius Maximus in 421 and the remaining structure still housed small residential buildings. In the Early Middle Ages the theatre was used as a fortress of the roman family of Faffo or Fabi (called "from Pescheria") and then at the end of the 11th century (when it was known as templum Marcelli), by Pier Leoni and later his heirs (the Pierleoni). This saved the complex from further destruction. The Savelli held it in the 13th century. Later, in the 16th century, the residence of the Orsini, designed by Baldassare Peruzzi, was built atop the ruins of the ancient theatre. By the 19th century, rises in the street level meant that almost half the ground floor was below it. Now the upper floors are divided into multiple apartments, and its surroundings are used as a venue for small summer concerts; the Portico d'Ottavia lies to the north west leading to the Roman Ghetto and the Tiber to the south west. In the 17th century, the English architect Sir Christopher Wren explicitly acknowledged that his design for the Sheldonian Theatre in Oxford was influenced by Serlio's engraving of the Theatre of Marcellus.