Garden of the Fugitives

The House of Loreius Tiburtinus (more correctly the House of Octavius Quartio after its true owner) is renowned for well-preserved art, mainly in wall-paintings as well as its large gardens.It is in the Roman city of Pompeii and with the rest of Pompeii was preserved by the volcanic eruption of Mount Vesuvius in or after October 79 AD.

The House of Julia Felix, also referred to as the praedia (Latin for an estate, or land) of Julia Felix, is a large Roman property on the Via dell'Abbondanza in the city of Pompeii. It was originally the residence of Julia Felix, who converted portions of it to apartments available for rent and other parts for public use after the major earthquake in 62 AD, a precursor to the eruption of Mount Vesuvius in 79 AD that destroyed Pompeii. Archaeological excavations began in 1755 and the remains of the House of Julia Felix can be visited today.

The House of Menander (Italian: Casa del Menandro) is one of the richest and most magnificent houses in ancient Pompeii in terms of architecture, decoration and contents, and covers a large area of about 1,800 square metres (19,000 sq ft) occupying most of its insula. Its quality means the owner must have been an aristocrat involved in politics, with great taste for art. The house was excavated between November 1926 and June 1932 and is located in Region I, Insula 10, Entrance 4 (I.10.4) of the city.

The Amphitheatre of Pompeii is one of the oldest surviving Roman amphitheatres. It is located in the ancient city of Pompeii, near Naples, and was buried by the eruption of Vesuvius in 79 AD, that also buried the city of Pompeii and the neighbouring town of Herculaneum. Six bodies were found during the excavations.

The Temple of Isis is a Roman temple dedicated to the Egyptian goddess Isis. This small and almost intact temple was one of the first discoveries during the excavation of Pompeii in 1764. Its role as a Hellenized Egyptian temple in a Roman colony was fully confirmed with an inscription detailed by Francisco la Vega on July 20, 1765. Original paintings and sculptures can be seen at the Museo Archaeologico in Naples; the site itself remains on the Via del Tempio di Iside. In the aftermath of the temple's discovery many well-known artists and illustrators swarmed to the site.The preserved Pompeian temple is actually the second structure; the original building built during the reign of Augustus was damaged in an earlier earthquake, in 62 AD. Previously to this, in both 54 BCE and 30 BCE, the Roman senate had issued proclamations demanding that the cult of Isis and her temples be demolished. It is reported that there were no volunteers to undertake this process, and that the cult only grew in popularity from this point, so much so that the Temple of Isis was one of the only buildings to be fully rebuilt after the earthquake. At the time of the 79 AD eruption of Vesuvius, the Iseum was the only temple to have been completely re-built; even the Capitolium had not been. Although the Iseum was wedged into a small and narrow space, it received significant foot traffic from theater-goers at the Large Theater, businessmen in the Triangular Forum, and others along the Stabian Gate. Principal devotees of this temple are assumed to be women, freedmen, and slaves. Initiates of the Isis mystery cult worshipped a compassionate goddess who promised eventual salvation and a perpetual relationship throughout life and after death. The temple itself was reconstructed in honor of a 6-year-old boy named Numerius Popidius Celsinus by his freedman father, Numerius Popidius Ampliatus, and his mother Corelia Celsa, to allow the child to enter elite society. Many scenes from the temple are re-created in the dining rooms of Pompeians, however, indicating that many individuals visited this temple for political, economic, or social reasons.

The House of the Centenary (Italian Casa del Centenario, also known as the House of the Centenarian) was the house of a wealthy resident of Pompeii, preserved by the eruption of Mount Vesuvius in 79 AD. The house was discovered in 1879, and was given its modern name to mark the 18th centenary of the disaster. Built in the mid-2nd century BC, it is among the largest houses in the city, with private baths, a nymphaeum, a fish pond (piscina), and two atria. The Centenary underwent a remodeling around 15 AD, at which time the bath complex and swimming pool were added. In the last years before the eruption, several rooms had been extensively redecorated with a number of paintings.Although the identity of the house's owner eludes certainty, arguments have been made for either Aulus Rustius Verus or Tiberius Claudius Verus, both local politicians.Among the varied paintings preserved in the House of the Centenary is the earliest known depiction of Vesuvius, as well as explicit erotic scenes in a room that may have been designed as a private "sex club".

The Lupanar of Pompeii is the ruins of a brothel in the Ancient Roman city of Pompeii. It is of particular interest for the erotic paintings on its walls. Lupanar is Latin for "brothel". The Pompeii lupanar is also known as Lupanare Grande or the "Purpose-Built Brothel". After becoming a Roman Colony, Pompeii was closely associated with Venus a deity of sex and a mythological figure closely tied to prostitution.

Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia (Southern Italy), which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.Specifically, these cultures contributed to the development of Pompeii’s art, architecture and religious spheres. For instance, Greek influences can be identified in the Alexander Mosaic, horse-shoe shaped theatres and Pompeii’s adoption of the Greek pantheon of gods. Examples of Egyptian influences can be found in the Nile Mosaic, garden art in the Villa of Julia Felix and the Cult of Isis.

Pompeii (, Latin: [pɔmˈpei̯.iː]) was an ancient city located in what is now the comune of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area (e.g. at Boscoreale, Stabiae), was buried under 4 to 6 m (13 to 20 ft) of volcanic ash and pumice in the Eruption of Mount Vesuvius in 79 AD. Largely preserved under the ash, the excavated city offers a unique snapshot of Roman life, frozen at the moment it was buried, although much of the detailed evidence of the everyday life of its inhabitants was lost in the excavations. It was a wealthy town, with a population of ca. 11,000 in AD 79, enjoying many fine public buildings and luxurious private houses with lavish decorations, furnishings and works of art which were the main attractions for the early excavators. Organic remains, including wooden objects and human bodies, were interred in the ash. Over time, they decayed, leaving voids that archaeologists found could be used as moulds to make plaster casts of unique, and often gruesome, figures in their final moments of life. The numerous graffiti carved on the walls and inside rooms provide a wealth of examples of the largely lost Vulgar Latin spoken colloquially at the time, contrasting with the formal language of the classical writers. Pompeii is a UNESCO World Heritage Site and is one of the most popular tourist attractions in Italy, with approximately 2.5 million visitors annually.After many excavations prior to 1960 that had uncovered most of the city but left it in decay, further major excavations were banned or limited to targeted, prioritised areas. In 2018, these led to new discoveries in some previously unexplored areas of the city.

The House of the Greek Epigrams (Casa degli Epigrammi Greci, V 1,18) is a Roman residence in the ancient town of Pompeii that was destroyed by the eruption of Mt. Vesuvius in 79 CE. It is named after wall paintings with inscriptions from Greek epigrams in a small room (y) next to the peristyle. The home at the time it was destroyed was the result of merging at least two earlier dwellings dating back to the second half of the second century B.C.E. It is estimated this merger occurred around the third quarter of the first century B.C.E. It is thought further alterations took place in the second half of the first century CE as well. The remains of a staircase at another of the home's entrances, V 1,12, indicate there was once an upper floor over that portion of the house, probably used as an apartment rental. Another staircase was found in the south end of the west portico of the peristyle that appears to be associated with the same service functions as the rooms directly below.

The Territorial Prelature of Pompei also called the Territorial Prelature of the Blessed Virgin Mary of the Most Holy Rosary (Latin: Praelatura Territorialis Pompeianus seu Beatissimae Virginis Mariae a SS.mo Rosario) is a Roman Catholic territorial prelature located in the city of Pompei in the Ecclesiastical province of Napoli in Italy. The cathedral of the territorial prelature is the Shrine of the Virgin of the Rosary of Pompei.

The Macellum of Pompeii was located on the Forum and as the provision market (or macellum) of Pompeii was one of the focal points of the ancient city. The building was constructed in several phases. When the earthquake of 62 AD destroyed large parts of Pompeii, the Macellum was also damaged. Archeological excavations in the modern era have revealed a building that had still not been fully repaired by the time of the eruption of Mount Vesuvius in 79 AD. Of particular interest to researchers is the section of the Macellum located on the east side that is thought to have been dedicated to the imperial cult. It makes manifest how central a role the emperors played in the lives of Romans as early as the 1st century. The other rooms on the west side are also interesting as examples of the link between economic and public life. Additionally, the market is an eloquent testimony to the everyday culture of the Romans, which is illustrated by archeological finds such as food remains, items of daily use and necessity, up to examples of Roman wall paintings.