House of Julia Felix

The House of Loreius Tiburtinus (more correctly the House of Octavius Quartio after its true owner) is renowned for well-preserved art, mainly in wall-paintings as well as its large gardens.It is in the Roman city of Pompeii and with the rest of Pompeii was preserved by the volcanic eruption of Mount Vesuvius in or after October 79 AD.

The Amphitheatre of Pompeii is one of the oldest surviving Roman amphitheatres. It is located in the ancient city of Pompeii, near Naples, and was buried by the eruption of Vesuvius in 79 AD, that also buried the city of Pompeii and the neighbouring town of Herculaneum. Six bodies were found during the excavations.

The Garden of the Fugitives (Italian: Orto dei Fuggiaschi) is an archaeological site located in the ancient destroyed city of Pompeii, in Regio 1 Insula 21. It contains the casts of 13 victims of the eruption of Mount Vesuvius in 79 AD.The insula once contained more town houses than the two which stand at the northwestern end of the insula but the rest of the area had been largely converted into a vegetable garden and vineyard before the eruption, with a triclinium covered by a pergola for outdoor banquets. The garden is situated near the Large Palaestra and just inside the Nocera gate. Today it has been extensively and carefully replanted to represent the original contents.The victims were adults and children, several found close together and others scattered over the area. They died apparently while trying to find a way out of the Nocera Gate, as they were above the layer of pumice that had already reached a height of 3.5 m, and were caught by the pyroclastic flow which was fatal.

House of the Orchard (Italian: Casa dei Cubicoli Floreali; also referred to as the Casa del Frutteto or the House of the Garden) is an ancient Roman residential structure located in the archaeological site of Pompeii. Situated on the south side of Via dell'Abbondanza, this house is notable for rich and decorative features. It is also known by various other names, including the House of Euplia and the House of the Flower Cubicles, due to the floral motifs found in its rooms. Like many other structures in Pompeii, it was preserved under volcanic ash following the eruption of Mount Vesuvius in 79 CE.

The House of Menander (Italian: Casa del Menandro) is one of the richest and most magnificent houses in ancient Pompeii in terms of architecture, decoration and contents, and covers a large area of about 1,800 square metres (19,000 sq ft) occupying most of its insula. Its quality means the owner must have been an aristocrat involved in politics, with great taste for art. The house was excavated between November 1926 and June 1932 and is located in Region I, Insula 10, Entrance 4 (I.10.4) of the city.

Casa del Citarista (House of the Citharist or House of the Kitharist) is a large residential property located at I.4.5/25 in the ancient city of Pompeii. It was named for the bronze statue of Apollo playing the cithara found in the central peristyle. Located at the intersection of the Via dell'Abbondanza and the Via Stabiana, the Casa del Citarista was a wealthy residence as evidenced by its notable wall paintings, mosaics, and bronze statues -- all of a high quality. The house is approximately 2700 m² (29,000 ft²) and was created by combing at least two smaller residences. Its most notable feature are its three peristyles split across two levels, with the upper peristyle standing nearly two meters (six feet) above the middle (room 17) and lower peristyles. The peristyles were connected by a staircase in antiquity. Other notable features of the house include its two entrances: 1) at I.4.5 on the Via dell'Abbondanza and 2) at I.4.25 opening to the Via Stabiana.

The House of the Centenary (Italian Casa del Centenario, also known as the House of the Centenarian) was the house of a wealthy resident of Pompeii, preserved by the eruption of Mount Vesuvius in 79 AD. The house was discovered in 1879, and was given its modern name to mark the 18th centenary of the disaster. Built in the mid-2nd century BC, it is among the largest houses in the city, with private baths, a nymphaeum, a fish pond (piscina), and two atria. The Centenary underwent a remodeling around 15 AD, at which time the bath complex and swimming pool were added. In the last years before the eruption, several rooms had been extensively redecorated with a number of paintings.Although the identity of the house's owner eludes certainty, arguments have been made for either Aulus Rustius Verus or Tiberius Claudius Verus, both local politicians.Among the varied paintings preserved in the House of the Centenary is the earliest known depiction of Vesuvius, as well as explicit erotic scenes in a room that may have been designed as a private "sex club".

The House of Marcus Lucretius Fronto (Italian: Casa di Marco Lucrezio Frontone, V.4.a) is a Roman house in Pompeii with well-preserved wall paintings in both the late Third Style as well as the Fourth Style.

The Temple of Isis is a Roman temple dedicated to the Egyptian goddess Isis. This small and almost intact temple was one of the first discoveries during the excavation of Pompeii in 1764. Its role as a Hellenized Egyptian temple in a Roman colony was fully confirmed with an inscription detailed by Francisco la Vega on July 20, 1765. Original paintings and sculptures can be seen at the Museo Archaeologico in Naples; the site itself remains on the Via del Tempio di Iside. In the aftermath of the temple's discovery many well-known artists and illustrators swarmed to the site.The preserved Pompeian temple is actually the second structure; the original building built during the reign of Augustus was damaged in an earlier earthquake, in 62 AD. Previously to this, in both 54 BCE and 30 BCE, the Roman senate had issued proclamations demanding that the cult of Isis and her temples be demolished. It is reported that there were no volunteers to undertake this process, and that the cult only grew in popularity from this point, so much so that the Temple of Isis was one of the only buildings to be fully rebuilt after the earthquake. At the time of the 79 AD eruption of Vesuvius, the Iseum was the only temple to have been completely re-built; even the Capitolium had not been. Although the Iseum was wedged into a small and narrow space, it received significant foot traffic from theater-goers at the Large Theater, businessmen in the Triangular Forum, and others along the Stabian Gate. Principal devotees of this temple are assumed to be women, freedmen, and slaves. Initiates of the Isis mystery cult worshipped a compassionate goddess who promised eventual salvation and a perpetual relationship throughout life and after death. The temple itself was reconstructed in honor of a 6-year-old boy named Numerius Popidius Celsinus by his freedman father, Numerius Popidius Ampliatus, and his mother Corelia Celsa, to allow the child to enter elite society. Many scenes from the temple are re-created in the dining rooms of Pompeians, however, indicating that many individuals visited this temple for political, economic, or social reasons.

The Lupanar of Pompeii is the ruins of a brothel in the Ancient Roman city of Pompeii. It is of particular interest for the erotic paintings on its walls. Lupanar is Latin for "brothel". The Pompeii lupanar is also known as Lupanare Grande or the "Purpose-Built Brothel". After becoming a Roman Colony, Pompeii was closely associated with Venus a deity of sex and a mythological figure closely tied to prostitution.

The Territorial Prelature of Pompei also called the Territorial Prelature of the Blessed Virgin Mary of the Most Holy Rosary (Latin: Praelatura Territorialis Pompeianus seu Beatissimae Virginis Mariae a SS.mo Rosario) is a Roman Catholic territorial prelature located in the city of Pompei in the Ecclesiastical province of Napoli in Italy. The cathedral of the territorial prelature is the Shrine of the Virgin of the Rosary of Pompei.

Several non-native societies had an influence on Ancient Pompeian culture. Historians’ interpretation of artefacts, preserved by the Eruption of Mount Vesuvius in 79, identify that such foreign influences came largely from Greek and Hellenistic cultures of the Eastern Mediterranean, including Egypt. Greek influences were transmitted to Pompeii via the Greek colonies in Magna Graecia (Southern Italy), which were formed in the 8th century BC. Hellenistic influences originated from Roman commerce, and later conquest of Egypt from the 2nd century BC.Specifically, these cultures contributed to the development of Pompeii’s art, architecture and religious spheres. For instance, Greek influences can be identified in the Alexander Mosaic, horse-shoe shaped theatres and Pompeii’s adoption of the Greek pantheon of gods. Examples of Egyptian influences can be found in the Nile Mosaic, garden art in the Villa of Julia Felix and the Cult of Isis.