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House of Marcus Lucretius Fronto

Houses of PompeiiWikipedia references cleanup from June 2024
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The House of Marcus Lucretius Fronto (Italian: Casa di Marco Lucrezio Frontone, V.4.a) is a Roman house in Pompeii with well-preserved wall paintings in both the late Third Style as well as the Fourth Style.

Excerpt from the Wikipedia article House of Marcus Lucretius Fronto (License: CC BY-SA 3.0, Authors, Images).

House of Marcus Lucretius Fronto
Via Antonio Segni,

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N 40.75282 ° E 14.48783 °
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Scavi archeologici di Pompei

Via Antonio Segni
80045
Campania, Italy
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Pompeii
Pompeii

Pompeii (, Latin: [pɔmˈpei̯.iː]) was an ancient city located in what is now the comune of Pompei near Naples in the Campania region of Italy. Pompeii, along with Herculaneum and many villas in the surrounding area (e.g. at Boscoreale, Stabiae), was buried under 4 to 6 m (13 to 20 ft) of volcanic ash and pumice in the Eruption of Mount Vesuvius in 79 AD. Largely preserved under the ash, the excavated city offers a unique snapshot of Roman life, frozen at the moment it was buried, although much of the detailed evidence of the everyday life of its inhabitants was lost in the excavations. It was a wealthy town, with a population of ca. 11,000 in AD 79, enjoying many fine public buildings and luxurious private houses with lavish decorations, furnishings and works of art which were the main attractions for the early excavators. Organic remains, including wooden objects and human bodies, were interred in the ash. Over time, they decayed, leaving voids that archaeologists found could be used as moulds to make plaster casts of unique, and often gruesome, figures in their final moments of life. The numerous graffiti carved on the walls and inside rooms provide a wealth of examples of the largely lost Vulgar Latin spoken colloquially at the time, contrasting with the formal language of the classical writers. Pompeii is a UNESCO World Heritage Site and is one of the most popular tourist attractions in Italy, with approximately 2.5 million visitors annually.After many excavations prior to 1960 that had uncovered most of the city but left it in decay, further major excavations were banned or limited to targeted, prioritised areas. In 2018, these led to new discoveries in some previously unexplored areas of the city.

Temple of Isis (Pompeii)
Temple of Isis (Pompeii)

The Temple of Isis is a Roman temple dedicated to the Egyptian goddess Isis. This small and almost intact temple was one of the first discoveries during the excavation of Pompeii in 1764. Its role as a Hellenized Egyptian temple in a Roman colony was fully confirmed with an inscription detailed by Francisco la Vega on July 20, 1765. Original paintings and sculptures can be seen at the Museo Archaeologico in Naples; the site itself remains on the Via del Tempio di Iside. In the aftermath of the temple's discovery many well-known artists and illustrators swarmed to the site.The preserved Pompeian temple is actually the second structure; the original building built during the reign of Augustus was damaged in an earlier earthquake, in 62 AD. Previously to this, in both 54 BCE and 30 BCE, the Roman senate had issued proclamations demanding that the cult of Isis and her temples be demolished. It is reported that there were no volunteers to undertake this process, and that the cult only grew in popularity from this point, so much so that the Temple of Isis was one of the only buildings to be fully rebuilt after the earthquake. At the time of the 79 AD eruption of Vesuvius, the Iseum was the only temple to have been completely re-built; even the Capitolium had not been. Although the Iseum was wedged into a small and narrow space, it received significant foot traffic from theater-goers at the Large Theater, businessmen in the Triangular Forum, and others along the Stabian Gate. Principal devotees of this temple are assumed to be women, freedmen, and slaves. Initiates of the Isis mystery cult worshipped a compassionate goddess who promised eventual salvation and a perpetual relationship throughout life and after death. The temple itself was reconstructed in honor of a 6-year-old boy named Numerius Popidius Celsinus by his freedman father, Numerius Popidius Ampliatus, and his mother Corelia Celsa, to allow the child to enter elite society. Many scenes from the temple are re-created in the dining rooms of Pompeians, however, indicating that many individuals visited this temple for political, economic, or social reasons.