Embriaci Tower

Santa Maria di Castello is a church and religious complex in Genoa, Italy. Administrated for a long time by the Dominicans, it is located in the Castello hill of the city, where in the Middle Ages a bishop's fortified castle existed. The church is flanked by the large Tower of the Embriaci. The church, in Romanesque style, was erected before 900 AD. It houses many artworks commissioned by the main noble families of Genoa, by artists such as Francesco Maria Schiaffino, Lorenzo Fasolo, Alessandro Gherardini, Giuseppe Palmieri, Francesco Boccaccino, Pier Francesco Sacchi, Bernardo Castello, Aurelio Lomi and Tommaso Orsolino. Notable are the frescoes with Stories of David and the painted majolicas from the 16th century Genoese school. The high altar is decorated by a marble group of the "Assumption" by Domenico Parodi (late 17th century), while the chapel to the left of the presbytery has a Santa Rosa da Lima by Domenico Piola and a marble cover by Taddeo Carlone. The fourth chapel in the left aisle has a Madonna del Rosario by the workshop of Anton Maria Maragliano, while the first chapel has a painting attributed to Giovanni Battista Paggi (early 17th century). The baptistery has a polyptych from Lombard masters of the 15th century. The main portal is in Tuscan style (mid-15th century), and is surmounted by a Gothic lunette of the 14th century with a "Crucifixion". The loggia facing the second cloister has frescoes of Saints, a Madonna and, on the first floor, an Annunciation by Giusto d'Alemagna (1451). In the upper floor has a statue of "St. Catherina of Alexandria" and a marble tabernacle attributed to Domenico Gagini (15th century).

The historic center of Genoa is the core of the old town organized in the maze of alleys (caruggi) of medieval origin that runs - from east to west - from the hill of Carignano (Genoa) to the Genova Piazza Principe railway station, close to what was once the Palazzo del Principe, residence of Admiral Andrea Doria. Urbanistically, the area is part of Municipio I Centro-Est. However, the current municipal area was created by the merger, which took place on several occasions starting in the second half of the 19th century, of historic Genoa with adjacent municipalities and towns (now neighborhoods), some of which have more or less ancient historic centers of their own and have been urbanistically revolutionized over the years. The major urban planning operations carried out from the first half of the 19th century to beyond the middle of the 20th (which are difficult to replicate today, given the increased interest in the protection of historic neighborhoods by the public administration), combined with the damage that occurred during World War II (many of the old buildings were destroyed during the Allied bombing raids), partly disrupted the original fabric of the historic center. Slightly less than a quarter of the buildings (23.5 percent) date from the postwar period or later.

The Oratorio di San Giacomo della Marina (translated as Oratory of St. James of the Marina) is a small chapel or prayer-house at the dockside in Genoa, northern Italy. Erected in 1453, the oratory was rebuilt and decorated in the 17th century. Twelve large canvasses illustrating the saint and patron of the battle against the Moors, Saint James, were completed by major Genoese Baroque artists including: Giovanni Benedetto Castiglione (il Grechetto) - St. James defeats the Moors Giovanni Battista Carlone - St. James Opens the Gates of Coimbra to King Ferdinand and Martyrdom of St. James Valerio Castello - Saint Peter Baptizes St. James Giovanni Domenico Cappellino - St. James Preaching Domenico Piola Martyrdom of the Saint Giovanni Lorenzo Bertolotto - The Invention of the Spoglia Aurelio Lomi - Sons of Zebedee with JesusThe exterior of the oratory is unadorned. The confraternity was active in religious processions during past centuries.

The church of Santi Cosma e Damiano is located in central Genoa, ItalyLocated at the site of an ancient oratory, it is dedicated to the martyrs St. Cosma and Damian. The skull and tibia of the latter are presumably among the relics in the church. They were the patron saints of barbers and doctors. The first documents about the church date to 1049. In 1684, the church roof was damaged by the naval bombardment of the city. It was also damaged during the bombing of Genoa in World War II. It contains a painting of Esther and Assuerus by Bernardo Castello and a Madonna and child with St Cosma and Damian by Gioacchino Assereto.

San Torpete is a church in central Genoa, northern Italy, dedicated to Saint Torpes. It was founded in the 11th century by local merchants. It was rebuilt in 1730 under designs conceived by Giovanni Antonio Ricca. The interior ceiling is decorated with paintings and stucco by Giovanni Bernardo Carlone depicting scenes of the Life of San Torpete. An altarpiece of Madonna with St Thomas Becket of Canterbury, St Lucia and John the Baptist is attributed to the studio of Luca Cambiaso or Andrea Semini. The small statue of the Virgin of Providence at the main altar was completed by Giovanni Battista Drago. The altar of San Filippo Neri has a painting depicting The Saint in ecstasy attributed to the studio of Giovanni Battista Paggi.

Basilica of Our Lady of the Assumption (Italian: Basilica di Nostra Signora Assunta is a Roman Catholic church in the town of Genoa, in the Province of Genoa and the region of Liguria, Italy. This church was constructed during 1610–1624. The Baroque-style facade was added in 1932, design of the architect Piero de Barbieri; the sculptor Luigi Venzano contributed the facade statues of St. John the Baptist and St. Joseph, while the central relief depicts the Madonna. The interior was decorated across the centuries and includes works by Giulio Benso, Domenico Piola, Nicolò Barabino, and Gian Stefano Rossi. It should not be confused with the distinct Santa Maria Assunta also called Santa Maria di Carignano.

The Palazzo Cattaneo Della Volta', also called Palazzo Cattaneo di San Torpete or Palazzo di Nicolò Cattaneo, is a building located in Piazza Cattaneo at number 26 in the historical centre of Genoa. The building was included in the list of palaces inscribed in the Rolli di Genova.

San Donato is a church in Genoa, Northern Italy. The interior contains a Madonna by the 14th-century painter Nicolò da Voltri; a St Joseph It dates from the 12th century and is in Romanesque style. It became a parish under archbishop Siro il Porcello, and was consecrated on May 1, 1189. After the bombardment of 1684 it was restored several times, being again consecrated on December 4, 1892. Other restorations in 1946-1951 have kept its Romanesque appearance. , by Domenico Piola; and a marble relief of the Baptism of Christ, started by Ignazio Peschiera and completed by his pupil Carlo Rubatto. There is also a triptych (1515) by Joos van Cleve representing The Adoration of the Magi; the person who commissioned the work Stefano Raggi with Guardian Saint ; and a Mary Magdalen. This is topped by a Crucifixion scene with Mary and St John the Evangelist.

The church of the Santissimo Nome di Maria e degli Angeli Custodi, commonly known as the Church of the Scuole Pie, is a church in central Genoa, located a few metres away from the Cathedral of Genoa. The church was built on property belonging to the community of Piarist or Scolopi fathers (members of the Order of Poor Clerics Regular of the Mother of God of the Pious Schools, who had come to the city to establish a school from the town of Savona in the 16th century. Church construction began in 1712, and was completed by around 1770. Among the artists completing frescoes in the interior were Giuseppe Galeotti and Andrea Leoncini. Galeotti painted the Saints Jerome, Ambrogio, Gregory, and Augustine in the Pilasters. Leoncini frescoed Giuseppe Calasanzio (the founder of the order of the scolopi). Francesco Maria Schiaffino designed nine relief sculptures present in the church, and died (1765) before they were all completed by his studio. The three representing the Nativity, Mary at the Temple, and Young Jesus among the Scholars, while the Marriage of Mary, the Annunciation, the Visitation of Anne, the Assumption of the Virgin, the Descent of the Holy Spirit, and Flight to Egypt were by pupils, including this last once completed by a young Nicolò Traverso). The statue of Mary at the main altar was completed by Tommaso Orsolino, while a painting of the Guardian Angel was completed by Giovanni Paolo Oderico.

San Giorgio is a Genoa Metro station in Genoa, Italy. It is located under Piazza della Raibetta beside the Palazzo San Giorgio, after which it is named. It is in the Old Harbour area near the Aquarium of Genoa.The station was designed by architects Renzo Piano BWS ndm.

The Archdiocese of Genoa (Latin: Archidioecesis Ianuensis) is a Latin Church ecclesiastical territory or diocese of the Catholic Church in Italy. Erected in the 3rd century, it was elevated to an archdiocese on 20 March 1133. The archdiocese of Genoa was, in 1986, united with the Diocese of Bobbio-San Colombano, forming the Archdiocese of Genoa-Bobbio; however a split in 1989 renamed it the "Archdiocese of Genoa." The Archdiocese of Genoa is a metropolitan archdiocese, the suffragan dioceses in its ecclesiastical province are the Diocese of Albenga-Imperia, Diocese of Chiavari, Diocese of La Spezia-Sarzana-Brugnato, Diocese of Savona-Noli, Diocese of Tortona, and Diocese of Ventimiglia-San Remo.

Genoa Cathedral or Metropolitan Cathedral of Saint Lawrence (Italian: Duomo di Genova, Cattedrale di San Lorenzo) is a Roman Catholic cathedral in the Italian city of Genoa. It is dedicated to Saint Lawrence (San Lorenzo), and is the seat of the Archbishop of Genoa. The cathedral was consecrated by Pope Gelasius II in 1118 and was built between the twelfth century and the fourteenth century as fundamentally a medieval building, with some later additions. Secondary naves and side covers are of Romanesque style and the main facade is Gothic from the early thirteenth century, while capitals and columns with interior corridors date from the early fourteenth century. The bell tower and dome were built in the sixteenth century.